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Quilombo (1984)

 -  Drama  -  28 March 1986 (USA)
6.7
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Ratings: 6.7/10 from 311 users  
Reviews: 5 user | 6 critic

Palmares is a 17th-century quilombo, a settlement of escaped slaves in northeast Brazil. In 1650, plantation slaves revolt and head for the mountains where they find others led by the aged ... See full summary »

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Title: Quilombo (1984)

Quilombo (1984) on IMDb 6.7/10

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Cast

Credited cast:
Jonas Bloch ...
Samuel
Zózimo Bulbul
Emmanuel Cavalcanti
Arduíno Colassanti
Jorge Coutinho ...
Sale
Babaú da Mangueira
Roberto de Cleto
Aniceto do Império
Maurício do Valle ...
Dominingos Jorge Velho
Chico Díaz
Sabrina Fidalgo
...
Carrilho
Vera Fischer ...
Ana de Ferro
Léa Garcia
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Storyline

Palmares is a 17th-century quilombo, a settlement of escaped slaves in northeast Brazil. In 1650, plantation slaves revolt and head for the mountains where they find others led by the aged seer, Acotirene. She anoints one who becomes Ganga Zumba, a legendary king. For years, his warriors hold off Portuguese raiders; then he agrees to leave the mountains in exchange for reservation land and peace. It's a mistake. Zumbi, a warrior whose mother was killed by Portuguese and who spent 15 years with the Whites, stays in the mountains to lead Palmares. In 1694, the Portuguese import a ruthless captain from São Paulo to lead an assault on the free Blacks. Can Zumbi keep Palmares free? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

epic | slavery | based on novel

Genres:

Drama

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Release Date:

28 March 1986 (USA)  »

Also Known As:

Quilombo  »

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User Reviews

 
historically interesting, but a horrible production
18 March 2004 | by (Oklahoma) – See all my reviews

This film tells the true story of escaped black slaves who found their own mountain-top commune as free men in 17th-century Brazil. The story is interesting and edifying. However, this film -- as a film -- is terrible.

The soundtrack is not period music or tribal music. It is Afro-Brazilian pop music from the early 1980s. Battle scenes are fought to the sounds of cheesy pop rhythms best left to the disco or bad cops dramas. Admittedly, the lyrics are folk-ish tales of the slaves' heroism. The special effects are absurd. Rather than invoke the mysticism of African religion and atavistic beliefs, they merely make the film look cheap. They are completely unbelievable, and I don't mean merely in a sense of verisimilitude.

Life within the commune of Palmares could not have been the way it is portrayed in the film. For this society, as shown in the film, is one-part kibbutz, one-part Afro-pop festival. Moreover, it is almost embarrassing to watch the director play upon the clichés of blacks as talented singers and dancers who simply want to be happy. He portrays daily life as a series of dance parties in which the freed slaves paint themselves bright colors and whirl around to the strains of '80s pop music. On the other hand, they have an abundance of beautiful food, but the viewer hardly sees any work being done. The king inveighs against private property in a hackneyed and clichéd way. When a man complains that people are taking the vegetables that he has grown over many months, the king says, "What comes from the earth belongs to everyone, as the earth belongs to no one. If they need food, they have a right to take yours."

I am glad that I learned about this episode in history, but I am relieved that a film with such low production values and that trades upon such worn stereotypes would likely not be made today.


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