In Paris outskirts Blanche, a young clerk, befriends Lea, a girl livelier than she is. Lea is going steady with Fabien who is a friend to Alexandre who is going steady with Adrienne but is ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Delphine's traveling companion cancels two weeks before her holiday, so Delphine, a Parisian secretary, is at loose ends. She doesn't want to travel by herself, but has no boyfriend and seems unable to meet new people. A friend takes her to Cherbourg; after a few days there, the weepy and self-pitying Delphine goes back to Paris. She tries the Alps, but returns the same day. Next, it's the beach: once there, she chats with an outgoing Swede, a party girl, and a friendship seems to bud; then, suddenly, Delphine bolts, heading back to Paris. As she waits at the Biarritz train station, a young man catches her eye; perhaps a sunset and the sun's green ray await. Written by
I'm a big Rohmer fan - loved the recent Tale series, especially Tale of Autumn and Tale of Winter. This is one of my favorite Rohmer films which I can see again and again. The main character (wonderfully played by Marie Riviere) is depressed, moody, lonely and annoying -- which describes most of us, doesn't it -- and she's transformed by love, but only after she undergoes a journey that takes her deeper into herself.
What is it about Eric Rohmer? His main characters are usually a pain, they talk incessantly about trivial things, and they're bored and depressed. But Rohmer draws you in, absorbs you -- and somehow everything becomes quite soulful and profound and the films resonate in your head for days. Rohmer has what Nabokov called "shamantzen" -- spellbinding power -- the power of great storytellers.
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