In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family ... See full summary »
Lauren and Sandy are total opposites who end up in the same acting class and who don't know they are sharing a lover. When he disappears under mysterious circumstances they refuse to ... See full summary »
An introduction to the Ketogenic Diet, a special high-fat diet used to treat seizures, as a treatment for childhood epilepsy narrated by Meryl Streep. The video provides a step-by-step ... See full summary »
Upon graduation from college with a business degree, John Issel is promptly hired by Helmes's company I.N.C. At INC, the one who gets ahead, does it by kissing ass, or over someone else's ... See full summary »
A corporate raider threatens a hostile take-over of a "mom and pop" company. The patriarch of the company enlists the help of his wife's daughter, who is a lawyer, to try and protect the ... See full summary »
Penelope Ann Miller
Sam Stone is a clothing manufacturer, who married his wife Barbara, for the money that she was supposed to inherit from her dying father, but her father didn't die for another fifteen years. He is now planning to kill her and he tells his girlfriend Carol what he is going to do. He then on his way home to do just that but when he gets there, she's not there. He then receives a call from someone claiming to have kidnapped Barbara and threatening to kill her if he informs the police, which he does hoping that they do. What Stone doesn't know is that the kidnappers, Ken and Sandy are a couple whose idea for a garment he stole and made fortune off, are not that lethal, as a matter of fact Barbara's more lethal. And what Stone doesn't know is that Carol, has another boyfriend and they plan to blackmail Sam, by videotaping him disposing of Barbara's body. When her boyfriend, Earl goes there to do that, the person who goes there was not Sam but a guy with a hooker, and the guy instructs the ... Written by
Principal photography on this picture commenced during January 1986. See more »
When Barbra tries to escape, she throws a coffee mug at Ken, hitting his nose. You can see the plexiglass in front of Ken reflecting light on his shirt. Also, slowing down the frames, before the mug hits Ken, you can clearly see the cut mark already painted on his nose before the mug hits him. See more »
Carol, did I ever tell you why I married her?
Yes, Sam, you told me many, many...
Her father was very, very rich, and very, very sick. The doctors assured me he'd be dead any minute. There wasn't a second to lose! I rushed right out and married the boss's daughter. He was so sick, it was like the Angel of Death was sitting in the room with him, watching the clock. They pulled the plug on him... he wheezed and shook for about an hour... and then... he stabilized. The son-of-a-bitch ...
[...] See more »
Near the end of the credits is the line "I Love Wrong Numbers", referring to a scene earlier in the movie where Sam Stone gets a wrong number on the phone and does a vulgar prank to it. See more »
"Ruthless People" has one of the best premises in film comedy history.
Spandex miniskirt millionaire Sam Stone (Danny DeVito) plans to kill his battle axe wife (Bette Midler) for her inheritance. However, his plan is put on hold when she is kidnapped and held for ransom. The kidnappers threaten to kill her if Sam doesn't pay, which is a-o.k. with Sam, and means he doesn't have to do his own dirty work. But the kidnappers (Judge Reinhold and Helen Slater) are too kind hearted to follow through with what they start. Meanwhile, Sam's floozy mistress (a smokin' Anita Morris) knows about Sam's plans, and sends her doofus boyfriend (Bill Pullman) out to videotape what he thinks is Sam killing his wife so that they can blackmail him.
This is a lot of plot to cram into a brisk 90 minutes, but this well written film never feels forced or rushed. Every scene conveys something important either for the story or about one of the characters, and not a moment feels wasted. The ensemble is terrific, each actor landing his/her jokes without fail. The standouts, though, are Bette Midler, who gives an outrageously vulgar performance pitched to the third balcony; and Judge Reinhold, who gives the film its heart.
One of the most quotable movies ever, the film also boasts a great opening credits sequence, one more reason to lament the fact that movies hardly ever have opening credits anymore.
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