An ancient genie is released from a lamp when thieves ransack an old woman's house. They are killed and the lamp is moved to a museum to be studied. The curator's daughter is soon possessed... See full summary »
Andra St. Ivanyi
The uncle of an executed murderess relates four stories of his hometown, Oldfield, to a reporter: an elderly man pursues a romance with a younger woman, even to the grave and beyond...a wounded man on the run from creditors is rescued by a backwoods hermit with the secret to eternal life...a glass-eating carny pays the ultimate price for looking for love on the outside...and Civil War soldiers are held captive by a household of orphans with strange intentions for them. Written by
Brian J. Wright <email@example.com>
The opening scene has a woman on Death Row being given a lethal injection. She only gets one injection which causes her great pain before death, but the lethal injection protocol is 3 separate injections - one to render unconsciousness, one to relax the muscles, and the final one to stop the heart. See more »
One thing I've learned, my dear, is that one is never too old for nightmares.
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Near the end of the credits, we are told "WHEN IN TENNESSEE VISIT OLDFIELD". Oldfield is not a real town. See more »
Of the many horror films I used to alleviate childhood boredom, this one was indelibly etched into my brain and probably will be forever. A cinematic achievement of unparalleled depravity, this Vincent Price vehicle (filmed in the Autumn of his life) contains incest, rape, child molestation, necrophilia, voodoo, glass-eating, slavery, mutilations, dismemberment, vengeance and allusions to cannibalism. By genre standards, the scripting, filming and performances were, for the most part, excellent and the work contains enough scatology to hold the interest of even the most reluctant horror/exploitation filmgoer. View this work if you would like to see an exaggerated depiction of humanity at it most malignant neatly condensed into four vignettes.
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