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Sacrifice (1986) More at IMDbPro »Offret (original title)


2017 | 2016 | 2015 | 2014 | 2012 | 2010 | 2008

8 items from 2017


Classics Film Fest Unspools in Colombia (Exclusive)

19 October 2017 1:46 PM, PDT | Variety - Film News | See recent Variety - Film News news »

With Sean Baker, Trey Edwards, Chris Newman, Ed Lachman, Peter Webber and Mike Hausman among its board members, a new film festival of classic films will unspool from Nov. 10 -13 in Bogota, Colombia.

Dubbed The Classics – Festival of the Films That Will Live Forever, the new film fest is founded by producer Ivonne Torres and Juan Carvajal, co-founder and artistic director of the three-year old Bogota Independent Film Festival, IndieBo.

Buoyed by sell-out crowds at IndieBo last July when the festival screened restored classics via a new pact with Martin Scorsese’s Film Foundation, Carvajal said: “I saw how these movie gems – rescued and restored with the support of the Film Foundation – deserved nothing better than to be enjoyed where they belong: the big screen.”

For many moviegoers in Bogota, it was the first time to see such classics as Joseph L. Mankiewicz’s “All About Eve,” Elia Kazan’s “On the Waterfront,” and [link=nm »

- Anna Marie de la Fuente

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Andrei Tarkovsky’s Final Film ‘The Sacrifice’ Receives Trailer for Theatrical Restoration

12 October 2017 6:32 AM, PDT | The Film Stage | See recent The Film Stage news »

After a gorgeous restoration of his landmark existential sci-f film Stalker earlier this year, another Andrei Tarkovsky masterpiece has been remastered and is coming to theaters. The director’s final film, The Sacrifice, has recently undergone a 4K restoration and ahead of a screening at New York Film Festival and theatrical run starting at the Film Society of Lincoln Center, a new trailer has arrived.

Judging from the trailer, this restoration does justice to Tarkovsky’s swan song with no shortages of haunting imagery. The Sweden-shot film follows an upper-class family who learns World War III is upon them. Starring Sven Vollter, Alexander Erland Josephson, Allan Edwall, Valerie Mairesse, Gudron S Gisladottir, and Susan Fleetwood, check out the trailer and poster below.

The sacrifice in Andrei Tarkovsky’s final film, completed only months before his death from cancer at the age of 54, is performed by Alexander, an aging professor who »

- Jordan Raup

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‘The Sacrifice’ Trailer: Andrei Tarkovsky’s Newly Restored Final Masterpiece Returns [Exclusive]

10 October 2017 8:42 AM, PDT | The Playlist | See recent The Playlist news »

When he passed away at the age of 54, Andrei Tarkovsky left a tremendous cinematic legacy with only seven feature films to his name. And his final film, “The Sacrifice,” completed just months before he would succumb to cancer, was his final masterpiece. Now, it has been newly restored and its headed back to the big screen where it deserves to be experienced.

Starring Sven Vollter, Erland Josephson, Allan Edwall, Valerie Mairesse, Gudron S Gisladottir, and Susan Fleetwood, and gorgeously shot by cinematographer Sven Nykvist, the film takes viewers to the anxious edge of World War III, where one family faces the looming horror.

Continue reading ‘The Sacrifice’ Trailer: Andrei Tarkovsky’s Newly Restored Final Masterpiece Returns [Exclusive] at The Playlist. »

- Kevin Jagernauth

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'The Sacrifice', 'Faces Places' among Nyff Revivals roster

21 August 2017 3:17 PM, PDT | ScreenDaily | See recent ScreenDaily news »

Selections from Andrei Tarkovsky, Agnes Varda, Hou Hsiao-hsien.

The Film Society Of Lincoln Centre has announced the line-up for the Revivals section of the New York Film Festival showcasing digitally remastered, restored, and preserved works by celebrated filmmakers.

Two filmmakers from the festival’s Main Slate line-up will also have works in the Revivals section. Agnes Varda, whose Faces Places will screen in this year’s main selection, gets a slot with her feminist musical One Sings, the Other Doesn’t that opened the 15th festival in 1977.

Philippe Garrel’s Lover For A Day will appear in the festival’s Main Slate and he has two films in Revivals: Le Revelateur from 1968 and L’Enfant Secret from 1979.

Hou Hsiao-hsien’s Daughter Of The Nile screened at the 26th New York Film Festival 30 years ago and returns in Revivals, alongside Andrei Tarkovsky’s The Sacrifice (NYFF24, pictured) and Adolfas MekasHallelujah the Hills from the first »

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NYFF55 Revivals Includes Restored Films By Godard, Hou, Costa, Tarkovsky & More

21 August 2017 10:45 AM, PDT | The Film Stage | See recent The Film Stage news »

It’s a given that their Main Slate — the fresh, the recently buzzed-about, the mysterious, the anticipated — will be the New York Film Festival’s primary point of attraction for both media coverage and ticket sales. But while a rather fine lineup is, to these eyes, deserving of such treatment, the festival’s latest Revivals section — i.e. “important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners,” per their press release — is in a whole other class, one titanic name after another granted a representation that these particular works have so long lacked.

The list speaks for itself, even (or especially) if you’re more likely to recognize a director than title. Included therein are films by Andrei Tarkovsky (The Sacrifice), Hou Hsiao-hsien (Daughter of the Nile, a personal favorite), Pedro Costa (Casa de Lava; trailer here), Jean-Luc Godard (the rarely seen, »

- Nick Newman

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Stalker

19 August 2017 11:52 AM, PDT | Trailers from Hell | See recent Trailers from Hell news »

Andrei Tarkovsky’s bizarre philosophical science fiction epic may be his most successful picture overall — every image and word makes its precise desired effect. Three daring men defy the law to penetrate ‘the Zone’ and learn the truth behind the notion that a place called The Room exists where all wishes are granted. Plenty of art films promise profound ideas, but this one delivers.

Stalker

Blu-ray

The Criterion Collection 888

1979 / Color / 1:37 flat full frame / 161 min. / available through The Criterion Collection / Street Date July 18, 2017 / 39.95

Starring: Aleksandr Kaidanovsky, Anatoly Solonitsyn, Nikolai Grinko, Alisa Freindlikh, Natasha Abramova.

Cinematography: Alexander Knyazhinsky

Film Editor: Lyudmila Feyginova

Original Music: Eduard Artemyev

Written by Andrei Tarkovsky and Arkady Struagtsky, Boris Strugatsky from their novel Roadside Picnic.

Produced by Aleksandra Demidova

Directed by Andrei Tarkovsky

If the definition of film artist is ‘one who goes his own way,’ Andrei Tarkovsky qualifies mightily. Reportedly cursed with a halting career »

- Glenn Erickson

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The Best Movies About the End of the World, From ‘Melancholia’ to ‘Dr. Strangelove’

5 June 2017 11:00 AM, PDT | Indiewire | See recent Indiewire news »

Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: Apropos of absolutely nothing (and definitely not in response to a certain world leader taking disastrous steps towards dooming the environment of the only inhabitable planet we have), what is the best film about the end of the world?

Erin Whitney (@Cinemabite), ScreenCrush

It’s a hard tie between “Melancholia” and “Take Shelter.” One is a devastating meditation on depression, isolation and death, and the other is a dramatic masterpiece that evokes the dread and anxiety of a looming end. They’re very different films (and coincidentally opened within months of each other), but both end on final shots that left me breathless. »

- David Ehrlich

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"What Is An Iceberg?": Close-Up on Teresa Villaverde's "Trance"

19 March 2017 6:44 AM, PDT | MUBI | See recent MUBI news »

Close-Up is a column that spotlights films now playing on Mubi. Teresa Villaverde's Trance (2006) is showing from February 22 - March 24, 2017 in most countries around the world.I’d call the beginning of Trance (Teresa Villaverde, 2006) poetic, but in a way that has little to do with the overpowering, declamatory voice of an individual character, and even less to do with the transposition of such a voice into images. Rather, the poetic quality of this opening is to be found in the associative chains of ideas built up over the unpredictable progression of shots, in the rhythms and echoes performed by a polyphony of voices, and in the sudden slippages, enjambments, and halts of the sound/image relations.  Villaverde’s mise en scène and montage put in crisis the very idea of a scene or sequence, by conspiring against the unity and cohesion these terms presuppose. In Trance’s beginning, »

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2017 | 2016 | 2015 | 2014 | 2012 | 2010 | 2008

8 items from 2017


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