IMDb > Slaughter High (1986)
Slaughter High
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Slaughter High (1986) More at IMDbPro »

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Slaughter High -- Marty has arranged a special reunion for all his high school "friends." The prom queen, the jock, the class clown, the rebel, and a few select others have been invited... and it's going to be a gala of gore!


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George Dugdale (written by) &
Mark Ezra (written by) ...
View company contact information for Slaughter High on IMDbPro.
Release Date:
14 November 1986 (USA) See more »
There's Horror in the Halls... Lynching in the Lunchroom... Murder in Metal Shop. See more »
Eight different people are invited to their 10-year high school reunion at their now-closed down high school where a former student, disfigured from a prank gone wrong, is there to seek revenge. Full summary » | Full synopsis »
Plot Keywords:
(43 articles)
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User Reviews:
Tongue in cheek slasher with a tragically macabre history... See more (84 total) »


  (in credits order)

Caroline Munro ... Carol
Simon Scuddamore ... Marty
Carmine Iannaccone ... Skip
Donna Yeager ... Stella (as Donna Yaeger)

Gary Martin ... Joe
Billy Hartman ... Frank
Michael Safran ... Ted (as Michael Saffran)
John Segal ... Carl
Kelly Baker ... Nancy
Sally Cross ... Susan
Josephine Scandi ... Shirley
Marc Smith ... Coach
Dick Randall ... Manny
Jon Clark ... Digby
rest of cast listed alphabetically:

Mark Ezra ... Jester (uncredited)

Directed by
George Dugdale 
Mark Ezra 
Peter Mackenzie Litten  (as Peter Litten)
Writing credits
George Dugdale (written by) &
Mark Ezra (written by) &
Peter Mackenzie Litten (written by) (as Peter Litten)

Produced by
Stephen Minasian .... producer (as Steve Minasian)
Dick Randall .... producer
Original Music by
Harry Manfredini 
Cinematography by
Alan Pudney 
Film Editing by
Jim Connock 
Production Design by
Geoff Sharpe 
Makeup Department
Craig Berkeley .... makeup artist (as Craig Berkely)
Alison Hall .... makeup artist
Production Management
Laurence Rooke .... production manager (as Lawrence Rooke)
Second Unit Director or Assistant Director
Chick Norris .... assistant director
Art Department
Aram Allan .... design assistant
Terry Allen .... property master
John Armstrong .... carpenter
Fred Bishop .... painter
Andrew Crimin .... construction manager
Paul Crimin .... carpenter
Sound Department
Dick Hunt .... sound mixer
Dave Pierce .... boom operator
Ted Ryan .... dubbing mixer
Special Effects by
John Humphreys .... prosthetics
Peter Mackenzie Litten .... special effects designer (as Peter Litten)
Robert Turner .... special effects rigger
Visual Effects by
Rex Neville .... opticals
Richard Perkis .... mechanical designer (as Richard Pirkis)
Camera and Electrical Department
Michael Connor .... camera operator (as Mike Connor)
Len Duncan .... chief electrician
Len Emery .... gaffer
Jasper Fforde .... focus puller (as Jaspar Fforde)
John Fonseca .... still photographer
Richard Gibb .... additional camera operator
Ricky Hall .... grip
Randall Larsen .... still photographer
John Ward .... steadicam operator
John Ward .... director of photography: additional photography (uncredited)
Costume and Wardrobe Department
Isabelle Blaire .... seamstress
Lee Scott .... wardrobe
Other crew
Chris Arkell .... production accountant
Emily Copping .... continuity
Nick Dugdale .... unit runner
Mike Halford .... production assistant
Ed Newstead .... titles
Corliss Randall .... assistant to producers

Production CompaniesDistributors

Additional Details

Also Known As:
90 min | 91 min (uncut version)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:

Did You Know?

A poster of "Pieces" (Pieces (1982)) is visible on the porno movie manager's office wall when he's talking with Carol over the phone.See more »
Continuity: Right before Ted chugs the beer, his shirt is buttoned up all the way. In the next shot, it is partially unbuttoned.See more »
Marty Rantzen:Hey, what's going on?
Carol Manning:Ever try it under the shower before?
See more »
Movie Connections:
Referenced in There's Nothing Out There (1991)See more »


What are the differences between the BBFC-18 versions and the uncut version?
See more »
31 out of 42 people found the following review useful.
Tongue in cheek slasher with a tragically macabre history..., 23 February 2004
Author: RareSlashersReviewed from London

Producers Steve Minasian and Dick Randall certainly had an extreme flirtation with the slasher genre when it was finding its fortune in the peak years. Their credits include perhaps two of the most bizarre and blood-soaked movies of the early eighties, Pieces and Don't open ‘til Christmas. This was their last joint venture into the kingdom of stalk and slash and it was probably their finest hour. Carolin Munro (that name always makes me giggle, I'm not trying to be Marilyn Monroe sir, Honest!) returns to what she does best… well, gets most work from! Yes, she was the buxom beauty queen stalked by Joe Spinnell in both Maniac and Fanatic and she also made a somewhat brief appearance in the aforementioned Christmas-set hacker. Having discovered a themed-calendar date that had not yet been knifed/slashed/pickaxed, the movie was initially going to be called April Fools Day. But Frank Manucuso Jnr, the producer most famous for his work with the later Friday the 13ths, must've just beat them to the copyright for his flick of the same title. On the cover this claims that it too was from the makers of the Voorhees series, only I'm not quite sure how much truth can be found in that statement. If Minasian did have any involvement at all, it wasn't credited ANYWHERE, which hardly makes him worthy to call himself the ‘maker'.

The premise is even more archetypal than the category it so lovingly frequents. Marty Rantzen is the school nerd that suffers a constant barrage of bullying from a troupe of (middle-aged!) students, which includes the beautiful Carol (Munro) and the joker of the pack Skip (Carmine Lannacconne). He emphasis the fact by wearing a Jester's mask that we know from the off will reappear later for more sinister reasons! As if you hadn't already guessed, one April fools day they go too far and Marty ends up horrendously disfigured and transferred to a loony bin for lifelong imprisonment. You wanted by the book plotting? Well check this out: Five years later, the culprits are all invited to a reunion on their now abandoned campus, but no one knows who planned it (take a guess!). Almost as soon as they enter, the caretaker is nailed to the door by a nut-nut in the Jester's mask and soon they each find curious reasons to wander off and suffer gory deaths at the hands of the masked maniac…

Most of these ‘actors' are as English as the Tower of London, but try to convince us that they're American, which would explain their humorous accents switching between UK and US more times in 85 minutes than British airways do in a year. Cars are given foreign number plates, but there's no disguising the location's obvious English heritage. Ex-Bond babe Munro hasn't improved her characterization since the last time she was stalked by a maniac killer and by 1985, she was looking a little too ‘mature' to be a Hi-school teen. I'd love to know how she managed to wake up early in the morning with perfect hair and make-up too, but hey, I guess we're not supposed to ask questions like that and she did bring some much-needed beauty to the movie. Most of her support were outright first-timers, flat as a punctured tyre with no thread of speech pattern. But Simon Scuddamore and Carmine Lannaccone kept up the camp spirit - if little else. The really obscure thing about Slaughter High was undoubtedly Dick Randall's brief cameo appearance. Surrounded by posters from his previous ‘hits' (hey, there's Pieces!), he proves that his flair for dramatics was even worse than his taste for production.

There's fun to be had in the inventive murders that involve disembowelment by a tractor engine, exploding intestines and death by drowning in a bog of mud! (?) Perhaps the dumbest of the bunch was when one girl decides to take a bath after the blood from her friend's bursting guts sprays all over her face (Well, isn't that exactly what you'd do?) She climbs in the tub and turns on the taps and suddenly the water rushes in to boiling acid. Does she simply step out of the basin to save herself from scalding or does she stay seated until she completely melts into a bloodied skeleton? Yep, you guessed it… Perhaps on this occasion the killer actually did her a favour! Director George Dugdale shows very little potential in his directorial debut. His biggest mistake was relinquishing the usually redeeming stalking set pieces for rushed murders that lack any suspense or tension. His efforts at jump-scares were too slowly framed and he lacks the skill shown in the early additions to the series that he so desperately emulates. The ghost-like apparitions that pop-up as the runtime draws to a close were indeed silly and pointless, but if you keep watching they at least give us an explanation for their needless appearance. Harry Manfredini hasn't so much mimicked his score from Friday the 13th as simply cut and pasted it, which is no real mean feat, but at times it felt as if we were watching a (less competent) sequel instead of a completely different movie.

The most macabre thing about Slaughter High, is the fact that actor Simon Scuddamore tragically took his own life soon after it was released. It's a real shame, because he was probably the most talented guy in the picture. The reason(s) for his suicide are unknown, but watching him play the role with his tongue stuck firmly in cheek and clearly disguising the problems that he may/may not have been suffering at the time, makes his performance look far more credible. It also gives the film a somewhat morbid air of mystery as to why he chose to end his life at a time when he should've been celebrating. What is questionable, is why no tribute was added to the closing credits in memory of the deceased star? Perhaps the reason being that it had already been transferred to video when news of his suicide was announced.

Although it lacks the polish of the flicks it obviously wants to be classed alongside, this is still a great deal of fun. The unrated versions give some visually amusing splatter, even if it's nowhere near as gory as the producer's previous bloodstained offerings. The overall campiness spoils any chance of fear and it's a little too under-written even for a slasher flick, but it does manage to keep interests raised without ever becoming boring and it doesn't take itself too seriously. The net result is a movie that succeeds in doing exactly what it set out to. Have some fun and kill a few deserving victims along the way! It's as routine as brushing your teeth, but it gains credibility for accepting with warm embrace the knowledge that it's nothing more than that.

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