| Photos (see all 73 | slideshow) |
Directed by | |||
| Leonard Nimoy | |||
Writing credits | ||
| Gene Roddenberry | (television series Star Trek) | |
| Leonard Nimoy | (story) & | |
| Harve Bennett | (story) | |
| Steve Meerson | (screenplay) & | |
| Peter Krikes | (screenplay) and | |
| Harve Bennett | (screenplay) & | |
| Nicholas Meyer | (screenplay) | |
Produced by | |||
| Harve Bennett | .... | producer | |
| Brooke Breton | .... | associate producer | |
| Kirk R. Thatcher | .... | associate producer (as Kirk Thatcher) | |
| Ralph Winter | .... | executive producer | |
Original Music by | |||
| Leonard Rosenman | |||
Cinematography by | |||
| Donald Peterman | (as Don Peterman) | ||
Film Editing by | |||
| Peter E. Berger | |||
Casting by | |||
| Amanda Mackey Johnson | |||
Production Design by | |||
| Jack T. Collis | |||
| Peter Landsdown Smith | |||
Art Direction by | |||
| Joe Aubel | |||
| Nilo Rodis-Jamero | |||
| Peter Landsdown Smith | |||
Set Decoration by | |||
| John M. Dwyer | |||
Costume Design by | |||
| Robert Fletcher | |||
Makeup Department | |||
| Silvia Abascal | .... | hair stylist | |
| Jeff Dawn | .... | makeup artist | |
| Wes Dawn | .... | makeup artist | |
| Monique DeSart | .... | hair stylist | |
| Deborah Holmes Dobson | .... | hair stylist | |
| Rolf John Keppler | .... | special makeup effects artist | |
| James Lee McCoy | .... | key makeup artist | |
| Carol A. O'Connell | .... | hair stylist | |
| Brian Wade | .... | Klingon and Vulcan prosthetics designer | |
| Rick Stratton | .... | makeup artist (uncredited) | |
Production Management | |||
| Mel Efros | .... | unit production manager | |
Art Department | |||
| Richard J. Bayard | .... | construction coordinator | |
| James R. Bayliss | .... | set designer | |
| Richard Berger | .... | set designer | |
| Lloyd A. Buswell | .... | construction foreman | |
| Ed Charnock | .... | paint foreperson | |
| William K. Dolan | .... | property person | |
| Huey Duval | .... | property person | |
| Douglas Freeman | .... | construction coordinator | |
| John Gadette | .... | stand-by painter | |
| Daniel Gluck | .... | set designer | |
| Ron Greenwood | .... | property master | |
| Joseph E. Hubbard | .... | assistant art director (as Joe Hubbard) | |
| John Matheson | .... | construction foreperson | |
| Ralph McQuarrie | .... | visual consultant | |
| Charles Sertin | .... | property person | |
| Barton M. Susman | .... | leadperson | |
| Kaye Trapp | .... | assistant property master | |
| Robert Van Dyke | .... | propmaker gangboss | |
Sound Department | |||
| Michael J. Benavente | .... | sound effects editor | |
| Destiny Borden | .... | assistant adr editor | |
| Raul A. Bruce | .... | boom operator | |
| George Budd | .... | special sound effects | |
| Gene S. Cantamessa | .... | sound mixer | |
| Steve Cantamessa | .... | boom operator | |
| Christopher Flick | .... | assistant adr editor | |
| Stephen Hunter Flick | .... | sound effects editor | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| Doug Hemphill | .... | sound effects recordist | |
| Ellen Heuer | .... | foley artist | |
| Alan Howarth | .... | special sound effects | |
| David J. Hudson | .... | sound re-recording mixer | |
| Mark Jennings | .... | utility sound | |
| Nicholas Vincent Korda | .... | adr editor | |
| Mark A. Mangini | .... | sound supervisor | |
| Tim Mangini | .... | foley editor | |
| Mel Metcalfe | .... | sound re-recording mixer | |
| Dan O'Connell | .... | foley artist | |
| Terry Porter | .... | sound re-recording mixer | |
| John Pospisil | .... | special sound effects | |
| Solange S. Schwalbe | .... | foley editor | |
| David E. Stone | .... | sound editor | |
| Clive Taylor | .... | sound recordist | |
Special Effects by | |||
| Donald Elliott | .... | special effects | |
| Pieter Folkens | .... | designer | |
| Pieter Folkens | .... | sculptor | |
| Michael Lantieri | .... | special effects supervisor | |
| Tim Moran | .... | special effects | |
| Clay Pinney | .... | special effects | |
| Robert Spurlock | .... | special effects | |
| Brian Tipton | .... | special effects: first unit | |
Visual Effects by | |||
| Rick Anderson | .... | whale designer | |
| Craig Barron | .... | matte photography supervisor | |
| John Bell | .... | storyboard artist: ILM | |
| Dale Brady | .... | creature crew: ILM | |
| Jo Carson | .... | assistant camera: ILM | |
| Sean M. Casey | .... | whale mold supervisor (as Sean Casey) | |
| Craig Caton | .... | creature crew: ILM | |
| Eric Christensen | .... | model maker | |
| Donald Clark | .... | camera operator: ILM (as Don Clark) | |
| Walt Conti | .... | supervisor: Whale: ILM | |
| Peter Daulton | .... | visual effects camera | |
| Dick Dova | .... | stage technician | |
| Don Dow | .... | effects cinematographer | |
| Christopher Duddy | .... | visual effects | |
| Selwyn Eddy | .... | visual effects camera | |
| Christopher Evans | .... | matte supervisor | |
| John V. Fante | .... | visual effects camera: ILM | |
| Ellen Ferguson | .... | rotoscope artist | |
| Allen Feuerstein | .... | creature crew: ILM | |
| Robert Finley Jr. | .... | pyrotechnician | |
| Warren Franklin | .... | general manager | |
| Tim Geideman | .... | lab technician | |
| Jim Gerken | .... | computer animation: ILM | |
| Ray Gilberti | .... | assistant camera: ILM | |
| Michael Gleason | .... | effects editor | |
| Ralph Gordon | .... | optical supervisor | |
| Ned Gorman | .... | visual effects production assistant: ILM | |
| Caroleen Green | .... | matte artist | |
| James Hagedorn | .... | camera operator | |
| Toby Heindel | .... | visual effects camera | |
| Todd Heindel | .... | lab technician: ILM | |
| Edward Hirsh | .... | visual effects production manager | |
| Richard E. Hollander | .... | animation | |
| Sandy Houston | .... | rotoscoper | |
| Tony Hudson | .... | puppeteer: ILM | |
| Tony Hudson | .... | whale designer: ILM | |
| Peg Hunter | .... | optical lineup | |
| Erik Jensen | .... | visual effects coordinator | |
| Brad Jerrell | .... | stage technician | |
| Randy Jonsson | .... | assistant camera: ILM (as Randy Johnson) | |
| Sean Joyce | .... | matte artist | |
| Steven Kosakura | .... | motion control camera operator | |
| Pete Kozachik | .... | assistant camera | |
| Paul Kraus | .... | model maker | |
| Ellen E. Lichtwardt | .... | animation supervisor (as Ellen Lichtwardt) | |
| Jeff Mann | .... | modelshop supervisor | |
| David McCue | .... | camera operator: ILM | |
| Mark S. Miller | .... | whale operator | |
| Richard Miller | .... | sculptor | |
| George Muhs | .... | visual effects | |
| Lori J. Nelson | .... | optical coordinator | |
| Nancy Nimoy | .... | creature crew: ILM | |
| Michael Okuda | .... | computer animation | |
| Michael Olague | .... | stage technician (as Mike Olague) | |
| Frank Ordaz | .... | matte artist | |
| Terrence Peck | .... | assistant effects editor: ILM (as Terry Peck) | |
| Mark Peterson | .... | computer animation | |
| Ken Ralston | .... | effects supervisor | |
| Jay Riddle | .... | computer graphics animator: ILM | |
| Pete Romano | .... | whale photography | |
| Martin Rosenberg | .... | assistant camera | |
| Thomas Rosseter | .... | optical lineup | |
| Randall Rudd | .... | creative director | |
| Shannon Shea | .... | creature crew: ILM | |
| Pat Sweeney | .... | effects camera | |
| Larry Tan | .... | chief model maker | |
| Bruce Vecchitto | .... | optical lineup | |
| Brian Wade | .... | creature crew: ILM | |
| Bruce Walters | .... | animation operator | |
| John C. Wash | .... | computer animation | |
| Jenny Fulle | .... | visual effects (uncredited) | |
| Ian Hiebert | .... | production assistant (uncredited) | |
Stunts | |||
| Gregory J. Barnett | .... | stunt double: Leonard Nimoy (as Gregory Barnett) | |
| Steve M. Davison | .... | stunts | |
| Cliff Fleming | .... | stunts (as Clifford T. Fleming) | |
| Eddie Hice | .... | stunts | |
| John Meier | .... | stunt double: William Shatner | |
| Bennie Moore | .... | stunts (as Bennie E. Moore Jr.) | |
| Chuck Picerni Jr. | .... | stunts (as Charles Picerni Jr.) | |
| R.A. Rondell | .... | stunt coordinator | |
| Sharon Schaffer | .... | stunts | |
| Spike Silver | .... | stunts | |
| Jim O'Rear | .... | stunts (uncredited) | |
| R.A. Rondell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Patric J. Abaravich | .... | electrician | |
| Wayne Baker | .... | assistant camera: underwater scenes | |
| Bruce Birmelin | .... | still photographer | |
| Mike Brooker | .... | second company grip | |
| Jack Cooperman | .... | underwater director of photography | |
| Richard Dow | .... | dolly grip | |
| Ray Gilberti | .... | assistant camera | |
| Lloyd Gowdy | .... | assistant lighting technician | |
| Jon Kranhouse | .... | aerial photographer | |
| Hal Landaker | .... | video supervisor | |
| Norman Lang | .... | electrician | |
| Kal Manning | .... | gaffer | |
| Frank McKane | .... | assistant lighting technician | |
| Ken Nishino | .... | camera operator (as Kenneth Kenny Nishino) | |
| Jay Peterman | .... | second assistant camera | |
| Keith Peterman | .... | camera operator | |
| Pete Romano | .... | underwater photographer: whale photography | |
| Waverly Smothers | .... | second grip | |
| Calvin Sterry | .... | first company grip | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
| Bill Shepard | .... | casting administrator | |
| Judith Bouley | .... | location casting: Monterey (uncredited) | |
Editorial Department | |||
| Thomas R. Bryant | .... | assistant film editor | |
| John Haggar | .... | assistant editor | |
| Robert Raring | .... | color timer | |
| George C. Villaseñor | .... | assistant film editor | |
Music Department | |||
| Else Blangsted | .... | music editor | |
| Alexander Courage | .... | composer: theme "Star Trek" | |
| Russell Ferrante | .... | composer: jazz music | |
| Ralph Ferraro | .... | orchestrator | |
| Jimmy Haslip | .... | composer: jazz music | |
| A. David Marshall | .... | music editor | |
| Dan Wallin | .... | score mixer | |
| The Yellowjackets | .... | composer: additional music | |
Transportation Department | |||
| Raymond A. McLaughlin | .... | transportation captain (as Ray McLaughlin) | |
| Stewart Satterfield | .... | transportation coordinator (as Stu Satterfield) | |
Thanks | |||
| Roy Danchick | .... | thanks | |
| Capt. Walter Davis | .... | thanks | |
| Mark Ferrari | .... | thanks | |
| Debbie Glockner-Ferrari | .... | thanks | |
| John Horton | .... | thanks | |
| Roger Payne | .... | thanks | |
| Lt. Lee Saunders | .... | thanks | |
| Sandy Stairs | .... | thanks | |
| Howard Weinstein | .... | thanks | |
|
|
|
|
|
| Star Trek III: The Search for Spock | Star Trek: The Wrath of Khan | Star Trek: The Motion Picture | Star Trek: First Contact | Star Trek V: The Final Frontier |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
| Add this title to MyMovies |
Still on the Vulcan planet awaiting repairs to their captured Klingon ship, Kirk and his crew are summoned to earth by the Federation to stand trial for making Star Trek 3 so very dull. However a deep space probe is approaching earth sending out a communication signal that is disrupting power and damaging the whole planet. When they find that the signal relates to the now extinct humpback whale, Kirk decides to travel back in time to the 1980's to recover and bring back a whale.
Part 2 of the series is easily my favourite to this day of the Star Trek movies, so part 3 was a major problem, being so very dull and heavy, but part 4 was an improvement simply because it was so much more light hearted and fun. The plot is potentially very silly and a barely hidden ecological subtext that threatens to sink the film, but it is delivered with tongue in cheek and it is that saves it. The mocking humour is gentle and really carries the film as fish-out-of-water gags abound and the contrast between the crew and their surroundings is used well.
While the plot is nonsense, the cast all enjoy themselves in whatever roles the script gives them. Shatner has the biggest role of course but has the least fun as he has to carry the unlikely love interest. Nimoy is good fun despite having a follow on from the last film that is a little heavy and he does a steady job as director. The rest of the crew have small roles but each is funny - whether it's Chekov appearing to be a communist spy, McCoy berating modern doctors as the Spanish inquisition and Sulu happily flying helicopters for some reason.
Overall this is not the best Star Trek film as it lacks any real action, excitement or tension, but what it lacks in this area it makes up for in terms of gentle laughs. Looking at it alone it is only reasonable but after watching the dull `Search for Spock' this is a fun relief.