7.8/10
1,996
24 user 7 critic

Street of Crocodiles (1986)

A man closes up a lecture hall; he reaches into a box and snips the string holding a gaunt puppet. Released, the puppet warily explores the darkened rooms about him. Screws twist out of ... See full summary »
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4 wins & 1 nomination. See more awards »
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Cast

Complete credited cast:
Feliks Stawinski ...
Caretaker
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Storyline

A man closes up a lecture hall; he reaches into a box and snips the string holding a gaunt puppet. Released, the puppet warily explores the darkened rooms about him. Screws twist out of objects and move about. A boy doll catches light with a mirror, shining it around: he spotlights the gaunt explorer. An adult female doll stands with breasts exposed. Mechanical spools and wheels turn. The gaunt man investigates. Four doll men surround him, dress him in colorful clothes, invite him to look inside displays that include drawings of penile skeletons. Female dolls awkwardly rotate their arms from broken shoulders. The gaunt man watches. Bruno Schultz is quoted. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Animation | Short

Certificate:

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Details

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Release Date:

July 1986 (UK)  »

Also Known As:

A krokodilusok utcája  »

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Technical Specs

Sound Mix:

Aspect Ratio:

1.33 : 1
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Did You Know?

Connections

Edited into Tales of the Brothers Quay (1987) See more »

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User Reviews

Dark, uncomfortable but very good animated film
22 June 2008 | by (United Kingdom) – See all my reviews

Although the imagery is familiar, I'm pretty sure that this was the first film from the Quay Brothers that I had seen and this is why I think it will stick with me. I will not pretend to understand the full commentary or relevance of it but the end titles do help with the portrayal of a soulless world and its outcome. What the makers have succeed in is creating a crushingly animated world where even the puppet freed from his strings comes to misfortune and perhaps looks back to wish he had never been able to break free from his mechanised controls/shackles.

This seems to be the thrust of it from what I can understand and in this regard I found it darkly satisfying and disturbing. With the theme in the background the foreground gets filled with disturbing images of decaying machinery and puppet figures, the doll-headed ones being an image that many viewers will find themselves recognising even if they are not entirely sure why. It is the creative images and movements that drive the film and even when I was not sure what I was watching, i was still very much held by what I was seeing. It is a dark and nightmarish piece of animation and I enjoyed it very much for that – even if it was not the most comfortable viewing ever.


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