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Otello (1986)

 -  Drama | Music  -  12 September 1986 (USA)
7.3
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Ratings: 7.3/10 from 358 users  
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Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »

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(libretto), (adaptation), 2 more credits »
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Title: Otello (1986)

Otello (1986) on IMDb 7.3/10

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Nominated for 1 Oscar. Another 2 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Katia Ricciarelli ...
...
Petra Malakova ...
...
Massimo Foschi ...
Edwin Francis ...
Sergio Nicolai ...
Remo Remotti ...
Antonio Pierfederici ...
Ezio Di Cesare ...
Cassio (voice)
John Macurdy ...
Lodovico (voice)
Constantin Zaharia ...
Roderigo (voice)
Edward Toumajian ...
Montano (voice)
Giannicola Pigliucci ...
Brabantio (voice)
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Storyline

Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the fast-rising Cassio over himself, Iago plots to destroy both Cassio and Otello. Iago convinces the jealous Otello that his beautiful wife Desdemona is unfaithful, and that Cassio is her lover. Jealousy is followed by tragedy, then retribution, "Has Heaven no more thunderbolts?" Written by Mike Smith <mismith@brody.med.ecu.edu>

Plot Summary | Add Synopsis

Genres:

Drama | Music

Certificate:

PG | See all certifications »
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Details

Country:

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Language:

Release Date:

12 September 1986 (USA)  »

Also Known As:

Othello  »

Box Office

Gross:

$189,042 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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User Reviews

 
Bravissimo!
21 December 2005 | by (United States) – See all my reviews

I am a fan of Placido Domingo in the sense that I admire him for his vast repertoire and lengthy career. That being said, this is one of the best movie versions of this opera around. Domingo is everything expected in this role. His superb singing and masculine physique are a perfect match. As for Katia's Desdemona, she is a great singer and beautiful woman (for an opera singer, of course). Justino Diaz's Iago is as evil and vile as Shakespeare wrote of him. The music along with actually shooting in Europe make a wonderfully complete picture for this masterpiece. Even the opening sequence is visual, unlike the usual staged productions. Real combat, emotion and staging are quite effective.


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