| Joan Hickson | ... | Miss Marple | |
| Geraldine Alexander | ... | Gwenda Reed | |
| John Moulder-Brown | ... | Giles Reed | |
| Frederick Treves | ... | Doctor James Kennedy | |
| Jean Anderson | ... | Mrs. Fane | |
| Terrence Hardiman | ... | Walter Fane | |
| John Bennett | ... | Richard Erskine | |
| Geraldine Newman | ... | Janet Erskine | |
| Jack Watson | ... | Mr. Foster | |
| Joan Scott | ... | Mrs. Cocker | |
| Jean Heywood | ... | Edith Paget | |
| Georgine Anderson | ... | Mrs. Hengrave | |
| Edward Jewesbury | ... | Mr. Sims | |
| David McAlister | ... | Raymond West | |
| Amanda Boxer | ... | Joan West | |
| Esmond Knight | ... | Mr. Galbraith | |
| John Ringham | ... | Doctor Penrose | |
| Eryl Maynard | ... | Lily Kimble | |
| Ken Kitson | ... | Jim Kimble | |
| Kenneth Cope | ... | Jackie Afflick | |
| Peter Spraggon | ... | Det. Inspector Last | |
| Sheila Raynor | ... | Shop Assistant | |
| Donald Burton | ... | Bosola | |
| Struan Rodger | ... | Ferdinand (voice) | |
| Gary Watson | ... | Kelvin Halliday |
Directed by | |||
| John Davies | |||
Writing credits | ||
| Ken Taylor | (screenplay) | |
| Agatha Christie | (novel) uncredited | |
Produced by | |||
| George Gallaccio | .... | producer | |
| Guy Slater | .... | executive producer | |
Original Music by | |||
| Ken Howard | (uncredited) | ||
Cinematography by | |||
| Peter Hall | (photography) | ||
Film Editing by | |||
| Jerry Leon | |||
Production Design by | |||
| Victor Meredith | (designer) (as Vic Meredith) | ||
Costume Design by | |||
| Judy Pepperdine | |||
Makeup Department | |||
| Sheelagh Wells | .... | makeup designer | |
Production Management | |||
| Michael Cameron | .... | production manager | |
Art Department | |||
| Paul Birkbeck | .... | title illustrations | |
| Linda Sherwood-Page | .... | graphic designer | |
| Barbara Spiller | .... | properties buyer | |
Sound Department | |||
| Malcolm Campbell | .... | film recordist | |
| Colin Goudie | .... | dubbing editor | |
| John Hale | .... | dubbing mixer | |
| Jason Swanscott | .... | foley artist (uncredited) | |
Music Department | |||
| John Altman | .... | musical director | |
| Alan Blaikley | .... | composer: title music | |
| Ken Howard | .... | composer: incidental music | |
| Ken Howard | .... | composer: title music | |
Other crew | |||
| Patricia Greenland | .... | production assistant | |
| George Griffiths | .... | location manager | |
| Thea Murray | .... | production associate | |
| Christopher Sandeman | .... | assistant floor manager | |
| Mandy West | .... | assistant floor manager | |
| Recent Posts (updated daily) | User |
|---|---|
| An interesting murder mystery | brand78 |
| Isn't that Dawn French? | kerrinhardy |
| DVDs/ Videos | LuvPosh999 |
| 'Original title music' | addictedtofilm |
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| The Mirror Crack'd | They Do It with Mirrors | The Moving Finger | Agatha Christie's Miss Marple: 4:50 from Paddington | Miss Marple: Nemesis |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
Sleeping Murder is one of my favourite Agatha Christie books, I will warn you though I find it very creepy. As an adaptation, this version is surprisingly faithful, much more faithful than the Geraldine McEwan adaptation; that started off well but was ruined by some unnecessary plot changes. This 1987 adaptation looks wonderful, with some beautiful photography and lovely scenery and costumes without being too fancy. A number of scenes gave me nightmares when I first saw it, especially the ending. The book had real nervous edge and left some really haunting imagery inside your head, and the adaptation did very well in that aspect. The script is good, the pace isn't that slow, the music was haunting and beautiful and the acting was solid. Joan Hickson as usual is terrific in the title role, and Geraldine Alexander, like Sophia Myles in the recent version, was entirely captivating as Gwenda. Frederick Treves despite the shaky Scottish accent is quite effective as Kennedy, but John Moulder-Brown is rather wooden as Giles. All in all, a very effective adaptation of an excellent book. 9/10 Bethany Cox