| Photos (see all 13 | slideshow) | Videos |
| Erland Josephson | ... | Alexander | |
| Susan Fleetwood | ... | Adelaide | |
| Tommy Kjellqvist | ... | Little Man | |
| Allan Edwall | ... | Otto | |
| Guðrún Gísladóttir | ... | Maria (as Gudún S. Gísladóttir) | |
| Sven Wollter | ... | Victor | |
| Valérie Mairesse | ... | Julia | |
| Filippa Franzén | ... | Marta | |
| Per Källman | ... | Ambulansförare | |
| Tommy Nordahl | ... | Ambulansförare | |
| rest of cast listed alphabetically: | |||
| Tintin Anderzon | ... | (voice) | |
| Helena Brodin | ... | (voice) | |
| Birgit Carlstén | ... | (voice) | |
| Jane Friedmann | ... | (voice) | |
| Martin Lindström | ... | (voice) | |
| Jan-Olof Strandberg | ... | (voice) | |
Directed by | |||
| Andrei Tarkovsky | (as Andrei Tarkovskij) | ||
Writing credits | ||
| Andrei Tarkovsky | (screenplay) | |
Produced by | |||
| Anna-Lena Wibom | .... | producer: Svenska Filminstitutet | |
Cinematography by | |||
| Sven Nykvist | |||
Film Editing by | |||
| Michal Leszczylowski | |||
| Andrei Tarkovsky | (as Andrei Tarkovskij) | ||
Casting by | |||
| Claire Denis | |||
| Priscilla John | |||
| Françoise Menidrey | |||
Production Design by | |||
| Anna Asp | |||
Costume Design by | |||
| Inger Pehrsson | |||
Makeup Department | |||
| Florence Fouquier D'Herouel | .... | hair stylist (as Florence Fouquier) | |
| Florence Fouquier D'Herouel | .... | makeup artist (as Florence Fouquier) | |
| Kjell Gustavsson | .... | hair stylist | |
| Kjell Gustavsson | .... | key makeup artist | |
Production Management | |||
| Katinka Faragó | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kerstin Eriksdotter | .... | assistant director | |
| Michal Leszczylowski | .... | trainee assistant director | |
Art Department | |||
| Jan Andersson | .... | property master | |
| Gunilla Bandolin | .... | painter | |
| Jan Eriksson | .... | carpenter | |
| Teddy Holm | .... | painter | |
| Cecilia Iversen | .... | assistant art director | |
| Harry Klava | .... | construction coordinator | |
| Kaj Larsen | .... | construction manager | |
| Martti Malkamaa | .... | carpenter | |
| Percy Nilsson | .... | head carpenter | |
| Rolf Persson | .... | head painter | |
| Bengt Svedberg | .... | painter | |
Sound Department | |||
| Christin Loman | .... | sound mixer | |
| Bo Persson | .... | sound recordist | |
| Willie Peterson-Berger | .... | sound recordist (as Wille Peterson-Berger) | |
| Owe Svensson | .... | sound mixer | |
| Owe Svensson | .... | sound | |
| Lasse Ulander | .... | sound recordist (as Lars Ulander) | |
Special Effects by | |||
| Lars Höglund | .... | special effects | |
| Lars Palmquist | .... | special effects | |
Camera and Electrical Department | |||
| Daniel Bergman | .... | key grip | |
| Arne Carlsson | .... | still photographer | |
| Ocki Hansson | .... | grip | |
| Kent Högberg | .... | electrician | |
| Lars Karlsson | .... | assistant camera (as Lasse Karlsson) | |
| Dan Myhrman | .... | assistant camera | |
| Hasse Wallin | .... | electrician (as Hans Wallin) | |
Costume and Wardrobe Department | |||
| Carina Dalunde | .... | costume assistant | |
Editorial Department | |||
| Henri Colpi | .... | consulting editor | |
| Henri Colpi | .... | supervising editor | |
| Nils Melander | .... | color timer | |
Music Department | |||
| Wolfgang Gönnenwein | .... | conductor: "Erbarme' dich, mein Gott" | |
Other crew | |||
| China Åhlander | .... | apprentice | |
| Aina Bellis | .... | unit publicist | |
| Layla Alexander Garrett | .... | interpreter | |
| Agneta Jansson | .... | production assistant | |
| Puck Jansson | .... | caterer | |
| Inger Johansson | .... | unit publicist | |
| Göran Lindberg | .... | location manager | |
| Lars-Olof Löthwall | .... | unit publicist | |
| Andrei Nekrasov | .... | translator | |
| Anne von Sydow | .... | script supervisor | |
Thanks | |||
| Henri Colpi | .... | special thanks | |
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| Edvard Munch | Mahler | Andrey Rublyov | Stalker | Equus |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Sweden section | Add this title to MyMovies |
This is the best movie I have seen so far. I watch it again about once or twice a year, like a ritual or an annual holiday I would be taking into levels of consciousness where the mind is not really required. I do not understand, and I do not feel like I have to, it is secondary. I feel touched like only pure and silent beauty can touch me, or bliss. It is obviously created around an idea of sacrifice, being both a gift to others but also to ourselves. By offering his life in order to save his family, his grandson and the world, the main character is also giving a true meaning to his own life that had mostly been of artificiality, questionings and shallowness. Every person who enters the house, he starts seeing under a deeper if not more expressionistic light... And when he meets with magic (while making love with the witch) he creates the bridge that will take him from reality into mystery. The whole film is as breathtaking and self-sufficient as a painting, or even more so, a Russian icon. It is ageless. I suppose it will remain with me for my entire life. I consider it Tarkovsky's last will, but even more so a piece of the Human Heritage that should be protected and kept accessible for future generation.