When John travels to Paris to attend an art sale hosted by his old flame, he begins a torrid affair with a gorgeous woman (Angie Everhart) who used to be her best friend. As the erotic ... See full summary »
Agathe de La Fontaine,
An investment banker (Paul Mercurio) travels to Louisiana to snag the account of an eccentric millionaire (Malcolm McDowell) but gets involved with his lusty wife, Mardi Gras, and (possibly... See full summary »
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated. Written by
Michel Rudoy <firstname.lastname@example.org>
Elizabeth's gallery contains art by Sarah Charlesworth. This was a famous New Jersey photographer who should not be confused with Canadian actress Sarah Charlesworth. See more »
Before John unbuttons Elizabeth's blouse, she puts her arms behind her head. But as he's unbuttoning, her arms are at her side. When the camera pans back to her face, her arms are behind her head again. See more »
You work and you work and you work. You meet with people you don't like, that you don't know, that you don't even want to know. And you try to sell them things and they try to sell you things, you go home, you listen to the wife nag and the kids bitch. You turn off the T.V., you wake up the next day and you do it all over again. But I'll tell you, the only thing that keeps me going is this chick. I've got this incredible chick on the side you see, and she is so hot, I can hardly believe it. ...
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I find it interesting that people can get so many different feelings and experiences from one movie, but then; this is exactly the type of movie that would cause such disparity. The question really is, are you watching the movie for entertainment, or to critique it? There are wondrous scenes of erotic intimacy here (unfortunately not as fully developed as they could be)
and glimpses into just what two people "in lust" will allow themselves to
be led into... The sensuousness of the relationship is the key - not the believability of the surroundings or the rest of the 'plot'. Is it believable? It certainly is conceivable... Liz (Kim Basinger) studying slides at work, so distracted by her thoughts of intimacy with a man she hardly knows that she can't keep her hands off herself... John so taken with her that he will spend exorbitantly for a gift - to give a woman he doesn't know - but feels that he must meet. The passion and need for these two lonely people that lets them open doors to their inner selves and allow another in BEFORE thinking of the consequences (there are ALWAYS consequences, in film and life; for opening "those" doors). Is it believable that they would win the fight with the street thugs? No. Is it believable that the adrenaline rush, the release of the flight impulse and fear, the closeness found in 'defeating a common enemy'; could possibly lead to the intensity of sexual closeness and climax in a semi-secluded spot (under falling water at that)? Yes. Are the other scenes believable? It's entertainment, not a psychology class... They are conceivable, certainly. Ever been really mad at your partner, and that anger leads to words then breaking dishes then apologies then hugging then closeness then sex? How about anger leading directly to sex? It can happen, and it does. It is not so much a rape as it is a purging of desire. The scene with Liz blindfolded, and the whore coming in to the room - you share the tenseness Liz feels. Will she be stimulated? Of course. Will she let John know it turns her on? He already knows it does. He wants HER to know that he knows it will.
This movie is a glimpse of what manipulators people are. The efforts made to manipulate another person into 'making them want what you want'. So much so, that it becomes their desire, not yours. So much so that the desire is to see if you can manipulate the other becomes more consuming than the original goal. Seeing if she WILL crawl across the floor becomes more important than seeing her actually doing so. And her feeling the depth of her self in what she will do - and finding she is doing it because SHE wants to, not because he wants it. Liz takes her pleasure from John, too. What appears to be a "rape in progress" as John pushes Liz back on the table, ends with her crying because she was excited enough by it to climax. That is perhaps the 'real' rape; her discovery that even if she is initially violated, in her mind she realizes it arouses her enough to let it continue; and as it continues she finds herself clutching at her 'attacker'; and attaining orgasm. The rape as much of her mind as it is her body. It is her discovery of what she learns of herself. When she finally leaves the relationship, he finds he can't live without her. Who manipulated who?
This movie, dated as it is, is still fresh because it is enough like life to be real. No, we may not be that rich or that attractive or that selfish or that spoiled. But we also may wish at times that we were...
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