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Vampire in Venice (1988)

Nosferatu a Venezia (original title)
Professor Paris Catalano visits Venice, to investigate the last known appearance of the famous vampire Nosferatu during the carnival of 1786.
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Cast overview:
Professor Paris Catalano
Don Alvise
Dr. Barneval
Anne Knecht ...
Maria Canins
Uta Barneval
Giuseppe Mannajuolo
Clara Colosimo ...
La Chunga ...
Woman at Gypsy Camp


Professor Paris Catalano visits Venice, to investigate the last known appearance of the famous vampire Nosferatu during the carnival of 1786.

Plot Summary | Add Synopsis




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Release Date:

8 September 1988 (Italy)  »

Also Known As:

Prince Of The Night  »

Filming Locations:

Company Credits

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, ,  »
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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


Amanda Sandrelli originally played the role of Maria Canins, but Klaus Kinski forced the producers to fire her. When Anne Knecht visited her friend Yorgo Voyagis on set, Kinski liked Knecht so much that he forced the producers to 'cast' her. Knecht eventually performed a nude sex scene with Kinski for the film. See more »


Referenced in Never Sleep Again: The Elm Street Legacy (2010) See more »

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User Reviews

Mixed Results from a Troubled Production
13 February 2010 | by (Louisville, KY) – See all my reviews

Nosferatu in Venice (1988)

** (out of 4)

Klaus Kinski returns to the role of Nosferatu in this Italian film that was originally suppose to be a follow-up to Herzog's 1979 film. After various production issues including two director's being fired, the film ended up pretty much being 100% on its own with the only connection to the earlier film being Kinski. In the film, vampire hunter Paris Catalano (Christopher Plummer) travels to Venice, the last known location of the vampire Nosferatu (Kinski). Catalano tries to locate the whereabouts of the vampire who he believes has a desire to finally die. This is a rather interesting failure that has a lot going for it but it's obvious the production issues caused a lot of problems especially during the first part of the movie. The film starts off very ambitious as it centers on the Plummer character in current times but we then have several flashbacks to the earlier days of Nosferatu and how he became who he is. This was an interesting idea but it never really works for several reasons and one of them is a bizarre rock score that doesn't fit anything we see. Another reason these flashbacks never work is because at times it's hard to follow what exactly is going on and why certain flashbacks might be happening. Then, around the fifty-minute mark, something strange happens and the film actually turns extremely entertaining as Nosferatu finds himself in current times and falling in love with a young black lady who might just hold the key to his eventual death. Yes, Kinski drove several directors away from the film and this is partly to blame of the uneven film but you also have to give him credit because he turns in a great performance. He has his long blonde hair flowing and there's no chalk make-up so we get to see this Nosferatu in a very human-like state and the actor makes us feel sorry for this person who simply won't die. I found Kinski really intense throughout the film and this certainly spills over for several entertaining scenes but I think the romantic side works the best. Plummer is also pretty good in his rather thankless role and we even get Donald Pleasence in a role but he's pretty much wasted. Barbara De Rossi and Anne Knecht are both good as the ladies in the pack. Augusto Caminito, Mario Caiano, Luigi Cozzi and Maurizio Lucidi all did some work on the film but it was Caminito who ended up shooting the majority of the film. Even Kinski was apparently in charge of directing his scenes so who knows what was really going on with this production. It's certainly a very troubled movie but at the same time there's just so much here that does work in the end. We get some rather strong atmosphere and being 1988 and from Italy, there's much more sex, nudity and blood than normal, which is a plus. I doubt art house fans are going to enjoy this thing but if you're a horror fan and like Kinski then it would be worth your time to check this out. It's certainly not going to replace the Herzog film but it's an interesting little movie.

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