| Photos (See all 46 | slideshow) | Videos (see all 14) |
Directed by | |||
| Oliver Stone | |||
Writing credits | ||
| Oliver Stone | (written by) | |
Produced by | |||
| John Daly | .... | executive producer | |
| Derek Gibson | .... | executive producer | |
| A. Kitman Ho | .... | co-producer | |
| Arnold Kopelson | .... | producer | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Robert Richardson | (director of photography) | ||
Film Editing by | |||
| Claire Simpson | |||
Casting by | |||
| Pat Golden | |||
| Warren McLean | |||
| Bob Morones | |||
Production Design by | |||
| Bruno Rubeo | |||
Art Direction by | |||
| Rodell Cruz | |||
| Sherman Williams | (as Doris Sherman Williams) | ||
Makeup Department | |||
| Cecille Baun | .... | makeup and prosthetic special effects assistant | |
| Derek Howard | .... | makeup and prosthetic special effects assistant | |
| Gordon J. Smith | .... | special makeup effects and visual continuity | |
| Gionilda Stolee | .... | makeup and prosthetic special effects assistant | |
Production Management | |||
| Joe Constantino | .... | production manager | |
| Cenón González | .... | unit manager (as Cenon Gonzales) | |
| Graham Henderson | .... | executive in charge of production | |
| Ooty Moorehead | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| H. Gordon Boos | .... | first assistant director | |
| Pepito Diaz | .... | second assistant director | |
| Evan Kopelson | .... | assistant director: second unit | |
| Gerry Toomey | .... | key second assistant director | |
| Tim Minear | .... | assistant director (uncredited) | |
Art Department | |||
| Francisco Balangue | .... | construction manager (as Francisco Belangue) | |
| Romulo Bernales | .... | assistant property master | |
| David Delina | .... | property master | |
| Delio Dizon | .... | greensman | |
| Angelito Felipe | .... | scenic chargeman | |
| Dwight Gaston | .... | assistant set dresser | |
| Neddie La Raquel | .... | assistant property master | |
| Roy Lachica | .... | key set dresser | |
| Teodoro Martin Sr. | .... | greensman | |
| Gambino Payawal | .... | assistant construction manager (as Gavino Payawal) | |
| Cesar Ramido | .... | master carpenter | |
| Martin Raygon | .... | assistant set dresser | |
| Alex Santa Maria | .... | master carpenter (as Alex Sta. Maria) | |
| Reynaldo Velasco | .... | props radioman | |
Sound Department | |||
| David Campling | .... | sound editor | |
| Gordon Daniel | .... | supervising sound editor | |
| Greg Dillon | .... | sound editor | |
| Venancio Goltiano | .... | cableman | |
| Charles Grenzbach | .... | re-recording mixer (as Charles 'Bud' Grenzbach) | |
| Taffy Haines | .... | sound mixer: second unit | |
| Simon Kaye | .... | sound mixer | |
| James J. Klinger | .... | sound editor | |
| Anthony Palk | .... | sound editor (as Tony Palk) | |
| Richard D. Rogers | .... | re-recording mixer (as Richard Rogers) | |
| Donald Santos | .... | boom operator | |
| John Wilkinson | .... | re-recording mixer (as John 'Doc' Wilkinson) | |
| Vanessa Theme Ament | .... | foley artist (uncredited) | |
| Steve Bartlett | .... | sound (uncredited) | |
| Frank Fleming | .... | loader (uncredited) | |
| Alyson Dee Moore | .... | foley artist (uncredited) | |
Stunts | |||
| Gil Arceo | .... | stunt coordinator | |
| Alex Cabodil | .... | stunts | |
| Mark Ebenhoch | .... | stunts (as Mark K. Ebenhoch) | |
| Robert 'Rock' Galotti | .... | stunts (as Robert M. Galotti Jr.) | |
| Joseph Ramos | .... | stunts | |
| Rolly Silong | .... | stunts | |
| Sonny Tuazon | .... | stunts | |
| Leony Vidal | .... | stunts | |
Camera and Electrical Department | |||
| Mel Araojo | .... | film loader | |
| Rene Balicas | .... | dolly grip | |
| Rufo Oreta Balicas | .... | best boy grip (as Rufo Balicas) | |
| Victor Cecogo | .... | clapper | |
| Ernesto Enríquez | .... | assistant electrician (as Ernesto Enriquez) | |
| James Finnerty | .... | grip (as Jim Finnerty) | |
| James Fitzpatrick | .... | gaffer | |
| Ricky Francisco | .... | still photographer | |
| Chris Lombardi | .... | first assistant camera | |
| Celebrando Raymundo | .... | best boy electrician (as Celebrado Raymundo) | |
| Charlie Rebolledo | .... | generator operator | |
| George Rosales | .... | additional assistant camera | |
| Caloy Salcedo | .... | additional assistant camera | |
| Newton Thomas Sigel | .... | director of photography: second unit (as Tom Sigel) | |
| Roland Neveu | .... | special photographer (uncredited) | |
| Sandi Sissel | .... | director of photography: 'b' unit (uncredited) | |
Casting Department | |||
| Barbara Harris | .... | voice casting | |
Costume and Wardrobe Department | |||
| Mike Ambrosio | .... | wardrobe assistant (as Mike Ambrocio) | |
| Wynn Arenas | .... | wardrobe supervisor | |
| Maria Cecina | .... | tailor | |
| Jim Elyea | .... | additional wardrobe | |
| Fidel Javier | .... | wardrobe assistant | |
| Kathryn Morrison | .... | costumier | |
| Tess Quismundo | .... | tailor | |
Editorial Department | |||
| David Brenner | .... | first assistant editor (as David S. Brenner) | |
| Tom Finan | .... | associate editor | |
| Julie Monroe | .... | assistant editor | |
| Toto Natividad | .... | assistant editor | |
| Mary Nelson-Duerrstein | .... | negative cutter (as Mary Duerrstein) | |
| Ben Salvador | .... | apprentice editor | |
| Frederick S. Taylor | .... | apprentice editor | |
| Ron Wengler | .... | color timer (as Ronald Wengler) | |
| Henry Yamballa | .... | master cutter | |
Music Department | |||
| Budd Carr | .... | music supervisor | |
| Richard Stone | .... | supervising music editor: Segue Music | |
| Joanne Weiss | .... | music coordinator | |
| Georges Delerue | .... | conductor (uncredited) | |
| Georges Delerue | .... | orchestrator (uncredited) | |
| Roger Monk | .... | score mixer (uncredited) | |
| John Richards | .... | music engineer (uncredited) | |
Transportation Department | |||
| Ben Cañalita | .... | assistant transportation captain (as Ben Canalita) | |
| Primo Guina | .... | transportation captain (as Firmo Guina) | |
Other crew | |||
| Frans J. Afman | .... | motion picture banking: Credit Lyonnais Bank, Nederland | |
| Joe Alonsabe | .... | location auditor | |
| Linda Angeles | .... | nurse | |
| Andy Birmingham | .... | production accountant | |
| Bobby Buensalida | .... | craft service | |
| Kathryn Clayton | .... | assistant military technical advisor | |
| Pierre David | .... | production executive | |
| Angelica De Leon | .... | production coordinator | |
| Bernardo Delina | .... | wrangler | |
| Cesar Dominguez | .... | chief armorer | |
| Dale Dye | .... | technical advisor: military (as Captain Dale Dye United States Marine Corp. {Ret.}) | |
| Yvonne Eastmond | .... | assistant accountant | |
| Mark Ebenhoch | .... | assistant military technical advisor (as Mark K. Ebenhoch) | |
| Diosdado Figueroa | .... | assistant armorer | |
| Sylvia Gajardo | .... | bookkeeper | |
| Robert 'Rock' Galotti | .... | assistant military technical advisor (as Robert M. Galotti Jr.) | |
| Anne G. Garcia | .... | production secretary | |
| Eusebio Garcia | .... | liaison: Philippine military | |
| Matt Gatson | .... | production liaison: Los Angeles | |
| Carrie Hughes | .... | travel arrangements: Trudy Salven Travel International | |
| Robert Jellen | .... | insurance provided by: Albert G. Ruben & Co. Inc. (as Robert A. Jellen) | |
| Lope V. Juban Jr. | .... | coordinator: Philippine, PMP Motion Picture Productions Inc. | |
| John Kerr | .... | key production assistant | |
| David Lowe | .... | legal services: Beresford, Lowe & Co. | |
| Susan Malerstein | .... | script supervisor | |
| Suzette Montalban | .... | cashier | |
| Eliong Munoz | .... | assistant armorer | |
| Nick Nicholson | .... | production assistant (as Nick Nickelson) | |
| Orlando Nui | .... | security | |
| Jerry O'Hara | .... | location manager | |
| Ben Pagar | .... | wrangler | |
| Dondi Pangilinan | .... | assistant armorer | |
| Dan Perri | .... | title design | |
| Steven Rodgers | .... | production assistant (as Steve Rodgers) | |
| Mayes C. Rubeo | .... | assistant: Arnold Kopelson (as Mayes Rubeo) | |
| Elizabeth Stone | .... | assistant: Oliver Stone | |
| Doc Tizon | .... | assistant armorer (as Roman 'Doc' Tizon) | |
| Antonio V. Torralba | .... | doctor (as Dr. Antonio V. Torralba) | |
| Gigi Vitan | .... | production assistant | |
| Stanley White | .... | assistant military technical advisor (as Stanley White U.S.M.C. {Ret.}) | |
| Wynne Wicker | .... | technical advisor: Vietnamese | |
| Oli Laperal Jr. | .... | equipment coordinator (uncredited) | |
| Nick Nicholson | .... | helicopter choreographer (uncredited) | |
Thanks | |||
| Michael Cimino | .... | special thanks | |
| Mary Colquhoun | .... | special thanks | |
| Charles Ryan | .... | special thanks: Bart-Milander Associates Inc. (as Charles W. Ryan) | |
|
|
|
|
|
| Rambo | The Green Berets | The Professional: Golgo 13 | Tears of the Sun | Saving Private Ryan |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Action section |
| IMDb UK section |
Platoon is generally regarded as one of the strongest anti-war films of all time. While this is certainly true, what's often overlooked -- at least after only one run through the film -- is that it's chiefly a tale of God vs. Satan, and the war is there to set a perilous backdrop. No doubt, Platoon shows the Vietnam War was a big mistake, but being a fictional documentary on Vietnam is far from its purpose.
The story is told from the point of view of Chris Taylor (solidly played by Charlie Sheen), a middle class kid who goes to Vietnam to do what he thinks is his patriotic duty. In the first ten minutes, Chris is shown in the uncomfortable jungle, struggling just to survive in the natural environment, let alone do any actual damage to the enemy. Quickly we're introduced to the well-known facets of the Vietnam War: The lack of sense of purpose, the wraith-like enemies, the obvious prevalence of the uneducated and poor among the fighting grunts -- and, soon, we see how these factors combine to cause widespread low morale and some actions of more than questionable ethical value.
Chris sees his platoon fragmented into two halves, each aligned with one of two men -- Sgt. Elias (Willem Dafoe) and Sgt. Barnes (Tom Berenger). These two really are the driving force behind the film. They both have nominally the same enemy (the Viet Cong), but, really, it doesn't take long to realize that Elias is Good, and Barnes is Evil (the "enemy" does not enter into the moral equation of this film, at all -- it's an outside threat, same as malaria-carrying mosquitoes or even friendly fire). I won't deny it is a very black-vesus-white relationship, but this polarity does not feel contrived. Elias feels the futility of the war and has respect for life; Barnes fights the war doggedly and has no compassion, period. Both are efficient soldiers fighting the same enemy, but really -- as is at one point aptly put by Chris Taylor himself -- they are fighting for the souls of the platoon members, as the outcome of the war is never really in doubt.
Elias/Barnes' hold on the platoon, and the viewer, is developed through several war sequences. A chilling scene takes place in a village, where our soldiers find no VC, but they do find a cache of VC weapons. The inhumanity of certain soldiers, including of Sgt. Barnes, is unflinchingly shown here. It leaves the viewer with an empty feeling that is hard to shake, reminding of the similarly empty look on a woman's face after she sees her son killed in front her.
Elias doesn't take kindly to this kind of behavior. Elias and Barnes come closer and closer to open conflict, as Taylor becomes a veteran, obviously siding with Elias. Meanwhile, the fate of the platoon comes closer and closer to them, culminating in an explosively shot action conclusion. The end is dark, but morally satisfying.
Don't watch this movie for the action. That's not to say it's not well shot, or unrealistic. On the contrary. It's quite convincing. But it doesn't show war as a fun sport, and it's never a question of good guys versus bad guys. There will be no cheering for the "good guys" or anyone else in this one. Stone succeeds brilliantly at putting the viewer into the middle of it all, and it's not a pretty sigh (and definitely not for the squeamish, either).
On the other hand, if you want great acting, it's here. Dafoe and Berenger do incredibly well, with the incredibly good (and seemingly authentically sounding) script. Barnes is horrific as he challenges three men to kill him, drinking hard liquor out of the bottle. They don't make a move, and neither will you, though you'll hate him just as much as them. Dafoe is a ray of light in the dark as Elias. The cast is rounded out with many characters, all well played, and adding another dimension to the film.
The technical aspects of the film are superb, though one never thinks about them much, as the movie is completely engrossing. The production values seem quite good, as well. The most stunning peripheral aspect of this film, however, is the music. It's emotional and draining, and used to great effect -- listen for the main theme as you watch the village burn.
Watch this one a few times, and you'll likely be quite moved each time. I'll be surprised if you give it less than what I gave it: 9/10