Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic...
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Madonna returns to stadiums and arenas for her ninth tour, and the highest grossing tour of 2012! EPIX is proud to exclusively broadcast this thrilling, dazzling, cutting edge and controversial concert. In HD.
Glendon Wasey is a fortune hunter looking for a fast track out of China. Gloria Tatlock is a missionary nurse seeking the curing powers of opium for her patients. Fate sets them on a hectic, exotic, and even romantic quest for stolen drugs. But they are up against every thug and smuggler in Shangai. Written by
Mehmet Karaca <firstname.lastname@example.org>
If nothing else this film has heart. I remember years ago all the hype that was injected into this film aimed at adolescent girls (i.e. Madonna fans), with the angle being that they would get to see the then infamous couple of Penn and Madonna frolic on the big silver screen.
Well, it didn't take a rocket scientist to know where this film was headed. Like with all films when the hype exceeds previously good, yet unhyped, films you know something's up.
The story itself isn't bad. It's kind of hackneyed at points, but that's its genre, and for what the film is it works after a fashion. There're only two real problems with this film;
1) Madonna's then acting capabilities. It's not bad for a performer who's more used to singing and dancing, and it's unfair to expect anything more from her, but her acting talent then was what it was; lacking. Let's face it, she's a better singer and dancer than an actress, and this comes from a man who is not one of her fans.
2)The second problem is the actual filming and execution of this film. The storie's there, the acting's there (Madonna not withstanding), and so forth, but there's little in the way of coverage or good cinematography. It's passing. It gets the job done. But the shots are those of a low budget flick. I believe there was a real opportunity to create atmosphere with good camera direction, but the focus of the film wasn't art so much as it was to capitalize on the then Madonna-Penn phenomenon (the film itself was riding the coat tails of Indiana Jones and The High Road to China films).
And that last part is really too bad, because this film could've been much more. At least when I saw it on HBO years ago the print I saw then was clear, corrected, crisp and otherwise very viewable. Today I had a gander at the recently released DVD, and it looks like the owners of the property took an old 16mm broadcast print and had some fly by night tranfer company encode it on a DVD master; complete with a couple of scratches on grainy film stock.
In short, if you didn't like it the first time, then don't bother with the DVD because it's even worse. If you got a spare evening, and your friend loaned you the disk, or it's available at the library, then give it a look, but don't expect too much.
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