A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
Robot teachers have been secretly placed in the schools where the students have run riot. The teachers do a good job of controlling the unruly youngsters, until they go too far and some ... See full summary »
A reporter and her cameraman connect a surviving Jonestown leader and a TV exec's missing son to a drug war where jungle installations are being massacred by an army of natives and a skilled white assassin.
An 18 year old Catherine Miles graduates from her boarding school and takes a trip with her parents to the Amazon. While on a boat ride, her parents are brutally murdered by a local cannibal tribe and she is taken prisoner. In order to survive, she adopts the customs of the tribe with the help of a warrior who has fallen in love with her, all the while planning vengeance for her parents' death. He later helps her to escape, and now free, she goes to find who exactly was behind the death of her parents. Written by
This Italian film with once again more alternative titles than actual dialogue is a mid-80's exploitation attempt by enthusiast director Mario Gariazzo, who obviously was deeply impressed by the work of his fellow Italian filmmakers Rugero Deodato and Umberto Lenzi. It's a supposedly true story (yeah sure) about an 18-year-old girl who visits her parents' plantation in the middle of the Amazon jungle. Shortly after her arrival, her parents are brutally murdered and beheaded during a boat ride. The poor cutie is taken prisoner by a savage and primitive tribe. During two years, she's has to take part in traditional and barbaric rites of this tribe. She's sold to the richest man in town (price = one goat and a chicken), has to work and, eventually, she escapes with the head warrior she has fallen in love with.
Now, 'Amazonia' isn't a bad little flick but it tries to be so much bigger than it actually is. The entire production seems to shout out: 'Look, we're as good as Cannibal Holocaust!!!' The opening sequences, in which the beautiful jungle is shown guided by a great score, is an exact copy of Deodato's film and throughout the whole film, the same documentary style is used. The film could have done without these pretentious aspects. At his best, Amazonia is like a fairly reasonable crossover between Cannibal Holocaust and Umberto Lenzi's 'Deep River Savages' (in which an Englishman spends years among a primitive tribe in New-Guinea). It's not nearly as memorable as the majority of Italian sleaze classics and that's merely due to the atrocious acting of Elvire Audrey. There's some great gore and terrific authentic sleaze to enjoy, though.
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