| Gérard Depardieu | ... | Bob | |
| Michel Blanc | ... | Antoine | |
| Miou-Miou | ... | Monique | |
| Michel Creton | ... | Pedro | |
| Jean-François Stévenin | ... | Husband in house 3 | |
| Mylène Demongeot | ... | Wife in house 3 | |
| Caroline Sihol | ... | Wife of the Rich and Depressed Man | |
| Jean-Yves Berteloot | ... | Male Prostitute in night club | |
| Bruno Cremer | ... | The Art Lover | |
| Jean-Pierre Marielle | ... | The Rich and Depressed Man | |
| Dominique Besnehard | |||
| Bernard Farcy | |||
| Michel Pilorgé | |||
| Michel Such | |||
| Maurice Travail |
Directed by | |||
| Bertrand Blier | |||
Writing credits(in alphabetical order) | ||
| Bertrand Blier | ||
Produced by | |||
| René Cleitman | .... | producer | |
| Catherine Blier Florin | .... | co-producer | |
Original Music by | |||
| Serge Gainsbourg | |||
Cinematography by | |||
| Jean Penzer | |||
Film Editing by | |||
| Claudine Merlin | |||
Casting by | |||
| Margot Capelier | |||
Production Design by | |||
| Théobald Meurisse | |||
Costume Design by | |||
| Michèle Cerf | |||
Makeup Department | |||
| Michel Deruelle | .... | makeup artist | |
| Joël Lavau | .... | makeup artist | |
| Philippe Tran Van | .... | hair stylist | |
Production Management | |||
| Michel Bernede | .... | unit manager | |
| Michel Choquet | .... | production manager | |
| Philippe Dussart | .... | general production manager | |
Second Unit Director or Assistant Director | |||
| Bertrand Arthuys | .... | assistant director | |
| Luc Goldenberg | .... | assistant director | |
| Hiromi Rollin | .... | second assistant director | |
Art Department | |||
| Louis Carini | .... | construction coordinator | |
| Jean-François Cousson | .... | property master | |
| Georges Glon | .... | assistant art director | |
| Michel Grimaud | .... | property master | |
| Gérard James | .... | set designer | |
| Philippe Jeanjean | .... | assistant art director | |
| Félix Placenti | .... | assistant set designer | |
| Claude Poulain | .... | assistant art director | |
Sound Department | |||
| Fabienne Alvarez-Giro | .... | sound editor (as Fabienne Alvarez) | |
| Bernard Bats | .... | sound | |
| Jean Duguet | .... | sound mixer | |
| Dominique Hennequin | .... | sound | |
| Michel Kharat | .... | boom operator | |
| Jean-Pierre Lelong | .... | sound mixer | |
| Mario Melchiorri | .... | sound mixer | |
| Jean-Max Morise | .... | dubbing | |
| Elisabeth Moulinier | .... | sound editor | |
Camera and Electrical Department | |||
| Yves Agostini | .... | camera operator | |
| Valérie Blier | .... | assistant still photographer | |
| Michel Coteret | .... | assistant camera | |
| Gilbert Darraux | .... | key grip | |
| André Nové | .... | chief electrician | |
| Georges Pierre | .... | still photographer | |
| Eric Vallée | .... | assistant camera | |
| Christian Weyers | .... | gaffer | |
Casting Department | |||
| Gérard Moulévrier | .... | extras casting | |
Costume and Wardrobe Department | |||
| Sophie Breton | .... | assistant costumer | |
| Marie-Claude Herry | .... | assistant costumer | |
| Gil Noir | .... | assistant costumer | |
Editorial Department | |||
| Sylvie Quester | .... | assistant editor | |
Other crew | |||
| Claude Davy | .... | press attache | |
| Ida Fassio | .... | production secretary | |
| Gerard Kindinis | .... | production secretary | |
| Jacques Lacour | .... | production administrator | |
| Colette Lopez | .... | production secretary | |
| Annie Maurel | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Region 1 DVD will released on 7/14/2009 | neil57 |
| Companion piece to Les Valseuses | neil57 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
With Tenue de Soiree, Blier is once again investigating male insecurity and men's relations with other men. Essentially a remake of Les Valseuses, this film quickly removes the presence of a woman (Monique) to leave the way clear for Bob's seduction of Antoine. A complex film, part crime comedy, part transvestite film, Blier seems to lose his way at the midpoint and the ending seems tacked on. Depardieu and Blanc in particular are excellent, but the script lets them down. A homophobe becomes a fully dressed transsexual in about 90 minutes, hardly realistic and the misogynistic tone of the film can be draining. A useful companion piece to Les Valseuses, but it is only half the film that Les Valseuses was in 1974.