After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Chris Taylor is a young, naive American who gives up college and volunteers for combat in Vietnam. Upon arrival, he quickly discovers that his presence is quite nonessential, and is considered insignificant to the other soldiers, as he has not fought for as long as the rest of them and felt the effects of combat. Chris has two non-commissioned officers, the ill-tempered and indestructible Staff Sergeant Robert Barnes and the more pleasant and cooperative Sergeant Elias Grodin. A line is drawn between the two NCOs and a number of men in the platoon when an illegal killing occurs during a village raid. As the war continues, Chris himself draws towards psychological meltdown. And as he struggles for survival, he soon realizes he is fighting two battles, the conflict with the enemy and the conflict between the men within his platoon. Written by
Sergeant Elias, in addition to the 25th Infantry Division patch on his left sleeve, also has 1st Cavalry Division insignia on his right; known as Shoulder Sleeve Insignia- Former Wartime Service or SSI-FWS, indicating the wearer served with that unit during a combat rotation. The 1st Cavalry Division was in fact the first American division to see major action in the Vietnam War, and in this case, Elias may have been a participant in those battles. Elias makes a reference while talking with Chris about Ia Drang in '65, which is a reference to the battle involving the fight at LZ-X-ray. The battle included a squadron of the 7th U.S. Cavalry Regiment of the 1st Cavalry Division and is the main focus of the book by Lieutenant General Hal Moore and Joseph Galloway titled, "We Were Soldiers Once...And Young" on which the movie by the same title was based. Elias also seems to have been Airborne-qualified, as he has the Airborne tab on his headband. See more »
When the platoon finds the bunker complex, the Lieutenant sends
Taylor and Washington out to guard the flank. Washington has a pack of Marlboros stuck in his helmet. Once he reaches his position, it is a pack of Kools in his helmet. See more »
[seeing body bags]
Oh, man. Is that what I think it is?
All right, you cheese-dicks, welcome to the Nam. Follow me!
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Perfection... or as close to it as we're ever likely to see
Its hard to know where to start with such a breathtaking film. Oliver Stone's Platoon is quite simply the best Vietnam war film ever made in my opinion. Everything about it is as close to perfection as we are likely to see. Charlie Sheen plays the lead, and Willem Defoe and Tom Berenger play the two sergeants that form a key part of the plot.
Chris Taylor (Sheen) is torn between the sergeants. Barnes (Berenger) is the battle hardened, brutal murderer, who uses the war as an excuse to tender to his sadistic pleasures. Elias (Defoe) is the other side of the spectrum. We get the sense that he has wrestled with his inner demons, but he has successfully come through to the other side. He has compassion for his fellow man, and he uses drugs as a form of escapism from this brutal war. The two symbolise the struggle that Taylor must face if he is to survive out in Vietnam.
Oliver Stone perfectly captures war. The shooting is frantic and impossible to follow. It perfectly disorientates us, just as the soldiers were. We have no idea who is being shot at, and neither do they. We follow the war at ground level, and see the brutalities first hand. Having served in Vietnam, the film is loosely based on Stone's time out there, and Taylor loosely based on himself.
Full Metal Jacket showcases how inhumane the war was, Apocalypse Now turns it into a story about life in general, and hopelessness, but Platoon has everything. Trying hard to avoid the old cliché, but if you only watch one war film, make sure it is this one. Nothing else can come close.
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