| James Woods | ... | Richard Boyle | |
| James Belushi | ... | Doctor Rock | |
| Michael Murphy | ... | Ambassador Thomas Kelly | |
| John Savage | ... | John Cassady | |
| Elpidia Carrillo | ... | María (as Elpedia Carrillo) | |
| Tony Plana | ... | Major Maximiliano 'Max' Casanova | |
| Colby Chester | ... | Jack Morgan - State Department Analyst | |
| Cynthia Gibb | ... | Cathy Moore (as Cindy Gibb) | |
| Will MacMillan | ... | Colonel Bentley Hyde Sr. | |
| Valerie Wildman | ... | Pauline Axelrod | |
| José Carlos Ruiz | ... | Archbishop Romero | |
| Jorge Luke | ... | Colonel Julio Figueroa | |
| Juan Fernández | ... | Army Lieutenant | |
| Salvador Sánchez | ... | Human Rights Leader | |
| Rosario Zúñiga | ... | Human Rights Assistant | |
| Martín Fuentes | ... | Carlos | |
| Gary Farr | ... | Peter | |
| Gilles Millinaire | ... | French Reporter (as Gilles Milinaire) | |
| Ramón Menéndez | ... | Gomez | |
| John Doe | ... | Roberto | |
| Leticia Valenzuela | ... | Rebel Woman | |
| Roberto Sosa | ... | Rebel Youth (as Roberto Sosa Jr.) | |
| Daria Okugawa | ... | Dog Attendant | |
| Sue Ann McKean | ... | Cop in San Francisco | |
| Joshua Gallegos | ... | Immigration Officer on Bus | |
| María Rubell | ... | Boyle's Wife | |
| Ty Granderson Jones | ... | San Francisco Landlord (as Tyrone Jones) | |
| Sean Stone | ... | Boyle's Baby | |
| Danna Hansen | ... | Sister Stan | |
| Sigridur Gudmunds | ... | Sister Burkit | |
| Erika Carlsson | ... | Sister Wagner (as Erica Carlson) | |
| Kara Glover | ... | Kelly Assistant | |
| Julie Conn | ... | WAC at Party | |
| María del Carmen Sánchez | ... | Maria's Grandmother (as Ma. del Carmen Sanchez) | |
| Art Bonilla | ... | Romero Assassin (as Arturo Bonilla) | |
| Gerardo Zepeda | ... | Death Squad Member #1 (as 'Chiquilín' Zepeda) | |
| Nicolás Jasso | ... | Death Squad Member #2 | |
| José Chávez | ... | Jail Guard (as Jose Chavez Trowe) | |
| Héctor Téllez | ... | Mayor at Nun's Burial | |
| Jorge Reynoso | ... | Jefe at Customs Shed | |
| Jorge Pol | ... | Customs Officer #2 | |
| César Sobrevals | ... | Customs Officer #3 | |
| Bruno Rubeo | ... | Customs Officer #4 | |
| Bob Morones | ... | Customs Officer #5 | |
| Juliana Urquisa | ... | Wilma | |
| Queta Carrasco | ... | Bruja | |
| María de los Ángeles Urquiza | ... | Mamá Moncha at Panamá Club (as Ma. de los Angeles Urquiza) | |
| Tomás Leal | ... | Rapist #1 | |
| René Pereyra | ... | Rapist #2 | |
| Arturo Rodríguez Doring | ... | Young Killed Student | |
| Jair De Rubin | ... | Maria's Son (as Yair De Rubin) | |
| Claudia Hernández | ... | Maria's Daughter | |
| Humberto Elizondo | ... | Roadblock Thug #1 | |
| Mário Arévalo | ... | Roadblock Thug #2 | |
| Gerardo Quiroz | ... | Carlos' Friend #1 | |
| Israel León | ... | Carlos' Friend #2 | |
| Mauricio Martínez | ... | Executed Lieutenant | |
| Xochitl del Rosario | ... | Messenger on Horse | |
| Agustín Bernal | ... | Bodyguard to Major Max | |
| John MacDevitt | ... | GI in Salvador | |
| Bill Hoag | ... | Immigration Officer #2 | |
| Waldeir DeSouza | ... | US Customs Guard | |
| Ángel Vargas | ... | Tic Tac Monster in Cafe | |
| Miguel Ehrenberg | ... | Captain Marti | |
| rest of cast listed alphabetically: | |||
| Jimmy Carter | ... | Himself (archive footage) (uncredited) | |
| Nancy Davis | ... | Herself (archive footage) (uncredited) | |
| Robert Gallo | ... | Voice (uncredited) | |
| Ronald Reagan | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Oliver Stone | |||
Writing credits | ||
| Oliver Stone | written by and | |
| Rick Boyle | (as Richard Boyle) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Robert Richardson | |||
Film Editing by | |||
| Claire Simpson | |||
Casting by | |||
| Bob Morones | (as Bob 'Blackie' Morones) | ||
Production Design by | |||
| Bruno Rubeo | |||
Costume Design by | |||
| Kathryn Morrison | (as Kathryn Greko Morrison) | ||
Makeup Department | |||
| Bertha Chiu | .... | hair stylist: Mexico | |
| Humberto Escamilla | .... | hair stylist: Mexico | |
| Elvira Oropeza | .... | makeup artist: Mexico | |
| Gordon J. Smith | .... | prosthetic makeup artist | |
| Gionilda Stolee | .... | prosthetics assistant | |
Production Management | |||
| Brad H. Aronson | .... | executive in charge of production | |
| Anuar Badin | .... | supervising production manager: Mexico | |
| Michael Bennett | .... | post-production supervisor | |
| Mary M. Ensign | .... | production supervisor: San Francisco | |
| Carlos Gutiérrez | .... | assistant production manager: Mexico | |
| Alejandra Hernández | .... | production manager: Mexico | |
Second Unit Director or Assistant Director | |||
| Miguel Lima | .... | second assistant director: Mexico | |
| Ramón Menéndez | .... | first assistant director | |
| José Luis Ortega | .... | first assistant director: Mexico | |
Art Department | |||
| Ron Downing | .... | property master | |
| Ricardo Gil | .... | property master: Mexico | |
| Melo Hinojosa | .... | art director: Mexico | |
| Luis Jiménez Méndez | .... | camera painter: Mexico | |
| Adalberto López | .... | key set dresser: Mexico | |
| Francisco López | .... | stand-by on-set dresser: Mexico | |
| Milo | .... | set dresser: USA (as Milo Needles) | |
| Adolfo Navarro | .... | assistant property master: Mexico | |
Sound Department | |||
| Neil Brody | .... | sound re-recording mixer | |
| Jonathan D. Evans | .... | sound recordist | |
| Michael Fishman | .... | sound assistant | |
| Ted Goodspeed | .... | foley artist | |
| Jorge Gómez | .... | sound assistant: Mexico | |
| F. Hudson Miller | .... | sound effects editor | |
| Bob Minkler | .... | sound re-recording mixer | |
| Bill Mumford | .... | sound re-recording mixer | |
| R.J. Palmer | .... | sound effects editor | |
| Philip Perkins | .... | sound recordist: San Francisco | |
| John Post | .... | foley artist | |
| Steve Rice | .... | dialogue editor | |
| Frank Smathers | .... | dialogue editor (as Frank T. Smathers) | |
| Jesús Sánchez | .... | sound assistant: Mexico | |
| Manuel Topete | .... | sound operator: Mexico | |
| David Lewis Yewdall | .... | sound designer | |
| David Lewis Yewdall | .... | supervising sound editor | |
| Stephen Balliet | .... | boom operator: San Francisco (uncredited) | |
| Allen Hurd | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Daniel Cordero | .... | second special effects assistant: Mexico | |
| Yves De Bono | .... | special effects supervisor | |
| Alfonso Pacheco | .... | first special effects assistant: Mexico | |
| Marcelino Pacheco | .... | special effects: Mexico | |
Stunts | |||
| Bill Catching | .... | stunt coordinator | |
| Raúl Martínez | .... | stunt coordinator: Mexico | |
Camera and Electrical Department | |||
| Fernando Calvillo | .... | gaffer: Mexico | |
| Flavio Castillero | .... | videoman: Mexico | |
| Gary Farr | .... | still photographer (as Gary Anthony Farr) | |
| Humberto Galindo | .... | generator operator: Mexico | |
| Salvador Gutiérrez | .... | chief electrician: Mexico | |
| Chris Lombardi | .... | assistant camera (as Christopher Lombardi) | |
| Guillermo Moysen | .... | assistant camera: Mexico | |
| Manuel Paredes | .... | assistant camera: Mexico | |
| Antonio Ramírez 'Puma' | .... | dolly grip: Mexico (as Antonio Ramírez) | |
| Tom Richmond | .... | camera operator (as Thomas Julian Richmond) | |
| León Sánchez del Ángel | .... | assistant camera: Mexico | |
| León Sánchez Ruiz | .... | director of photography: Mexico | |
| León Sánchez | .... | assistant camera: Mexico (as León Sánchez del Ángel) | |
| Pedro Vázquez | .... | assistant camera: Mexico | |
| Salvador Vázquez | .... | key grip: Mexico | |
| Tom Richmond | .... | director of photography: second unit (uncredited) | |
Casting Department | |||
| Claudia Becker | .... | additional casting: Mexico | |
| Chucho Guerrero | .... | extras casting: Mexico | |
Costume and Wardrobe Department | |||
| Monica Araiz | .... | wardrobe: Mexico | |
| Federico Castillo | .... | wardrobe master: Mexico | |
| María de Jesús Luna | .... | seamstress: Mexico | |
| Jaime Ortiz | .... | assistant wardrobe: Mexico | |
Editorial Department | |||
| David Brenner | .... | assistant film editor | |
| Tom Finan | .... | associate editor (as Tom Finnan) | |
| Lisa Leeman | .... | first assistant editor | |
| Julie Monroe | .... | assistant editor | |
| Edgar Pavon | .... | assistant editor: Mexico | |
| Carlos Puente | .... | associate editor | |
| Julie Rogers | .... | apprentice editor | |
| John David Allen | .... | assistant editor (uncredited) | |
Music Department | |||
| Joan Biel | .... | music editor | |
| Budd Carr | .... | music supervisor | |
| Georges Delerue | .... | musical director (uncredited) | |
| Roger Monk | .... | scoring recordist (uncredited) | |
Transportation Department | |||
| Miguel Angel Gomez | .... | transportation chief | |
| Miguel Ángel Gómez | .... | transportation captain: Mexico | |
Other crew | |||
| Pablo Buelna | .... | location manager: Mexico | |
| Mario Cisneros Jr. | .... | script supervisor: Mexico | |
| Robert Dawson | .... | title designer: main titles | |
| Cristina Espinosa | .... | public relations: Mexico | |
| Patricia Green | .... | executive secretary | |
| Rosa María Gómez | .... | production accountant: Mexico | |
| Elsa Hermoso | .... | assistant production accountant: Mexico | |
| Laurie Noll | .... | location manager: San Francisco | |
| Sergio Prieto P. | .... | production assistant: Mexico | |
| Federico Serrano | .... | production unit manager: Mexico | |
| Elizabeth Stone | .... | assistant to director | |
| Concepcion Taboada | .... | production coordinator: Mexico | |
| Manuel Trejo Morales | .... | actor's delegate: Mexico | |
| Eileen Zannino | .... | production secretary | |
| Arturo Del Rio | .... | production assistant (uncredited) | |
Thanks | |||
| Charles Ryan | .... | special thanks | |
| Louis Stone | .... | dedicatee (as Dad) | |
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| Missing | In Cold Blood | Capote | Romero | Gandhi |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Having seen this movie more than ten times, over the last decade and one half, it as taken on many shades of meaning, but it continues to show how the more things change the more they stay the same. The reporter's sense of gathering news seems to be one of self-sacrifice and a search for truth however, the director shows how the American reporter possesses a quixotic sense of right and wrong that is overwhelmed by self-interest and self-indulgence not unlike the American public. He is unable to report with the clarity of a John Reed. Other points of interest are the visuals of the local life of peasants, who just want to live. They are shown to be no different than the peasants of Chile or Vietnam. Contrasting this life is the ruling elite that manipulates the meaning of the simple needs of the peasants into an ideology that threatens the middle class and the business interests that exploit the resources of this third world country. When the environment becomes so intolerable that the peasants begin to revolt, the forces of the ruling elite call on the American military might to help quell the rebellion. Here we discover the atrocities that become the daily part of life and bring the audience emotions out of its dispassionate viewpoint into one that feels the helplessness of a beaten people.
It seems to me that the director was more into making a movie than selling tickets. For this we are grateful. This movie is as fresh with insight and meaning as it was when it was released. Dr. Zim Robert