| Yûsaku Matsuda | ... | Daisuke Nagai | |
| Miwako Fujitani | ... | Michiyo Hiraoka | |
| Kaoru Kobayashi | ... | Tsunejiro Hiraoka | |
| Morio Kazama | ... | Suganuma, Michiyo's brother | |
| Chishû Ryû | ... | Toku Nagai | |
| Katsuo Nakamura | ... | Seigo Nagai | |
| Mitsuko Kusabue | ... | Umeko Nagai | |
| rest of cast listed alphabetically: | |||
| Kenji Haga | ... | Kadono | |
| Jun Izumi | ... | Joro | |
| Maiko Kawakami | ... | Kozome, geisha | |
| Jun Miho | ... | Sagawa's daughter | |
| Yumi Morio | ... | Nui Nagai | |
| Issei Ogata | ... | Terao | |
Directed by | |||
| Yoshimitsu Morita | |||
Writing credits(in alphabetical order) | ||
| Soseki Natsume | novel | |
| Tomomi Tsutsui | screenplay | |
Produced by | |||
| Mitsuru Kurosawa | .... | producer | |
Original Music by | |||
| Shigeru Umebayashi | |||
Cinematography by | |||
| Yonezô Maeda | |||
Film Editing by | |||
| Akira Suzuki | |||
Production Design by | |||
| Tsutomu Imamura | (as Chikara Imamura) | ||
Art Department | |||
| Shuichi Oshima | .... | assistant production designer | |
Sound Department | |||
| Fumio Hashimoto | .... | sound recordist | |
| Hisayuki Miyamoto | .... | sound recordist | |
Camera and Electrical Department | |||
| Kazuo Yabe | .... | lighting technician | |
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| The Rage of Love | Kaze no matasaburo - Garasu no manto | Love Betrayed | Poppies | The Family Game |
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| Full cast and crew | Company credits | News articles |
| IMDb Drama section | IMDb Japan section |
To really appreciate the film. you have to understand the mentality of the Japanese, especially the Japanese society during the early 20th century. That is very different from the western way of doing, or even thinking things. The subtle messages and the hyper-sensitive (not really the exact word I would like but cannot think of any other at the moment) hit me with full impact and I was glued to the screen for the 134 minutes of it. It is a sad story, as most of the novels by the same author are. But that does not make it any less entertaining. I wish Japan can produce films like this more often. The recent output (apart from "Departure" which is excellent, are more often than not, disappointing.