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Pisma myortvogo cheloveka (1986)

7.7
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Ratings: 7.7/10 from 1,279 users  
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The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit ... See full summary »

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Title: Pisma myortvogo cheloveka (1986)

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Cast

Cast overview:
Rolan Bykov ...
The Professor
Iosif Ryklin
Viktor Mikhaylov
Aleksandr Sabinin
Nora Gryakalova
Vera Mayorova
Vatslav Dvorzhetsky
Svetlana Smirnova
Nikolai Alkanov
Vadim Lobanov
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Storyline

The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit still sees somewhere the dim light of a new and better future. The next generation starts the walk towards a new life. Written by Jens Bertheau <bertheau@mi-lab.fh-furtwangen.de>

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Drama | Sci-Fi

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Details

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Release Date:

September 1986 (Soviet Union)  »

Also Known As:

Dead Man's Letters  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was part of a 1980s cycle of films about atomic bombs and nuclear warfare which had started in 1979 with The China Syndrome (1979). The films included Silkwood (1983), Testament (1983), Threads (1984), WarGames (1983), The Day After (1983), The Atomic Cafe (1982), The Manhattan Project (1986), Whoops Apocalypse (1982), Special Bulletin (1983), Ground Zero (1987), Barefoot Gen (Barefoot Gen (1983)), Rules of Engagement (1989), When the Wind Blows (1986), Letters from a Dead Man (Pisma myortvogo cheloveka (1986)), Memoirs of a Survivor (1981) and The Chain Reaction (1980). See more »

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User Reviews

 
Earth's dying breath
11 March 2013 | by (United Kingdom) – See all my reviews

This is a post-apocalyptic movie where a group of Russian intellectuals, living in the airtight vaults of a museum, cling on in the twilight, going slowly mad according to their own pompous wonts.

The movie is unremitting in its depressing depiction of a dead world. I was stuck between turning it off because it was almost sacrilegiously depressing, and remaining because of the sheer cataclysmic beauty. The images are mostly tinted yellow, although some shots are in tints of blue. There is no way this experience is going to allow you the respite of polychromatic images.

There is a body of work that deals with the end of humankind in cinema, but any example I can think of seems completely notional in conception, this one actually felt like a recording of the end of days, as unflinchingly profane as a documentary of viaticums.

I think it's also a tombstone for communism in Russia, suggested as a blind alley, and advocates a return to pre-revolutionary values regarding family and religion. But only in an intensely personal way, as if recounting the death of a close family member. It is more than a warning against nuclear war. In its parodying of ridiculous, pontificating, and obstructive authority, it's an emesis of authoritarian communism, a whole-hearted, wholesale rejection.

As an endnote, there's a dolly-out in the first few minutes of the film that left my jaw on the floor, practically the best shot I've ever seen in cinema, my congratulations to Konstantin Lopushansky and his team.


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