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Sid and Nancy (1986)

7.1
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Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »

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Title: Sid and Nancy (1986)

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Nominated for 1 BAFTA Film Award. Another 5 wins. See more awards »

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Cast

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Storyline

Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, Vicious attempts a solo career while in the grip of heroin addiction. One morning, Nancy is found stabbed to death and Sid is arrested for her murder. Written by Alexander Lum <aj_lum@postoffice. utas.edu. au>

Plot Summary | Plot Synopsis

Taglines:

Love kills

Genres:

Biography | Drama | Music

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

7 November 1986 (USA)  »

Also Known As:

Sid and Nancy: Love Kills  »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$2,826,523 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

One of the film's trailers was refused certification by the British Board of Film Classification See more »

Goofs

In one of the early pub scenes, the opening band for the Pistols is supposedly X-ray Spex, belting out one of their best-known hits: "Oh, Bondage, Up Yours!" However, the lead singer Poly Styrene is depicted as rail thin, with long straight hair and no braces on her teeth; most surprisingly, she is portrayed as being white. In real life, Poly (Marion Eliott) is of Anglo-Somali parentage; and in 1977 she was not model thin, plus she had short curly hair and braces. This is because the group was originally meant to be Siouxsie and the Banshees, but they wouldn't give permission for the use of their songs. See more »

Quotes

Sid: Why don't you shut up and fucking sing you twat.
Paul: You're well out of time, Sid.
Sid: Bollocks, you wanker.
Steve: Play the fucking song, will ya.
John: Ever get the feeling you've been cheated?
See more »

Crazy Credits

"And introducing the young Cat Vicious in the role of Smoky, Sid and Nancy's child." See more »

Connections

Referenced in Adjust Your Tracking (2013) See more »

Soundtracks

Somethin' Else
Performed by Gary Oldman, Glen Matlock, Dave McIntosh, James Stevenson
Written by Eddie Cochran / Sharon Sheeley
© Burlington Music Co Ltd
See more »

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User Reviews

 
Not Romeo and Juliet
3 January 2014 | by (london uk) – See all my reviews

I missed SID & NANCY when it was first released. I wasn't expecting much when settling down to watch the DVD. I was pleasantly surprised to find a coherent, energetic but ultimately melancholy study of co-dependency, with two terrific central performances.

We get to know Chloe Webb's child-woman Nancy to a greater extent than we do Gary Oldman's wild-man Sid. Not the actors' fault. In fact it's not a fault at all. There is something inexplicable there. Whatever forces were at play in forming the young man who became Sid Vicious, it's to the credit of Alex Cox and his team that they don't waste time speculating upon them or trying to analyse them. Instead, the film lives up to its title, starting just before the relationship starts and ending just after Nancy's death.

The era in which the film was made is a significant factor in appreciating it. It was, in the UK at any rate, a time when the welfare state that had been so painstakingly put into place began to be systematically unravelled, a land where the notion of Society was belittled, in which hyper-individualism was lauded, where any sense of community was being abandoned, and the search for it becoming a joke. WALL ST, the'hero' of which was to famously declare Greed to be good, was released the year after SID AND NANCY. I remember all that only too well. And of course it's not over yet: the unravelling continues.

Sid and Nancy meet in a frenzy and finish in a fog. In between they shore each other up as best they can, two bits of flotsam on an indifferent sea. We're shown only a little of where Sid came from, mercifully not enough to help us theorise about how he came to be the embodiment of anarchy. Instead, through Oldman's bravura, we see his unmitigated charisma, at which the film's unctuous Malcolm McClaren (played by David Hayman) smiles knowingly and which he merrily exploits. We do see Nancy in the context of her family, but again, instead of attempting to use this encounter to explaining her, Cox gives us a sense of how pleased the family was to get rid of her. If Romeo and Juliet had been like Sid and Nancy, the Montagues and the Capulets would have paid to get them married and out of Verona altogether.


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