His name is Carl Hamilton from a Swedish noble family - trained by the CIA and a army SEAL. When a group of terrorists based in Sweden threatens to initiate their diabolic plans - the Coq Rouge Carl Hamilton is activated.
An innocent and beautiful teenage girl, Linnea takes a garret room in Stockholm just before WWI. She begins work for a dour older man, but soon meets an interesting young woman, Anna, a ... See full summary »
Stocholm in the 1920s. Young Roland lives with his socialist father, Jewish mother and a boxing brother. His mother sells condoms illegally, and from them, Roland makes slingshots which he ... See full summary »
Six year old Johan, a.k.a. Fimpen, loves football. One day his talents are discovered. It doesn't take long before Fimpen gets to travel around with the national team. Fimpen becomes an ... See full summary »
John and Carl have a small publishing company. One day John meets the poet Clara who recently made her debut, and Clara's fiancé Stig. John and Clara fall in love with each other, and she ... See full summary »
Sverre Anker Ousdal,
Following his manifesto for a new Swedish cinema, director Widerburg started his career with this realist tale of young woman, Britt, who has two flings, but finds herself with difficult decisions when she finds herself pregnant.
Police lieutenant Nyman is murdered in his hospital bed and Martin Beck and his colleagues have another murder to solve. They discover that Nyman was a very brutal and tough policeman who ... See full summary »
Strong story of old-time oppression, sadly mauled by disastrous storytelling and self-parody .
In the 1880's, poverty-struck northern rural Sweden, a widow and her family is tormented by a despicable landholder/merchant who demands that the lease for their house, is to be paid in sexual favors once they can't afford the monetary one.
A very strong, simple basic story of old-time oppression, poverty and evil, is inexplicably mauled by a frustrating editing chopfest-technique (title cards, short take, cut - title cards, short take, cut... etc.) one expects to find only in a butcher shop. It's nearly impossible to connect with any character fully, by this type of storytelling and minimal dialog.
Also, because of the limited and claustrophobic setting, the endlessly repetitive dark and murky misery almost becomes a parody of poor rural folk suffering & drudgery in itself: By the umpteenth time bad guy Skarsgård enters the log cabin and wheezes: "It's time to talk about the lease", I'm actually laughing in the midst of deep tragedy - and THAT is a huge problem for any filmmaker. And do we have to read the book to find out what the fudge exactly happens in the (is it metaphorical?) end? Against this, the memorable performances by Ekblad, Skarsgård and Brynolfsson fight as fruitlessly as their characters against a perpetual winter. Sadly, supposedly a top filmmaker's worst movie.
My tip: for better depictions of my countrymen's gripping fates from this time period, check out Jan Troell's "The emigrants"!
3 out 10 from Ozjeppe.
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