When an unconfident young woman is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking home.
In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
The Clock family are four-inch-tall people who live anonymously in another family's residence, borrowing simple items to make their home. Life changes for the Clocks when their daughter, Arrietty, is discovered.
A young girl finds that all the books she chooses in the library have been previously checked out by the same boy. Later she meets a very infuriating fellow... could it be her "friend" from... See full summary »
A young boy stumbles into a mysterious girl who floats down from the sky. The girl, Sheeta, was chased by pirates, army and government secret agents. In saving her life, they begin a high flying adventure that goes through all sorts of flying machines, eventually searching for Sheeta's identity in a floating castle of a lost civilization. Written by
Tzung-I Lin <firstname.lastname@example.org>
The weaponry and mechanical settings in Laputa is a mixture of British and German designs. Miyazaki is a fan of German weaponry (he has manga works like The Return of Hans and Otto Carius - both about WWII German tank crews), so soldier's uniform, medals, and grenades (Stielhandgranate, the famous "potato masher" in WWII) are modeled after German design, not to mention the gigantic battle zeppelin "Goliath." However, since the town of Slag Ravine was modeled after a mining town in Wales, British-styled civilian clothing and British weapons such as Lee-Enfield SMLE Mk. III rifle (soldiers) and Webley top-break revolver (Muska and his agents) appear frequently in the film. See more »
When Pazu sets off with Dola and her sons to rescue Sheeta from Muska and the army, he is wearing goggles that he had put on moments earlier. When they take off on their Flaptors, one moment the goggles are above Pazu's eyes, then a bit later on, as they rise into the air, they are covering his eyes, only to be back above his eyes again a bit later. See more »
[on the Tiger Moth, Louie is escorting Pazu to the Tiger Moth's engine room]
Work, work, work. Busy, busy, busy, busy. Left, right, left, right. You're not here to have fun.
[inside the engine room; we see the gears turning]
As you can see, this room is loaded with all sorts of gears and gizmos!
Wow, this engine room is amazing!
Is *that* what it's called?
See more »
The end credits show the remains of the castle Laputa floating on Earth's orbit. See more »
You need a 20 out of 10 ratings to rate Miyazaki's films
Hayao Miyazaki has no equal when it comes to using hand-drawn animation as a form of storytelling, yet often he is being compared to Walt Disney. That is just so unfair, because it becomes apparent by watching Miyazaki's films that he is the superior artist. He really has a gift of thrilling both grownups and children, and Laputa is indeed one awesome ride.
But where can I begin to describe a movie so magical and breathtaking! Miyazaki's works have never cease to amaze me. Laputa is an adventure of a grand scale and I wonder how a film can be so packed with details and imagination. Ask yourself this question: if you are a kid dreaming of an adventure so grand in scope and so magical, what would it be like? The answer would be to strap yourself in some seat and watch Laputa, because it's truly a childhood fantasy come true. Every minute of the movie is rich and engrossing ... from the train chase to the amazing air-flying sequences... and to the wonderous sight of the floating castle itself. Not to mention the excellent score by Joe Hisaishi! Everything you ever possibly want from an adventure movie is here.
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