Soul Man (1986) 4.9
To achieve his dream of attending Harvard, a pampered teen poses as a young black man to receive a full scholarship. Director:Steve MinerWriter:Carol Black |
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Soul Man (1986) 4.9
To achieve his dream of attending Harvard, a pampered teen poses as a young black man to receive a full scholarship. Director:Steve MinerWriter:Carol Black |
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| C. Thomas Howell | ... |
Mark Watson
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| Rae Dawn Chong | ... |
Sarah Walker
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| Arye Gross | ... |
Gordon Bloomfeld
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| James Earl Jones | ... |
Professor Banks
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| Melora Hardin | ... |
Whitney Dunbar
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| Leslie Nielsen | ... |
Mr. Dunbar
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Ann Walker | ... |
Mrs. Dunbar
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| James Sikking | ... |
Bill Watson
(as James B. Sikking)
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| Max Wright | ... |
Dr. Aronson
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Jeff Altman | ... |
Ray McGrady
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| Julia Louis-Dreyfus | ... |
Lisa Stimson
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| Maree Cheatham | ... |
Mrs. Dorothy Watson
(as Marie Cheatham)
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| Wallace Langham | ... |
Barky Brewer
(as Wally Ward)
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Eric Schiff | ... |
Booey Fraser
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Ron Reagan | ... |
Frank
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Mark doesn't expect any problems in going to college: he and his friend have reserved places in Harvard and his parents have the money to pay for his education there. But suddenly his father's neurotic psychiatrist advises him to go on vacation in Hawaii instead of spending more money on his son. Since Mark wants to keep his lifestyle, including a fancy car and a flat shared with his friend, he seeks financial support. The only foundation which still accepts applications is for blacks only -- no problem, with lots of bronzing pills and "soul in his voice" he sets out to Harvard. Soon he has to realize that being black will cause some people to handle him differently. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
I remember watching this in my early teens, and thinking it was one of the funniest films that I had seen. Watching it again over 10 years later, its still pretty funny. In the age of political correctness it probably has quite poor taste, but thats not its intention. Its a lightweight comedy, and thats the way it should be taken. There are a few moments where a message and moral does come through, especially in the later half of the film. This adds to the films charm, as well as giving people a fairly superficial albeit correct notion of the social struggle faced by some races. C Thomas Howell was very good in this film, and I feel that its a shame that he does not make that many feature films these days- he seems to appear a lot in direct to video films. It was also interesting to watch Julia Louis-Dreyfuss in her very pre-Seinfeld days, before she became Elaine. This really is a funny film, very unbelievable but heaps better than the lame comedies that the big studios are serving up these days.