Mickey Rourke reprises his role as the mysteriously sexy John in this steamy, suspense-filled follow up to 9 ½ WEEKS. When John travels to Paris to attend an art sale hosted by his old ... See full summary »
Agathe de La Fontaine,
An investment banker (Paul Mercurio) travels to Louisiana to snag the account of an eccentric millionaire (Malcolm McDowell) but gets involved with his lusty wife, Mardi Gras, and (possibly... See full summary »
Barr is a psychiatrist who falls in love with the sister of one of his clients. She's beautiful and married (to a gangster). She hates her husband but is unable to escape from him. To avoid... See full summary »
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated. Written by
Michel Rudoy <email@example.com>
The film was initially supposed to be distributed by TriStar Pictures as they had a distribution deal with the film's producers. However, the film was dropped shortly before the originally planned December 1985 release date due to issues with the MPAA (the producers were obligated to deliver an R-rated film). After the smoke cleared and the film got an R rating, MGM stepped in and released the film. See more »
When John is having dinner with Elizabeth dressed as a man, she smokes a cigar and coughs. John reaches for a glass of water to give to her and in the next shot it's an alcoholic beverage instead of water that she drinks. See more »
You work and you work and you work. You meet with people you don't like, that you don't know, that you don't even want to know. And you try to sell them things and they try to sell you things, you go home, you listen to the wife nag and the kids bitch. You turn off the T.V., you wake up the next day and you do it all over again. But I'll tell you, the only thing that keeps me going is this chick. I've got this incredible chick on the side you see, and she is so hot, I can hardly believe it. ...
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There isn't much about this movie that is warm or inviting. The central relationship between Kim Basinger and Mickey Rourke is there to be busted up, but director Adrian Lyne isn't very concerned with the characters anyway--his thing seems to be chilly atmospherics and stylish furniture. Sure, the first sex with the blindfold and ice cubes is tantalizing, but the scene seems chopped short (presumably so as not to offend us prudish Americans!). All the sexual scenes are like that: the clinch, the brief flash of nudity, end of scene. Interest wanes after the viewer becomes satisfied with Basinger's milky beauty and Rourke's handsome panache, but their surroundings are sterile (his apartment, her gallery). There are two or three playful moments (such as the food frenzy in front of the refrigerator), but mostly it's all talk and little action, and unintentionally funny bits like Rourke attempting to get Basinger in the mood by playing Billie Holiday's "Strange Fruit"! ** from ****
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