| Photos (See all 14 | slideshow) |
Directed by | |||
| Jerry Paris | |||
Writing credits | ||
| Neal Israel | (characters creator) & | |
| Pat Proft | (characters creator) | |
| Gene Quintano | (written by) | |
| Barry W. Blaustein | characters (uncredited) | |
| David Sheffield | characters (uncredited) | |
Produced by | |||
| Paul Maslansky | .... | producer | |
| Donald L. West | .... | associate producer (as Donald West) | |
Original Music by | |||
| Robert Folk | |||
Cinematography by | |||
| Robert Saad | (director of photography) | ||
Film Editing by | |||
| Bud Molin | |||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
Production Design by | |||
| Trevor Williams | |||
Art Direction by | |||
| Rhiley Fuller | |||
| Dennis Davenport | (uncredited) | ||
Set Decoration by | |||
| Sean Kirby | |||
Costume Design by | |||
| Aleida MacDonald | |||
Makeup Department | |||
| Ken Brooke | .... | makeup artist | |
| Albert Paradis | .... | hair stylist | |
Production Management | |||
| Suzanne Lore | .... | unit production manager | |
| Jack Roe | .... | production manager: second unit, United States | |
Art Department | |||
| Tory Bellingham | .... | set dresser | |
| John 'Frenchie' Berger | .... | property master (as John Berger) | |
| Willi Holst | .... | scenic artist | |
| Paul Theodore | .... | construction supervisor | |
| Dan Wladyka | .... | assistant property master | |
| Serge Genitempo | .... | stand-by painter (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
Sound Department | |||
| Gail Clark Burch | .... | adr editor (as Gail Clark) | |
| Michael Jiron | .... | re-recording mixer | |
| Dale Johnston | .... | supervising sound editor | |
| David Lee | .... | production sound mixer | |
| Allen L. Stone | .... | sound re-recording mixer (as Allen Stone) | |
| Steve Switzer | .... | boom operator | |
| Richard Weaver | .... | sound re-recording mixer | |
| Dan Harville | .... | post-production sound designer (uncredited) | |
| John Motyer | .... | sound assistant (uncredited) | |
| Tom Ruff | .... | post-production sound mixer (uncredited) | |
| Clancy T. Troutman | .... | sound editor (uncredited) | |
Special Effects by | |||
| Arthur Langevin | .... | special effects technician | |
| Eric Roberts | .... | special effects | |
| Cliff Wenger | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Angelo Colavecchia | .... | second assistant camera (as Angelo Colavechia) | |
| Tony Eldridge | .... | best boy | |
| Henri Fiks | .... | camera operator: second unit | |
| Ron Gillham | .... | key grip | |
| Ángel González | .... | camera operator (as Angel Gonzales) | |
| Glen Goodchild | .... | best boy | |
| Manfred Guthe | .... | additional photographer: second unit (as Fred Guthe) | |
| Chris Holmes | .... | gaffer | |
| Gordon Langevin | .... | camera operator: second unit (as Gord Langevin) | |
| Rexford L. Metz | .... | camera operator: second unit, United States (as Rex Metz) | |
| Neil Seale | .... | camera operator | |
| Kerry Smart | .... | first assistant camera | |
| David Whittaker | .... | still photographer | |
| Michael Douglas Middleton | .... | still photographer (uncredited) | |
Casting Department | |||
| Maria Armstrong | .... | casting: Canada | |
| Ross Clydesdale | .... | casting: Canada | |
| Mark Holub | .... | casting associate | |
| Peter Lavender | .... | extras casting: Canada | |
| Sue Swan | .... | casting coordinator (as Sue Swann) | |
Costume and Wardrobe Department | |||
| Mary McCready | .... | costumer | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Kelly G. Crawford | .... | assistant film editor | |
| Stephen R. Myers | .... | assistant film editor (as Stephen Myers) | |
| Ben Williams | .... | assistant film editor | |
Music Department | |||
| Tena Clark | .... | musical supervisor | |
| Don Davis | .... | additional orchestrator | |
| Robert Fernandez | .... | scoring mixer (as Bobby Fernandez) | |
| Kenneth Wannberg | .... | music editor | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| Tom Boyd | .... | musician: oboe soloist (uncredited) | |
| David Chackler | .... | music supervisor (uncredited) | |
| George Doering | .... | musician (uncredited) | |
| James Thatcher | .... | musician: French horn (uncredited) | |
Transportation Department | |||
| Stuart Hughes | .... | transportation coordinator | |
| Greg O'Hara | .... | driver captain | |
Other crew | |||
| Benita Allen | .... | assistant to producer | |
| Toni Blay | .... | production secretary | |
| Howard Brandy | .... | unit publicist | |
| Michael Brownstone | .... | location manager | |
| Marty Epp | .... | paramedic | |
| Jean Frenette | .... | karate expert | |
| Dolores Morris | .... | assistant: Mr. Paris | |
| Terri Mueller-Armitage | .... | assistant: Mr. Maslansky (as Teri Mueller) | |
| Robert Petrovicz | .... | production assistant | |
| Alexandra Raffe | .... | production coordinator (as Alexandra Raffé) | |
| Wendie Siford | .... | production accountant | |
| Elaine Yarish | .... | script supervisor | |
| Charles A. Tamburro | .... | aerial coordinator/pilot (uncredited) | |
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| Police Academy 2: Their First Assignment | Police Academy | Police Academy 6: City Under Siege | Police Academy 4: Citizens on Patrol | Rush Hour 2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Yes, combine the first two movies take away most of the cussing and raunchy jokes and you have the start of the very stale Police Academy sequels. I enjoyed the first two films, and I will say this one had some laughs, but way to much wrong with it to be considered even an okay film. The only redeeming factor is that once again G.W. Bailey is absent and the more funnier Mauser is in this one with his assistant Proctor. They made for most of the humor and Mauser's absence in the next film stands out to me. The story has two police academies in an area and one of them is to be shut down. Mauser is in charge of one, and granted how did he get an academy since the last movie is a rather good question. One wonders is this supposed to be a sequel and for the most part other than this strange turn it seems to be. Most of the jokes have been done, Bobcat is back and you wonder why. He was good in the last movie, in this one his presence is overkill. I thought how Mahoney in the first film got into the academy there is no way Bobcat could have. So all in all the start of very weak sequels and you will begin to know the jokes by heart.