Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, ... See full summary »
Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, directors want to re-stage battles, and he becomes very infatuated with Faith who will play the female lead in the movie. At the same time, he is fighting with his crazy mother who thinks the Devil lives in her kitchen, and his girlfriend who is talking about commitment. Written by
John Vogel <firstname.lastname@example.org>
The maxim of movie director Bo Hodges (Saul Rubinek) was to make movies aimed at youth audiences where characters (1) Defy Authority (2) Destroy Property and (3) Take their clothes off. See more »
[on meeting the lead actress out of period costume]
I'm trying to get used to how *different* you look. You--you know, you're two different people!
Oh, well, if all I could be is two different people, I'd be out of business!
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Alan Alda, still trying to be Hollywood's Everyman, wrote, directed and starred in SWEET LIBERTY,a relatively entertaining comedy about a small town professor who has written a book about what went on his town during the revolutionary war and has sold the film rights. The film chronicles the arrival of the film crew to do the film on location and Alda's exasperation at all the changes they want to make to his book; however, his attitudes toward what they are doing to his book take a back seat when he meets the film's leading lady (Michelle Pfeiffer) who apparently physically resembles the character she is playing to a T but as Alda finds, out is nothing like her. This movie is just so Alan Alda and like all of his movies, the characters all seem to talk and think like Alda but I have come to expect this from an Alda movie after THE FOUR SEASONS. Alda has assembled an impressive cast including Michael Caine as a hammy actor and Bob Hoskins, extremely amusing as the screenwriter who pretends to want Alda's input on his screenplay while seeking his constant approval at the same time. The film does run out of steam before fade out, but Alda and company manage to keep it afloat for most of the ride.
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