Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by ... See full summary »
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Set ten years after the most peaceful revolution in United States history, a revolution in which a socialist government gains power, this films presents a dystopia in which the issues of ... See full summary »
Marnie just graduated from college, drinks likes she's still in school, and is looking for a temporary job but a permanent boyfriend. She loves a guy who doesn't love her (?), ping-pongs ... See full summary »
This film follows the hunting of a giraffe by four members of the Ju/'hoansi (a !Kung Bushmen tribe) over a 13-day period in the Kalahari desert. The film consists of footage shot in 1952-53 on a Smithsonian-Harvard Peabody expedition.
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds. Written by
Brett Coon <firstname.lastname@example.org>
I intended to watch only the first ten or fifteen minutes of this film, on a recommendation by a professor. I ended up watching the whole 2 hours 40 minutes, engrossed at every turn. I don't know why this film is so good; by all rationale, it probably ought to have turned out to be dull and pretentious. Instead, Sherman's March is an incredibly patient and passionate examination of oneself, the pain and frustration that come with mid-life depression, and the quasi-comic mystery surrounding Southern culture. I don't often find myself so enveloped in documentaries, particularly those that stop pursuing their apparent narrative ten minutes in and take on a totally new and divergent direction. But this film works. In filming his relationships with a number of different women over the course of a year, McElwee reveals himself to be a deeply frustrated individual, whose penchant for chasing life with a camera proves both constructive of an insightful film, as well as destructive to his own sense of balance and structure in his own life. The result is often funny, occasionally discomforting, and periodically profound. One sequence ends with McElwee's filmed conversation with a woman with whom he has tried to forge a romantic involvement out of an ancient friendship; the sharpness with which they speak to each other is jolting. McElwee manages to evoke an entire persona for himself - whether authentic or not - with scenes like these, at the same time drawing an insightful - if slightly overblown, though satirically so - comparison of himself to William Tecumseh Sherman and his devastating Civil War march through the South. This is a remarkable film for its willingness to examine the subtext of its maker's life.
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