In desperation brought on by near-starvation, Helge Roos kills his master's ox and feeds it to his wife and baby daughter. No-one suspects anything until the meat is finished and Helge ... See full summary »
Stocholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he ... See full summary »
Police Inspector Ghote lives a middle-class life in Bombay along with his wife, Pratima. He has been employed with the Bombay Police for many years. His wife is generally disgruntled and ... See full summary »
During a strike strike-breakers are being transported to Lunde, where they are assaulted by the strikers. The military are sent in. On the 14th May 1931 there is a confrontation between ... See full summary »
His name is Carl Hamilton from a Swedish noble family - trained by the CIA and a army SEAL. When a group of terrorists based in Sweden threatens to initiate their diabolic plans - the Coq Rouge Carl Hamilton is activated.
Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.
Strong story of old-time oppression, sadly mauled by disastrous storytelling and self-parody .
In the 1880's, poverty-struck northern rural Sweden, a widow and her family is tormented by a despicable landholder/merchant who demands that the lease for their house, is to be paid in sexual favors once they can't afford the monetary one.
A very strong, simple basic story of old-time oppression, poverty and evil, is inexplicably mauled by a frustrating editing chopfest-technique (title cards, short take, cut - title cards, short take, cut... etc.) one expects to find only in a butcher shop. It's nearly impossible to connect with any character fully, by this type of storytelling and minimal dialog.
Also, because of the limited and claustrophobic setting, the endlessly repetitive dark and murky misery almost becomes a parody of poor rural folk suffering & drudgery in itself: By the umpteenth time bad guy Skarsgård enters the log cabin and wheezes: "It's time to talk about the lease", I'm actually laughing in the midst of deep tragedy - and THAT is a huge problem for any filmmaker. And do we have to read the book to find out what the fudge exactly happens in the (is it metaphorical?) end? Against this, the memorable performances by Ekblad, Skarsgård and Brynolfsson fight as fruitlessly as their characters against a perpetual winter. Sadly, supposedly a top filmmaker's worst movie.
My tip: for better depictions of my countrymen's gripping fates from this time period, check out Jan Troell's "The emigrants"!
3 out 10 from Ozjeppe.
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