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Directed by | |||
| Oliver Stone | |||
Writing credits | ||
| Oliver Stone | (written by) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Derek Gibson | .... | executive producer | |
| A. Kitman Ho | .... | co-producer | |
| Arnold Kopelson | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Claire Simpson | |||
Casting by | |||
| Pat Golden | |||
| Warren McLean | |||
| Bob Morones | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Rodell Cruz | |||
| Sherman Williams | (as Doris Sherman Williams) | ||
Makeup Department | |||
| Cecille Baun | .... | makeup and prosthetic special effects assistant | |
| Derek Howard | .... | makeup and prosthetic special effects assistant | |
| Gordon J. Smith | .... | special makeup effects and visual continuity | |
| Gionilda Stolee | .... | makeup and prosthetic special effects assistant | |
Production Management | |||
| Joe Constantino | .... | production manager | |
| Cenón González | .... | unit manager (as Cenon Gonzales) | |
| Graham Henderson | .... | executive in charge of production | |
| Ooty Moorehead | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| H. Gordon Boos | .... | first assistant director | |
| Pepito Diaz | .... | second assistant director | |
| Evan Kopelson | .... | assistant director: second unit | |
| Gerry Toomey | .... | key second assistant director | |
| Tim Minear | .... | assistant director (uncredited) | |
Art Department | |||
| Francisco Balangue | .... | construction manager (as Francisco Belangue) | |
| Romulo Bernales | .... | assistant property master | |
| David Delina | .... | property master | |
| Delio Dizon | .... | greensman | |
| Angelito Felipe | .... | scenic chargeman | |
| Dwight Gaston | .... | assistant set dresser | |
| Neddie La Raquel | .... | assistant property master | |
| Roy Lachica | .... | key set dresser | |
| Teodoro Martin Sr. | .... | greensman | |
| Gambino Payawal | .... | assistant construction manager (as Gavino Payawal) | |
| Cesar Ramido | .... | master carpenter | |
| Martin Raygon | .... | assistant set dresser | |
| Alex Santa Maria | .... | master carpenter (as Alex Sta. Maria) | |
| Reynaldo Velasco | .... | props radioman | |
Sound Department | |||
| David Campling | .... | sound editor | |
| Gordon Daniel | .... | supervising sound editor | |
| Greg Dillon | .... | sound editor | |
| Venancio Goltiano | .... | cableman | |
| Charles Grenzbach | .... | re-recording mixer (as Charles 'Bud' Grenzbach) | |
| Taffy Haines | .... | sound mixer: second unit | |
| Simon Kaye | .... | sound mixer | |
| James J. Klinger | .... | sound editor | |
| Anthony Palk | .... | sound editor (as Tony Palk) | |
| Richard D. Rogers | .... | re-recording mixer (as Richard Rogers) | |
| Donald Santos | .... | boom operator | |
| John Wilkinson | .... | re-recording mixer (as John 'Doc' Wilkinson) | |
| Vanessa Theme Ament | .... | foley artist (uncredited) | |
| Steve Bartlett | .... | sound (uncredited) | |
| Frank Fleming | .... | loader (uncredited) | |
| Alyson Dee Moore | .... | foley artist (uncredited) | |
Stunts | |||
| Gil Arceo | .... | stunt coordinator | |
| Alex Cabodil | .... | stunts | |
| Mark Ebenhoch | .... | stunts (as Mark K. Ebenhoch) | |
| Robert 'Rock' Galotti | .... | stunts (as Robert M. Galotti Jr.) | |
| Joseph Ramos | .... | stunts | |
| Rolly Silong | .... | stunts | |
| Sonny Tuazon | .... | stunts | |
| Leony Vidal | .... | stunts | |
Camera and Electrical Department | |||
| Mel Araojo | .... | film loader | |
| Rene Balicas | .... | dolly grip | |
| Rufo Oreta Balicas | .... | best boy grip (as Rufo Balicas) | |
| Victor Cecogo | .... | clapper | |
| Ernesto Enríquez | .... | assistant electrician (as Ernesto Enriquez) | |
| James Finnerty | .... | grip (as Jim Finnerty) | |
| James Fitzpatrick | .... | gaffer | |
| Ricky Francisco | .... | still photographer | |
| Chris Lombardi | .... | first assistant camera | |
| Celebrando Raymundo | .... | best boy electrician (as Celebrado Raymundo) | |
| Charlie Rebolledo | .... | generator operator | |
| George Rosales | .... | additional assistant camera | |
| Caloy Salcedo | .... | additional assistant camera | |
| Newton Thomas Sigel | .... | director of photography: second unit (as Tom Sigel) | |
| Roland Neveu | .... | special photographer (uncredited) | |
| Sandi Sissel | .... | director of photography: 'b' unit (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Mike Ambrosio | .... | wardrobe assistant (as Mike Ambrocio) | |
| Wynn Arenas | .... | wardrobe supervisor | |
| Maria Cecina | .... | tailor | |
| Jim Elyea | .... | additional wardrobe | |
| Fidel Javier | .... | wardrobe assistant | |
| Kathryn Morrison | .... | costumier | |
| Tess Quismundo | .... | tailor | |
Editorial Department | |||
| David Brenner | .... | first assistant editor (as David S. Brenner) | |
| Tom Finan | .... | associate editor | |
| Julie Monroe | .... | assistant editor | |
| Toto Natividad | .... | assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Duerrstein) | |
| Ben Salvador | .... | apprentice editor | |
| Frederick S. Taylor | .... | apprentice editor | |
| Ron Wengler | .... | color timer (as Ronald Wengler) | |
| Henry Yamballa | .... | master cutter | |
Music Department | |||
| Budd Carr | .... | music supervisor | |
| Richard Stone | .... | supervising music editor: Segue Music | |
| Joanne Weiss | .... | music coordinator | |
| Georges Delerue | .... | conductor (uncredited) | |
| Georges Delerue | .... | orchestrator (uncredited) | |
| David Franco | .... | music supervisor (uncredited) | |
| Roger Monk | .... | score mixer (uncredited) | |
| John Richards | .... | music engineer (uncredited) | |
Transportation Department | |||
| Ben Cañalita | .... | assistant transportation captain (as Ben Canalita) | |
| Primo Guina | .... | transportation captain (as Firmo Guina) | |
Other crew | |||
| Frans J. Afman | .... | motion picture banking: Credit Lyonnais Bank, Nederland | |
| Joe Alonsabe | .... | location auditor | |
| Linda Angeles | .... | nurse | |
| Andy Birmingham | .... | production accountant | |
| Bobby Buensalida | .... | craft service | |
| Kathryn Clayton | .... | assistant military technical advisor | |
| Pierre David | .... | production executive | |
| Angelica De Leon | .... | production coordinator | |
| Bernardo Delina | .... | wrangler | |
| Cesar Dominguez | .... | chief armorer | |
| Dale Dye | .... | technical advisor: military (as Captain Dale Dye United States Marine Corp. {Ret.}) | |
| Yvonne Eastmond | .... | assistant accountant | |
| Mark Ebenhoch | .... | assistant military technical advisor (as Mark K. Ebenhoch) | |
| Diosdado Figueroa | .... | assistant armorer | |
| Sylvia Gajardo | .... | bookkeeper | |
| Robert 'Rock' Galotti | .... | assistant military technical advisor (as Robert M. Galotti Jr.) | |
| Anne G. Garcia | .... | production secretary | |
| Eusebio Garcia | .... | liaison: Philippine military | |
| Matt Gatson | .... | production liaison: Los Angeles | |
| Carrie Hughes | .... | travel arrangements: Trudy Salven Travel International | |
| Robert Jellen | .... | insurance provided by: Albert G. Ruben & Co. Inc. (as Robert A. Jellen) | |
| Lope V. Juban Jr. | .... | Philippine coordinator | |
| John Kerr | .... | key production assistant | |
| David Lowe | .... | legal services: Beresford, Lowe & Co. | |
| Susan Malerstein | .... | script supervisor | |
| Suzette Montalban | .... | cashier | |
| Eliong Munoz | .... | assistant armorer | |
| Nick Nicholson | .... | production assistant (as Nick Nickelson) | |
| Orlando Nui | .... | security | |
| Jerry O'Hara | .... | location manager | |
| Ben Pagar | .... | wrangler | |
| Dondi Pangilinan | .... | assistant armorer | |
| Dan Perri | .... | title designer | |
| Steven Rodgers | .... | production assistant (as Steve Rodgers) | |
| Mayes C. Rubeo | .... | assistant: Arnold Kopelson (as Mayes Rubeo) | |
| Elizabeth Stone | .... | assistant: Oliver Stone | |
| Doc Tizon | .... | assistant armorer (as Roman 'Doc' Tizon) | |
| Antonio V. Torralba | .... | doctor (as Dr. Antonio V. Torralba) | |
| Gigi Vitan | .... | production assistant | |
| Stanley White | .... | assistant military technical advisor (as Stanley White U.S.M.C. {Ret.}) | |
| Wynne Wicker | .... | technical advisor: Vietnamese | |
| Oli Laperal Jr. | .... | equipment coordinator (uncredited) | |
| Nick Nicholson | .... | helicopter choreographer (uncredited) | |
Thanks | |||
| Michael Cimino | .... | special thanks | |
| Mary Colquhoun | .... | special thanks | |
| Charles Ryan | .... | special thanks: Bart-Milander Associates Inc. (as Charles W. Ryan) | |
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| Rambo | The Green Berets | The Professional: Golgo 13 | Tears of the Sun | Saving Private Ryan |
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The 1980s in general and the mid 1980s in particular aren't highly regarded where pop culture is concerned , this is most especially true in cinema where films seemed to be written around their soundtrack in much the same way as Hollywood movies nowadays seem to be written around their special effects . PLATOON is one of the very few films from that period that has an emotional impact , an impact that it still retains while watching it in 2003.
Everyone else seems to have mentioned what makes PLATOON a classic anti-war ( Note it's anti-war , not anti American or anti soldier ) movie along with being a classic movie , so I won't go over old ground except to say THAT death scene is up there with all the other tear jerking scenes from 20th century cinema , don't be ashamed to say you cried
If PLATOON has a flaw it's in its duality , there's the good Sarge/bad Sarge , good officer/bad officer , good white guy/bad white guy , good black guy/bad black boy etc which is maybe a bit clichéd and possibly leads me to believe Stone is making an excuse/reason that the Americans lost in Vietnam because that spent so much fighting each other rather than the VC ( Though I do concede I'm possibly misinterpreting that as an excuse or even a reason since no one will confuse the politics of Stone with the politics of John Wayne ) while Taylor's character comes across as being more of a literary device rather than a real human being , but these are minor flaws
It's a shame to see war films from the last few years devoid of scathing anti-war sentiments like the ones seen here . PLATOON screams at you " War is hell and whatever the rights and wrongs of conflict you need a bloody good reason to wage war . Vietnam wasn't a good enough reason to sacrifice human lives "