Horror anthology about a college professor (Zada) teaching a course called "The Psychology of Fear". He brings his students (including psychic McWhirter) to his home, one dark and stormy ... See full summary »
Six scientists arrive at the creepy Headstone Manor to investigate a strange phenomena which was the site of a mysterious massacre years earlier where 18 guests were killed in one night. It... See full summary »
The uncle of an executed murderess relates four stories of his hometown, Oldfield, to a reporter: an elderly man pursues a romance with a younger woman, even to the grave and beyond...a wounded man on the run from creditors is rescued by a backwoods hermit with the secret to eternal life...a glass-eating carny pays the ultimate price for looking for love on the outside...and Civil War soldiers are held captive by a household of orphans with strange intentions for them. Written by
Brian J. Wright <firstname.lastname@example.org>
Shot in 1985 and 1986, not released until 1987. See more »
Tennessee carried out no executions between November 1960 and April 2000, but had it carried out an execution in the 1980s, the state would have used the electric chair. Tennessee did not authorize lethal injection as a method of execution in the 1980s, so the scene depicted early in the film could not have taken place. Electrocution was the only method on the books from 1916 until lethal injection was adopted in 2000. See more »
One thing I've learned, my dear, is that one is never too old for nightmares.
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Near the end of the credits, we are told "WHEN IN TENNESSEE VISIT OLDFIELD". Oldfield is not a real town. See more »
Of the many horror films I used to alleviate childhood boredom, this one was indelibly etched into my brain and probably will be forever. A cinematic achievement of unparalleled depravity, this Vincent Price vehicle (filmed in the Autumn of his life) contains incest, rape, child molestation, necrophilia, voodoo, glass-eating, slavery, mutilations, dismemberment, vengeance and allusions to cannibalism. By genre standards, the scripting, filming and performances were, for the most part, excellent and the work contains enough scatology to hold the interest of even the most reluctant horror/exploitation filmgoer. View this work if you would like to see an exaggerated depiction of humanity at it most malignant neatly condensed into four vignettes.
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