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With the help of a talking freeway billboard, a "wacky weatherman" tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early-90s Los Angeles.
Director:
Mick Jackson
Stars:
Steve Martin,
Victoria Tennant,
Richard E. Grant
A fast-lane investment broker, offered the opportunity to see how the other half lives, wakes up to find that his sports car and girlfriend have become a mini-van and wife.
An IRS auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life, from his work, to his love-interest, to his death.
A businessman is reunited with the four lost souls who were his guardian angels during childhood, all with a particular purpose to joining the afterlife.
Director:
Ron Underwood
Stars:
Robert Downey Jr.,
Charles Grodin,
Alfre Woodard
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Director:
Woody Allen
Stars:
Judy Davis,
Julia Louis-Dreyfus,
Stephanie Roth Haberle
A 43 year old mother and housewife that's facing divorce is thrust back in time when she tries to plan a high-school reunion. Given the chance to change the course of her life she finds herself making many of the same choices. Written by
K. Rose <rcs@texas.net>
Charlie (Nicolas Cage) begs Peggy to marry him, saying he doesn't know what the future might bring; he might lose his arm, even. In Cage's next film, Moonstruck, he played a baker who has lost his hand. See more »
Goofs
Peggy's dad brings home a "new" Edsel, which is a 1958 model, in the April 1960 setting of the movie. There was a 1960 Edsel, but its production was phased out by Ford Motor Company in November 1959 after only 2,846 of the 1960 model were built. See more »
Quotes
Delores Dodge:
[describing Richard Norvik]
From snivelling runt to pompous ass in 25 years. Quite an accomplishment.
See more »
Maybe I am a bit prejudiced about the greatness of this film; I grew up in Sonoma County, and the sight of Peggy Sue Kelcher standing on the senior steps at Santa Rosa High School (where I drop off my granddaughters every morning) gives me a great thrill. When I drop them off, I often say, "If you see Peggy Sue, tell her I said hello." And they respond--"We will, grandpa." (And they no doubt think: "What an old cornball.") What a beautiful school! And it still looks just the same as it did in the 80's (or the 60's, for that matter). The place seems to be in a time warp. In a certain sense, taking this movie to heart has mythologized my world. Francis Ford Coppola's talent for finding the perfect settings for his comic philosophic masterpiece is unerring throughout--even if he had to paint the streets in Petaluma purple just to get the exact effect that he wanted.
"Peggy Sue" would be very high on my all-time top 100 film list, if I had such a list. The film is not only funny and soulful, it also directly addresses what is perhaps life's central existential question: "If you had the opportunity to relive your life, making the same mistakes and suffering the same consequences, would you do it?" Remember, in making your decision, that your children's lives, and the loves and friendships you have experienced in your lifetime, are contingent upon your answer.
When you watch "Peggy Sue," notice how the film parallels "The Wizard of Oz." Like Dorothy, Peggy Sue goes 'over the rainbow' into a magical world. It is in fact the world of her own past, but everything has been enchanted and transformed by her adult point-of-view. The Wizard himself, who must contrive to return Peggy Sue back home, is Peggy Sue's kind old grandfather, with his wonderful bogus lodge magic. Her friends at the reunion have their counterparts in the "over the rainbow" world of the past, just as Dorothy's friends on the farm have their counterparts in Oz. When Peggy Sue awakens from her trip, her old stale world and her old disappointing husband appear in a new light. Like Dorothy, Peggy Sue awakens and learns that there is no place like home, and the time-worn cliché is suddenly vital and alive. Like Dorothy, she is once again back in "Kansas," but it is a Kansas in which the characters, and she herself, have assumed new depths of meaning. She is now ready to step into her fate--her new enriched life (and there are also nuances of "It's a Wonderful Life" in the film).
One last comment: nowadays, I cannot watch this "comedy" without tears in my eyes through pretty much the whole movie, and much of this effect is due to the masterful performance of Kathleen Turner as Peggy Sue. Turner is usually on the hysterical edge of breaking down, and her proximity to the precipice is a knot in my gut through the whole movie. It is a shame that she did not win the Best Actress award for this performance.
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Maybe I am a bit prejudiced about the greatness of this film; I grew up in Sonoma County, and the sight of Peggy Sue Kelcher standing on the senior steps at Santa Rosa High School (where I drop off my granddaughters every morning) gives me a great thrill. When I drop them off, I often say, "If you see Peggy Sue, tell her I said hello." And they respond--"We will, grandpa." (And they no doubt think: "What an old cornball.") What a beautiful school! And it still looks just the same as it did in the 80's (or the 60's, for that matter). The place seems to be in a time warp. In a certain sense, taking this movie to heart has mythologized my world. Francis Ford Coppola's talent for finding the perfect settings for his comic philosophic masterpiece is unerring throughout--even if he had to paint the streets in Petaluma purple just to get the exact effect that he wanted.
"Peggy Sue" would be very high on my all-time top 100 film list, if I had such a list. The film is not only funny and soulful, it also directly addresses what is perhaps life's central existential question: "If you had the opportunity to relive your life, making the same mistakes and suffering the same consequences, would you do it?" Remember, in making your decision, that your children's lives, and the loves and friendships you have experienced in your lifetime, are contingent upon your answer.
When you watch "Peggy Sue," notice how the film parallels "The Wizard of Oz." Like Dorothy, Peggy Sue goes 'over the rainbow' into a magical world. It is in fact the world of her own past, but everything has been enchanted and transformed by her adult point-of-view. The Wizard himself, who must contrive to return Peggy Sue back home, is Peggy Sue's kind old grandfather, with his wonderful bogus lodge magic. Her friends at the reunion have their counterparts in the "over the rainbow" world of the past, just as Dorothy's friends on the farm have their counterparts in Oz. When Peggy Sue awakens from her trip, her old stale world and her old disappointing husband appear in a new light. Like Dorothy, Peggy Sue awakens and learns that there is no place like home, and the time-worn cliché is suddenly vital and alive. Like Dorothy, she is once again back in "Kansas," but it is a Kansas in which the characters, and she herself, have assumed new depths of meaning. She is now ready to step into her fate--her new enriched life (and there are also nuances of "It's a Wonderful Life" in the film).
One last comment: nowadays, I cannot watch this "comedy" without tears in my eyes through pretty much the whole movie, and much of this effect is due to the masterful performance of Kathleen Turner as Peggy Sue. Turner is usually on the hysterical edge of breaking down, and her proximity to the precipice is a knot in my gut through the whole movie. It is a shame that she did not win the Best Actress award for this performance.