6.4/10
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Rita, Sue and Bob Too! (1987)

R | | Comedy, Drama | 29 May 1987 (UK)
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns.

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, (based on the stage plays by)
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Cast

Cast overview, first billed only:
...
Sue
...
Rita
...
Bob
...
Michelle
Kulvinder Ghir ...
Aslam
Willie Ross ...
Sue's Father
Danny O'Dea ...
Paddy
David Britton ...
Rita's Brother
Mark Crompton ...
Rita's Brother
Stuart Goodwin ...
Rita's Brother
Max Jackman ...
Rita's Brother
Andrew Krauz ...
Rita's Brother
Simon Waring ...
Rita's Brother
Maureen Long ...
Rita's Mother
Joyce Pembroke ...
Lawn Mower Lil
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Storyline

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

29 May 1987 (UK)  »

Also Known As:

Bob e as Suas Mulheres  »

Box Office

Gross:

$124,167 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The lead singer of Black Lace featured in the film "Alan Barton" died in a coach crash in 1995. He was also in the band "Smokie". See more »

Goofs

As they are walking down the street during the school trip the boom mic is visible in the bottom left shop window. See more »

Quotes

Bob: Well, things haven't been going so good with me and the wife.
Rita: Tell us another one!
See more »

Connections

Featured in 100 Greatest Sexy Moments (2003) See more »

Soundtracks

Turbo Charged
Music by Peter Hinton and Will Reid-Dick
Chappell Recorded Music Library
See more »

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User Reviews

 
Very, very '80s and very very good
2 March 2000 | by (UK) – See all my reviews

I hated the 1980s when I lived through them, but looking back from a distance, it's easier to make sense of them. Rita, Sue and Bob Too is an exemplary British '80s film. It's not very pretty - Rita and Sue are two giggling teenage girls, all decked out in white - from their stilletos to the highlights in Sue's hair. They live on a sink-hole council estate in Bradford. Bob is "middle-class" in that he lives in sterile private housing

  • all nice lawns and open spaces. But Bob


drops his "h"s too, and wears a gold chain.

The three begin a "relationship" which is based on sex. None of the characters are represented as particularly nice, but instead they're "real". I knew a lot of Ritas and Sues when I was growing up, and the two young actresses who play these parts do a stellar job.

For me, a lot of the humour in the film derives from the depictions of "class" - from Sue's awful drunk father uselessly brandishing a baseball bat, to Bob's wife - clearly only about half a stilleto heel up the social ladder than Rita and Sue, but desperate to be seen to be something better. Her acting is stilted, laughable, awful. But it's supposed to be - the character is acting at being posh - badly. Lines like "Make your own f**king tea" when she's trying to impress and intimidate the girls are wonderfully comic.

I also like the racial slant to the film - the guy who plays Sue's Asian boyfriend is attractive, and presented both sympathetically and unsympathetically at the same time (like most of the lead characters in the film) - at first he's nervous around Sue, but quickly tries to assert control over her. When Sue drops him, he's pathetic again, but this too is only a ruse. I think this film paved the way for later films like "East is East", which reminds me of it a lot.

I also like the depictions of gossipy, interfering neighbours - both from the under-class estate (especially the strange old man who dances in glee at the "street-fight") and the middle-class private housing (the guy who endlessly waters his plants in the garden so he can spy on the events in Bob's house). One of my favourite sequences is when Bob's wife's friend comes to tell her that she's seen Bob with the girls. Her fakey "concern" is shown
  • not by speech, but by the fact that


she is half running to the house: she can't WAIT to tell her news and ruin the relationship. All of this is so cleverly and wittily observed, in a completly understated way.

This is a brilliant film. Put it on your "must-see" list.


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