| Bill Allen | ... | Cru | |
| Lori Loughlin | ... | Christian | |
| Talia Shire | ... | Mrs. Jones | |
| Ray Walston | ... | Burton Timmer | |
| Alfie Wise | ... | Eliott Dole | |
| Jack Weston | ... | Duke Best | |
| Bart Conner | ... | Bart Taylor | |
| Marta Kober | ... | Becky | |
| Jamie Clarke | ... | Luke | |
| Laura Jacoby | ... | Wesley Jones | |
| H.B. Haggerty | ... | Sgt. Smith | |
| Chad Hayes | ... | Rex Reynolds | |
| Carey Hayes | ... | Rod Reynolds | |
| Kellie McQuiggin | ... | Foxy | |
| Beverley Hendry | ... | Tiger (as Beverly Hendry) | |
| Shawna Burnett | ... | Amy | |
| Graeme Davies | ... | Harold | |
| Logan T. Wotton | ... | Miles | |
| Jeff Kress | ... | Rick | |
| Gordon Signer | ... | Mayor Coop Jenkins | |
| Nancy MacDonald | ... | Mrs. Grey | |
| Rick McNair | ... | Bob the Cook | |
| Pat Pearson | ... | Mr. Pratt | |
| Maureen Thomas | ... | Flag Lady | |
| Bill Berry | ... | Luke's Dad | |
| Georgie Collins | ... | Luke's Mom | |
| Darlene Bradley | ... | Mom in Station Wagon | |
| Ashley Bristowe | ... | Girl at Playground | |
| G.A. Dahlseide | ... | Fab Official | |
| Norman Edwards | ... | Department Store Man | |
| Jack Goth | ... | Scotty | |
| Pat Kirst | ... | Wesley's Teacher | |
| Laird Mackintosh | ... | Bob Kachler | |
| Roberta Mauer-Phillips | ... | Amy's Mother | |
| Danny McDonogh | ... | Mophead Boy | |
| Tara McHugh | ... | Girl | |
| Barry Onody | ... | Bar Patron | |
| Rod Padmos | ... | Bartender | |
| Mary Siegel | ... | Woman in Stands at Hell Track | |
| Benita von Sass | ... | Katie's Girlfriend | |
| Gerry Whelpton | ... | Man on Porch | |
| Bev Wotton | ... | Woman Buys T-Shirt on Street | |
| Ken Squier | ... | T.V. Announcer | |
| rest of cast listed alphabetically: | |||
| Larry Day | ... | Town Citizen (uncredited) | |
Directed by | |||
| Hal Needham | |||
Writing credits | ||
| Sam Bernard | (written by) & | |
| Geoffrey Edwards | (written by) | |
Produced by | |||
| Sam Bernard | .... | co-producer | |
| Mary Eilts | .... | associate producer | |
| Robert L. Levy | .... | producer | |
| Jack Schwartzman | .... | executive producer | |
Original Music by | |||
| James Di Pasquale | |||
Cinematography by | |||
| Richard Leiterman | (director of photography) | ||
Film Editing by | |||
| Carl Kress | |||
Casting by | |||
| Annette Benson | |||
Art Direction by | |||
| Shirley Inget | |||
Set Decoration by | |||
| Grant S. Goodman | |||
| Cindy Gordon | |||
| Clay Weiler | |||
Costume Design by | |||
| Jerry R. Allen | (as Jerry Allen) | ||
Makeup Department | |||
| John Cox | .... | makeup artist | |
| Iloe Flewelling | .... | hair stylist | |
Production Management | |||
| Mary Eilts | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Gordon Robinson | .... | first assistant director | |
| Val Stefoff | .... | second assistant director | |
Art Department | |||
| Alfred A. Arndt | .... | head carpenter | |
| Louis S. Fleming | .... | property master (as Louis Fleming) | |
Sound Department | |||
| Mike Dobie | .... | sound effects supervisor | |
| Richard C. Franklin | .... | sound effects supervisor (as Rick Franklin) | |
| Robert Glass | .... | sound re-recording mixer | |
| Frank H. Griffiths | .... | sound mixer | |
| George Tarrant | .... | boom operator | |
Stunts | |||
| Glen Adams | .... | BMX stunt rider | |
| Richie Anderson | .... | BMX stunt rider | |
| Martin Aparijo | .... | BMX stunt rider | |
| Martin Aparijo | .... | stunt double | |
| Alex Baik | .... | stunt performer | |
| Kirk Bihun | .... | BMX stunt rider | |
| Fred Blood | .... | stunt performer | |
| Fred Blood | .... | stunts | |
| Brian Blyther | .... | BMX stunt rider | |
| Travis Chipres | .... | BMX stunt rider | |
| Scott Clark | .... | BMX stunt rider | |
| Brad Cowan | .... | BMX stunt rider | |
| Wynn Cowan | .... | BMX stunt rider | |
| Mike Dominguez | .... | BMX stunt rider | |
| Eddie Fiola | .... | BMX stunt rider | |
| Richard Fleming | .... | BMX stunt rider | |
| Kevin Hull | .... | BMX stunt rider | |
| Pat Lipovski | .... | BMX stunt rider | |
| Danny Millwee | .... | BMX stunt rider | |
| Mike Miranda | .... | BMX stunt rider | |
| Rick Moliterno | .... | BMX stunt rider | |
| Jeremy Moser | .... | BMX stunt rider | |
| Matthew Moser | .... | BMX stunt rider | |
| R.L. Osborn | .... | BMX stunt rider | |
| Pat Romano | .... | stunt coordinator | |
| Beatle Rosecrans | .... | BMX stunt rider | |
| Everett Rosecrans | .... | BMX stunt rider | |
| Rob Rupe | .... | BMX stunt rider | |
| Ron Wilkerson | .... | BMX stunt rider | |
| Ron Wilton | .... | BMX stunt rider | |
| José Yáñez | .... | BMX stunt rider | |
Camera and Electrical Department | |||
| John Adams | .... | generator operator | |
| Robert Brown | .... | best boy | |
| Trevor J. Brown | .... | assistant camera (as Trevor Brown) | |
| Douglas Curran | .... | still photographer | |
| David Geddes | .... | camera operator | |
| Tom Hansen | .... | second company grip | |
| Ivan Hawkes | .... | dolly grip | |
| Roger Huyghe | .... | gaffer | |
| Nick Kuchera | .... | key grip | |
| Harvey LaRocque | .... | first assistant camera (as Harvey La Rocque) | |
| Joel Ransom | .... | assistant camera | |
| Gordon Schmidt | .... | electrician | |
| William Skinner | .... | grip | |
Casting Department | |||
| Patches Dahlseide | .... | casting: Calgary | |
| Shirley Dahlseide | .... | casting: Calgary | |
Costume and Wardrobe Department | |||
| Betty Joyce Elliott | .... | costumer | |
Editorial Department | |||
| Susie Fredrickson | .... | post-production secretary | |
| Deena Goldstein | .... | post-production coordinator | |
| Gillian L. Hutshing | .... | assistant film editor | |
| Jeff Kress | .... | assistant film editor | |
| Shelly Theaker | .... | assistant film editor | |
| Charles Robichaud | .... | assistant editor (uncredited) | |
Music Department | |||
| A. David Marshall | .... | music editor (as David Marshall) | |
| Rick Riccobono | .... | music supervisor | |
Transportation Department | |||
| Joe Dodds | .... | transportation coordinator | |
| Lorne Evans | .... | driver | |
| Reg Glass | .... | driver | |
| Norman Hawkes | .... | driver | |
| Arnold Holmes | .... | transportation captain | |
| Keith Noble | .... | driver: honeywagon | |
| Brent Woolsey | .... | driver | |
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| Chariots of Fire | Adventureland | Monster | It's Easier for a Camel... | Kings & Queen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
It's your basic "High-school dork beats bully & gets girl using his worthless social-outcast skill that everyone in this little universe is oddly obsessed with" (happens all the time in the 80's). Nothing particularly original or interesting about it, but for some reason it withstands repeated viewings and still seems like fun. It's one of those movies that unintentionally became a cult flick just by being so straightforward.
The plot, the acting, the characters, the one-liners . . . everything about the production is reasonably serviceable for the era, but certainly not GOOD either. The whole thing feels sorta like a cheesy 80's sitcom doing its big 2-hour episode for sweeps week, and the network gave it some money for a real location shoot & some extra cuss words.
The bicycle stuntwork in "Rad" is stellar. Yes, of course it's outdated now, and modern X-games riders like Dave Mirra can demonstrate a lot more technical skill on multi-directional spins & stuff, but ultimately that's beside the point. In real life the average 13-year-old spends weeks teaching himself to do a decent bunny hop. And for that 13-year-old, it's plenty of fun watching a character in "Rad" just trying to learn an (outdated) backflip move in the schoolyard using a hockey helmet & some old bed mattresses. (Think: "Jackass" but not so intentional. And it's too bad this movie was made before the era of "goof reels" during the end credits, because they probably got some real whoppers on film during this production.)
I can quote every line of this movie, but I still can't put my finger on what aspect of it makes it hold up so well. It's got that same sort of odd quality that a "Duck Tales" or a "Saved by the Bell" episode has: You can't explain why on earth you're still watching & enjoying it as an intelligent adult . . . but you are. (And so is everyone else you've shown it to.) Either way you'd better get your insider-status and enjoy this movie now. Next thing we know they might put it on T-shirts at Sam Goody & take all the fun out of it.