7.1/10
24,267
124 user 65 critic

Sid and Nancy (1986)

The relationship between Sid Vicious, bassist for British punk group The Sex Pistols, and his girlfriend Nancy Spungen is portrayed.

Director:

Writers:

(screenplay), (screenplay)
Reviews
Popularity
4,708 ( 93)

On Disc

at Amazon

Nominated for 1 BAFTA Film Award. Another 4 wins & 1 nomination. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Comedy | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 5.4/10 X  
Directors: Alex Cox, Danny Beard, and 5 more credits »
Stars: James Miller, Devon Wycoff, Jesse Lee Pacheco
Control (2007)
Biography | Drama | Music
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A profile of Ian Curtis, the enigmatic singer of Joy Division whose personal, professional, and romantic troubles led him to commit suicide at the age of 23.

Director: Anton Corbijn
Stars: Sam Riley, Samantha Morton, Craig Parkinson
Repo Man (1984)
Comedy | Crime | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Young punk Otto becomes a repo man after helping to steal a car, and stumbles into a world of wackiness as a result.

Director: Alex Cox
Stars: Harry Dean Stanton, Emilio Estevez, Tracey Walter
Action | Comedy | Western
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »

Director: Alex Cox
Stars: Sy Richardson, Joe Strummer, Dick Rude
Edit

Cast

Cast overview, first billed only:
...
...
...
Debby Bishop ...
...
...
Perry Benson ...
Tony London ...
...
...
...
...
...
Rusty Blitz ...
John Spacely ...
Edit

Storyline

Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, Vicious attempts a solo career while in the grip of heroin addiction. One morning, Nancy is found stabbed to death and Sid is arrested for her murder. Written by Alexander Lum <aj_lum@postoffice. utas.edu. au>

Plot Summary | Plot Synopsis

Taglines:

Love kills


Certificate:

R | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

7 November 1986 (USA)  »

Also Known As:

Sid and Nancy: Love Kills  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$2,826,523 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

In Alex Cox's previous film Repo Man (1984), a punk at a party in the beginning can be seen wearing a shirt with Sid Vicious on it. See more »

Goofs

During the taxi ride to the airport, the taxi cab is driving east bound on the San Mateo (California) Bridge. The airport is west. Specifically, the airport is 17 miles south of San Francisco, the San Mateo Bridge is about 5 miles south of SFO airport. See more »

Quotes

Bowery Snax, drug dealer: Sid, Nance, pull up your pants.
See more »

Crazy Credits

"And introducing the young Cat Vicious in the role of Smoky, Sid and Nancy's child." See more »

Connections

Referenced in 18 to Life: Detour (2010) See more »

Soundtracks

Glued Up and Speeding
Written by Shane MacGowan
Performed by The Pogues
© Stiff Music Ltd 1986
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The greatest story of doomed love since Romeo and Juliet
6 July 1999 | by (Burbank, CA) – See all my reviews

Sid and Nancy is one of those rare films that has all the bursting exuberance of youth without all the negative side effects. There are no scenes that scream out "HEY LOOK AT US! WE'RE YOUNG, WE'RE TWISTED, DON'T YOU WISH YOU WE'RE US!?" Okay maybe it has a few, but none of them feel like they exist strictly for shock value, none of them feel the least bit contrived or unnecessary. That is what makes Sid and Nancy so great. Most film criticism stems from reaction to prior film releases. Reviewers like Siskel and Ebert tend to cling to comparisons as a safety blanket, and as an almost cop out for original thought. Director Alex Cox (Repo Man) tells a story of doomed love that tends to defy easy categorization. Its brilliant combination of ultra realistic biography and surrealistic conjecture create a film universe that had not been seen prior to its release. The film opens in a dingy New York City, Chelsea Hotel room. Sex Pistols bassist and Punk Rock icon Sid Vicious (Gary Oldman, in a staggering performance) is being questioned by police about the apparent murder of his girlfriend and world famous rock n' roll groupie Nancy Spungen (Chloe Webb, Twins, TV's China Beach). Smash cut to the punk rock era of 1977 London, where Sid meets Nancy in a world of anarchy and disillusion inhabited by kids who don't know quite what they are disillusioned about. After a brief first encounter there is no chemistry between these two classic lovers, but soon Nancy sees Sid at a Sex Pistols gig, jumping around on stage freely showing his lack of musical ability and its love at first sight. (Note: it is a documented fact that Sid Vicious barely knew two chords on the bass guitar.) When Sid, after asking Nancy to cop some heroin for him, bashes his head against a brick wall in a twisted attempt to empathize with her, Nancy's love is only reaffirmed by Sid's complete abandonment of personal safety. Before we know it the two are shooting up the drug, which immediately begins a cycle of codependency that only desperate youth could satisfy. So the question arises are they really in love? Or do they need each other to support their habit? Well the question is answered, at least in Alex Cox's eyes, in a scene where the Sex Pistols play a gig on a riverboat, which ends violently in a police clash with Sex Pistols fans. As the boat docks, the punk rock youth pour onto the dock to escape the Billy clubs. Sid and Nancy casually stroll through the chaos unscathed as if they know that their love will protect them. As corny as the above event my sound, Alex Cox quickly juxtaposes with a scene of pure brutal addiction where we get to witness one of the most frantic "fiending for drugs scenes" ever shot. Sid and Nancy's desperation does not only make us cringe, it also makes us laugh with a classic comic topper that has to be witnessed to gain full appreciation. There in lies the beauty of Sid and Nancy, a locomotive of a film that is always on the verge of jumping the tracks, but is saved at the breaking point by carefully placed contradictions that more often than not makes us laugh. As if the above were not enough to make an engrossing movie, the film is also a great example of integrating historical events into a story without distracting the viewer from the film's unifying themes. Sid and Nancy is a great anthology of the rise and fall of a social movement, which behind the spiked hair, and leather jackets, was a dead on assessment of the hypocrisy that existed in England and the United States circa the decadent 1970's.


17 of 35 people found this review helpful.  Was this review helpful to you?

Contribute to This Page