Mickey Rourke reprises his role as the mysteriously sexy John in this steamy, suspense-filled follow up to 9 ½ WEEKS. When John travels to Paris to attend an art sale hosted by his old ... See full summary »
Agathe de La Fontaine,
An investment banker (Paul Mercurio) travels to Louisiana to snag the account of an eccentric millionaire (Malcolm McDowell) but gets involved with his lusty wife, Mardi Gras, and (possibly... See full summary »
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated. Written by
Michel Rudoy <firstname.lastname@example.org>
When John and Elizabeth are in the department store just before the scene when they're shopping for a bed, an announcement for a "Mr. Jerry Bruckheimer" over the PA system can be heard in the background. See more »
John presents Elizabeth with the scarf/shawl he'd just bought her and wraps it around her. In the next scene, the scarf is nowhere to be seen. See more »
How did you know? How did you know I'd respond to you the way I have?
I saw myself in you.
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There isn't much about this movie that is warm or inviting. The central relationship between Kim Basinger and Mickey Rourke is there to be busted up, but director Adrian Lyne isn't very concerned with the characters anyway--his thing seems to be chilly atmospherics and stylish furniture. Sure, the first sex with the blindfold and ice cubes is tantalizing, but the scene seems chopped short (presumably so as not to offend us prudish Americans!). All the sexual scenes are like that: the clinch, the brief flash of nudity, end of scene. Interest wanes after the viewer becomes satisfied with Basinger's milky beauty and Rourke's handsome panache, but their surroundings are sterile (his apartment, her gallery). There are two or three playful moments (such as the food frenzy in front of the refrigerator), but mostly it's all talk and little action, and unintentionally funny bits like Rourke attempting to get Basinger in the mood by playing Billie Holiday's "Strange Fruit"! ** from ****
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