When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking home.
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
College student Hana falls in love with another student who turns out to be a werewolf, who dies in an accident after their second child. Hana moves to the rural countryside where her husband grew up to raise her two werewolf children.
A young boy stumbles into a mysterious girl who floats down from the sky. The girl, Sheeta, was chased by pirates, army and government secret agents. In saving her life, they begin a high flying adventure that goes through all sorts of flying machines, eventually searching for Sheeta's identity in a floating castle of a lost civilization. Written by
Tzung-I Lin <firstname.lastname@example.org>
The weaponry and mechanical settings in Laputa is a mixture of British and German designs. Miyazaki is a fan of German weaponry (he has manga works like The Return of Hans and Otto Carius - both about WWII German tank crews), so soldier's uniform, medals, and grenades (Stielhandgranate, the famous "potato masher" in WWII) are modeled after German design, not to mention the gigantic battle zeppelin "Goliath." However, since the town of Slag Ravine was modeled after a mining town in Wales, British-styled civilian clothing and British weapons such as Lee-Enfield SMLE Mk. III rifle (soldiers) and Webley top-break revolver (Muska and his agents) appear frequently in the film. See more »
When Pazu sets off with Dola and her sons to rescue Sheeta from Muska and the army, he is wearing goggles that he had put on moments earlier. When they take off on their Flaptors, one moment the goggles are above Pazu's eyes, then a bit later on, as they rise into the air, they are covering his eyes, only to be back above his eyes again a bit later. See more »
How appropriate that we've ended up in the throne room.
Now get over here!
This is no longer a throne room. This is a tomb for the both of us. You see, a king without compassion does not deserve a kingdom. You will *never* possess the crystal! You and I will die here, together. Now I understand why the people of Laputa vanished. This is a song from my home in the valley of Gondoa that explains everything. It says, "Take root in the ground, live in harmony with the wind, plant your ...
[...] See more »
The end credits show the remains of the castle Laputa floating on Earth's orbit. See more »
I first saw this film when I was about 8 years old on TV in the UK (where it was called "Laupta: The Flying Island"). I absolutely loved it, and was heartbroken when it was repeated a while later and I missed it. I was enchanted by the story and characters, but most of all by the haunting and beautiful music. It would have been the original English dubbed version which I saw - sometimes erroneously referred to as the "Streamline Dub" (the dub was actually by Ghibli themselves and only distributed by Streamline) which is sadly unavailable except as part of a ridiculously expensive laser disc box-set.
Unfortunately I feel that the release has been partly spoiled by Disney. The voice acting is OK but the dialogue doesn't have the same raw energy that the "streamline" dub or the original Japanese had, and I think James Van Der Beek sounds too old to play the lead. They have made some pointless alterations, such as changing the main character's name from "Pazu" to "Patzu", and added some dialogue. But worst of all I feel that they have ruined many scenes with intrusive music - the opening scene of the airships for example was originally silent but has been spoiled thanks to Disney's moronic requirement that there be music playing whenever anyone is not speaking, which I find annoying in many Disney films.
This film still blows away most recent animated films, and I cannot recommend it highly enough. The plot is simple yet captivating and the film shows a flair which is sadly missing from most modern mass-market, homogenized animation.
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