Nichelle Nichols is an army sergeant who leads her platoon into the woods of the deep south on a training exercise. Unfortunately, it is the site where a bunch of yankee soldiers murdered a... See full summary »
Two uneasy friends, a police officer and a TV talk show host, each pursue the mysterious "handcuff killer" with the aid of an artist who sees - and draws - the killer's crimes before they're committed.
A father who experiments with his sons psychokinetic powers, is unaware that these experiments release a demon from hell, which lives in his sons closet, preparing to take over the young ... See full summary »
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trail of bodies behind them. The violence escalates throughout.
A man goes to speak with a gigolo and is promptly beaten for his trouble. Soon afterward, his wife is told that he burned to death in a car wreck and is shown the body...and that's when she... See full summary »
Rita and Dana Lund's marriage is in a crisis, Rita's frustrated from being just a housewife. To save their marriage, they set out for a camping trip through California with their son. At a ... See full summary »
While studying genome sequences of basic molecular mechanisms found in cerebral DNA (topoisomerase functionality), Professor Calvin 'Cal' Gordon has inadvertently acquired complete ... See full summary »
Quinn K. Redeker
Nichelle Nichols is an army sergeant who leads her platoon into the woods of the deep south on a training exercise. Unfortunately, it is the site where a bunch of yankee soldiers murdered a town of confederates. The corpses of the dead soldiers rise up to wreak revenge. Written by
Maurice Gibb, who has a cameo appearance in the movie as a Union Soldier, was originally slated to do the score. A cut of the movie with his score is circulating but the released version features that of Robert O. Ragland instead. See more »
From the film-maker of "He Knows You're Alone" (1980) "and "Distortions" (1987); Director Armand Mastroianni's generic survival zombie feature "The Supernaturals" has a good concept (army recruits on a training mission in the woods of the Deep South encounter dead confederate soldiers), which isn't entirely realised. In the end it's a passable low-budget, b-grade presentation that's a little too sloppy and uneventful, but is genuinely moody and atmospheric in its backwoods setting. Mastroianni's use of lighting, shadow work and a fog machine, installs some eerie imagery and a few nasty jolts in the back-end. However it really does take its time, before its final payoff --- the characters that you spend a lot of time with aren't particularly an interesting bunch (with some abysmal dialogues too). The scratchy plot doesn't explain all that much about what's going on; it's rather unusual and vague, but this does come off rather daft and cheesy in its on going build-ups. Although it does gradually get better as it goes along. The performances are decent enough (Nichelle Nichols, a pinning Maxwell Caulfield and Talia Balsam) and look out for a cameo by one of the Bee Gees; Maurice Gibb as a Union soldier. At times lousy, ponderous but tautly constructed with some striking visuals and commendable make-up FX when on show.
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