American Playhouse (1981– )
11 user 4 critic

Sunday in the Park with George 

Not Rated | | Comedy, Drama, Romance | Episode aired 16 June 1986
Video production of the Pulitzer-prize winning musical stage production. In the first act, "George", a fictionalized Georges Seurat paints his lover, Dot, and "A Sunday Afternoon on the ... See full summary »




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Episode cast overview, first billed only:
Barbara Bryne ...
Old Lady / Blair Daniels
Mary D'Arcy ...
Celeste #2 / Elaine
Sue Anne Gershenson ...
Woman / Photographer
Cris Groenendaal ...
Louis / Billy Webster
Yvonne / Naomi Eisen
John Jellison ...
Man with bicycle / Museum Assistant
Jules / Bob Greenberg
Mr. / Lee Randolph
Judith Moore ...
Nurse / Mrs. / Harriet Pawling
Frieda / Betty
William Parry ...
Boatman / Charles Redmond
Natalie Polizzi ...
Michele Rigan ...


Video production of the Pulitzer-prize winning musical stage production. In the first act, "George", a fictionalized Georges Seurat paints his lover, Dot, and "A Sunday Afternoon on the Island of Le Grande Jatte." Characters who become figures and vice versa walk through the story. In Act 2, George's descendant, a sculptor, comes to terms with his grandmother, Life, and Art. Written by Kathy Li

Plot Summary | Plot Synopsis


Not Rated




Release Date:

16 June 1986 (USA)  »

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Did You Know?


Sunday in the Park With George won the Pulitzer Prize in Drama in 1985. Only eight musicals have won the Pulitzer Prize in drama - one per decade from the 1930s to the 1990s. The full list is as follows: "Of Thee I Sing" (1932) from the 1930s, "South Pacific" (1950) from the 1940s, "Fiorello!" (1960) from the 1950s, "How to Succeed in Business Without Really Trying" (1962) from the 1960s, "A Chorus Line" (1976) from the 1970s, "Sunday in the Park with George" (1984) from the 1980s, "Rent" (1995) from the 1990s , "Next to Normal" in the 2000s and "Hamilton" (2015) in the 2010's. The dates shown are for the Broadway productions. See more »


Dennis: I'm going back to NASA. There's just too much pressure in this line of work.
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Written by Stephen Sondheim
Performed by the company
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User Reviews

Sondheim, Patinkin, and Peters at their best
24 November 2005 | by See all my reviews

Sunday IN THE PARK WITH GEORGE was the first, if memory serves, Broadway musical based on a painting. This sensitive and moving look at the artist Georges Suerat, through his most famous work, "A Sunday Afternoon on the Island of Le Grand Jatte", was unlike anything Broadway had seen up to this point. Suerat serves as sort of a narrator and Greek chorus, as well as the main character, as James Lapine's smart book takes what little was known of the artist's life and fleshes out characters from the people in the painting. Broadway's most gifted composer, Stephen Sondheim, crafted a lilting and beautiful score filled with clever lyrics and lush melodies. Sondheim is the best lyricist in the theater because he writes as people talk, not as they sing. The first act follows the relationship between Suerat, electrically portrayed by Mandy Patinkin and his model/mistress Dot, the luminous Bernadette Peters, as their on again off again relationship is constantly challenged by his obsession with his work. The second act features Patinkin as Suerat's grandson and Peters as his grandmother as we see the modern sculptor struggling with a heredity he continues to deny until a fateful trip to the island where the original painting had been done. Director Terry Hughes has lovingly captured this intimate story on video and given us close-ups and sweeping camera shots that were not possible to experience seeing the show onstage, making the show even more personal and involving. Mandy Patinkin commands the stage as George with a stylish stage presence and magnificent singing voice that fills the theater as well as the television screen and is matched note for note by Peters, who makes Dot a tragic and fragile heroine and brings a lovely touch of humanity to the ditzy grandmother, Marie. It should be noted that at the time this was filmed, Ms. Peters was vocally and physically exhausted. She had already left this show and was in rehearsals for the show that would finally win her a Tony Award, SONG & DANCE. Some vocal strain can be noted with Peters, particularly in one unmerciful close-up where her voice just gives out on her, but Peters is a pro and delivers a performance of opening night quality. Though not for all tastes, Sunday IN THE PARK WITH GEORGE is a lush and lovely musical theater experience that all those with a passion for the genre should experience.

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