| Photos (see all 21 | slideshow) |
Directed by | |||
| Jean-Jacques Annaud | |||
Writing credits | ||
| Umberto Eco | (novel "Il nome della rosa") | |
| Andrew Birkin | (screenplay) & | |
| Gérard Brach | (screenplay) & | |
| Howard Franklin | (screenplay) & | |
| Alain Godard | (screenplay) | |
| Jean-Jacques Annaud | uncredited | |
Produced by | |||
| Franco Cristaldi | .... | co-producer | |
| Jake Eberts | .... | executive producer | |
| Bernd Eichinger | .... | producer | |
| Pierre Hébey | .... | associate producer (as Pierre Hebey) | |
| Alexandre Mnouchkine | .... | co-producer | |
| Bernd Schaefers | .... | producer | |
| Thomas Schühly | .... | executive producer | |
| Herman Weigel | .... | associate producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Tonino Delli Colli | |||
Film Editing by | |||
| Jane Seitz | |||
Casting by | |||
| Gianni Arduini | |||
| Dominique Besnehard | |||
| Celestia Fox | |||
| David Rubin | |||
| Sabine Schroth | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Dante Ferretti | |||
Art Direction by | |||
| Giorgio Giovannini | |||
| Rainer Schaper | |||
Set Decoration by | |||
| Francesca Lo Schiavo | |||
Costume Design by | |||
| Gabriella Pescucci | |||
Makeup Department | |||
| Klaus Börmert | .... | special makeup effects artist (as Klaus Boerrnert) | |
| Renato Francola | .... | special makeup effects artist | |
| Margrit Guthmann | .... | makeup artist | |
| Ilona Herman | .... | makeup artist: Mr. Connery | |
| Frederike Reimer | .... | makeup artist | |
| Gerhard Reitinger | .... | makeup artist | |
| Hans Jürgen Schmelzle | .... | makeup artist (as Hans-Jürgen Schmelzle) | |
| Maurizio Silvi | .... | special makeup effects artist | |
| Hasso von Hugo | .... | supervising makeup artist | |
Production Management | |||
| Jürgen Bieske | .... | post-production manager (as Jürgen Bieske-Feddern) | |
| Franco Coduti | .... | production manager: Italy | |
| Marco Giannoni | .... | unit manager | |
| Kirsten Hager | .... | unit manager | |
| Wulf E. Hoffer | .... | unit manager | |
| Jürgen Kussatz | .... | unit manager | |
| Gerald Morin | .... | production supervisor | |
| Ike Werk | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Gianni Arduini | .... | first assistant director | |
| Stefano Eco | .... | assistant director | |
| Enrico Marrari | .... | assistant director (as Andrea Marrari) | |
| Laura Petrella | .... | assistant director (as Laura Petrella-Elek) | |
| Margot Rothkirch | .... | second assistant director | |
| Victor Tourjansky | .... | first assistant director | |
| Pierpaulo Trezzini | .... | assistant director | |
| Knut Winkler | .... | second assistant director | |
Sound Department | |||
| John Allis | .... | stereo consultant: Dolby | |
| Monika Bergmann | .... | additional dialogue editor | |
| Werner Böhm | .... | adr mixer | |
| Milan Bor | .... | sound re-recording mixer | |
| Eva Claudius | .... | dialogue editor (as Evi Claudius) | |
| Heinz Dittlein | .... | foley mixer | |
| Friedrich M. Dosch | .... | foley editor | |
| Illo Endrulat | .... | additional dialogue editor | |
| Claudia Gehring | .... | assistant dialogue editor | |
| Heiner Harss | .... | foley artist | |
| Norbert Herzner | .... | sound editor | |
| Frank Jahn | .... | production sound mixer | |
| Ulli Kandlinger | .... | adr studio manager (as Uli Kandlinger) | |
| Mel Kutbay | .... | foley artist | |
| Willy Leitenstorfer | .... | assistant adr mixer (as Willy Leitensstorfer) | |
| Evelyn Lukas | .... | assistant sound editor | |
| Raymond Meyer | .... | boom operator | |
| Günther Ruckdeschel | .... | boom operator | |
| Christian Schubert | .... | assistant re-recording mixer | |
| John A. Williams | .... | assistant dialogue editor | |
Special Effects by | |||
| Ignazio Maccarone | .... | special effects electrician | |
| Giancarlo Mancini | .... | special effects technician | |
| Adriano Pischiutta | .... | special effects supervisor | |
Stunts | |||
| Ottaviano Dell'Acqua | .... | stunts | |
| Sergio Mioni | .... | stunt coordinator | |
| Stefano Maria Mioni | .... | stunt double | |
| Angelo Ragusa | .... | stunts | |
Camera and Electrical Department | |||
| Eraldo Barbona | .... | grip | |
| Massimo Barbona | .... | grip | |
| Günther Bauer | .... | grip (as Günter Bauer) | |
| Vasco Benucci | .... | focus puller | |
| Franco Caporale | .... | electrician | |
| Bruno Colanzi | .... | grip | |
| Vittorio Contino | .... | generator operator | |
| Wolfgang Dell | .... | electrician | |
| Umberto Dessena | .... | grip | |
| Marco Di Salvo | .... | generator operator | |
| Alberto Emidi | .... | key grip | |
| Cesare Emidi | .... | grip | |
| Giovanni Fiore Coltellacci | .... | camera operator | |
| Aldo Galigani | .... | electrician | |
| Umberto Leurini | .... | generator operator | |
| Richard Lindl | .... | grip | |
| Romano Mancini | .... | supervising gaffer | |
| Giorgio Palermi | .... | electrician | |
| Piero Quaglietti | .... | electrician | |
| Antonio Scaramuzza | .... | second camera operator | |
| Marco Sperduti | .... | focus puller | |
| Guido Tosi | .... | focus puller | |
| Mario Tursi | .... | still photographer | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Casting Department | |||
| Mali Finn | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Angela Anzimani | .... | seamstress | |
| Silvia Grabowski | .... | wardrobe | |
| Adriana Masseroni | .... | wardrobe | |
| Carlo Poggioli | .... | wardrobe | |
| Kurt Schönwälder | .... | wardrobe (as Kurt Schoenwälder) | |
| Alberto Spiazzi | .... | wardrobe master | |
| Eveline Stösser | .... | wardrobe (as Eveline Stoesser) | |
| Esther Walz | .... | wardrobe coordinator | |
Editorial Department | |||
| Andreas Althoff | .... | second assistant editor | |
| Margarethe Berchtold | .... | negative cutter | |
| Rudolf Ibelher | .... | color grader | |
| Carlo La Bella | .... | color grader | |
| Loretta Mattioli | .... | editorial assistant: Italy | |
| Nani Schumann | .... | first assistant editor | |
Music Department | |||
| Robert Hathaway | .... | music editor (as Bob Hathaway) | |
| Kurt Reichmann | .... | historical music instruments | |
| Kurt Rieth | .... | choir master | |
| Harry Schnitzler | .... | music sound engineer | |
| Rainer Standke | .... | assistant music editor | |
| Ulrich Ullmann | .... | music mixer | |
| Ian Underwood | .... | synthesizer programmer | |
Transportation Department | |||
| Antonio Savini | .... | transportation captain: Italy | |
Other crew | |||
| Frans J. Afman | .... | financial services provided by | |
| Daniele Alexandre-Bidon | .... | contemporary manners advisor | |
| Laurence Duval Annaud | .... | assistant to director (as Laurence Duval-Annaud) | |
| Laurence Duval Annaud | .... | continuity coordinator (as Laurence Duval-Annaud) | |
| Padre Angelo Arpa | .... | religious advisor | |
| Jean-Yves Asselin | .... | location manager | |
| François Avril | .... | manuscript advisor | |
| Luise Beitz | .... | accountant | |
| Renate Berger | .... | post production secretary | |
| Stephan Beringer | .... | post production assistant (as Stefan Beringer) | |
| Jean-Claude Bonne | .... | architecture advisor | |
| Barbara Boudier | .... | production secretary | |
| John Brownjohn | .... | translator: English | |
| Fausto Capozzi | .... | supervising accountant | |
| Gian Carlo Ciotti | .... | supervising accountant (as Giancarlo Ciotti) | |
| Christopher Cruise | .... | dialogue director | |
| Christopher Cruise | .... | script advisor | |
| Père Desbonnet | .... | liturgy advisor | |
| Christopher Doherty | .... | dialogue consultant | |
| Daniella Edelburg | .... | assistant to producers (as Daniela Edelburg) | |
| Giovanna Emidi | .... | payroll | |
| Roy Everson | .... | stand-in: Mr. Connery | |
| Walter Fiordelmondo | .... | production assistant | |
| Birte Franzen | .... | bookkeeper | |
| Anna Gross | .... | production executive | |
| Margarete Kemeny | .... | pre-production secretary | |
| Jens Kostmann | .... | production assistant | |
| Michel Lebrun | .... | storyline consultant | |
| Jacques Le Goff | .... | supervising historical advisor | |
| Edwin Leicht | .... | financial controller | |
| Raoul Leindecker | .... | production assistant | |
| Lynda Levy | .... | publicity writer | |
| Manfred Mittelbach | .... | supervising auditor | |
| Aroldo Mogiani | .... | crowd manager | |
| Marianne Munichhausen | .... | assistant to producers | |
| Evelyn Nissimoff | .... | bookkeeper | |
| Roberto Passanisi | .... | production runner | |
| Michel Pastoureau | .... | heraldry advisor | |
| Françoise Perrot | .... | continuity | |
| Titti Pesaro | .... | production coordinator | |
| Carla Pettini | .... | production secretary | |
| Angelo Pieri | .... | cashier | |
| Manuela Pineskj | .... | production secretary (as Manuela Pineschi-Berger) | |
| Françoise Piponnier | .... | props advisor | |
| Roswitha Polosek | .... | production coordinator | |
| Fiammeta Profili | .... | production secretary (as Fiammetta Profili) | |
| Michael Scheingraber | .... | post production assistant | |
| Jean-Claude Schmitt | .... | comportment advisor | |
| Klaus Schühly | .... | publicity assistant | |
| Gianni Scuro | .... | production runner | |
| Rosetta Sestili | .... | liaison: Italian labor office | |
| Luciano Tartaglia | .... | accountant | |
| Roberto Todeschi | .... | production assistant | |
| Giorgio Tregnaghi | .... | controller: Italy | |
| Ian Underwood | .... | synthesizer programmer | |
| Doug Woelk | .... | post production assistant | |
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The film opens in 1327, with a Franciscan monk and his young novice arriving to a remote abbey in the dark north of Italy to participate in a crucial debate between the emissaries of Pope John XXII and leaders of the Franciscan order, to decide whether the church should take vows of poverty or wealth...
After a series of murdersattributed to the presence of a supernatural force that are taking place within the cold walls of the godforsaken battlement, Brother William of Baskerville (Connery) ends up undertaking an investigation to solve the secrets surrounding these unexplainable crimes All of them bearing blackened fingers and blackened tongues
What follows, brings William face to face with Bernardo Gui (F. Murray Abraham), the sadistic Grand inquisitorappointed by the Pope to hunt down and free the Church of hereticswho sees the abbey enshrouded in a terrifying mystery and the devil roaming behind every foul deed Gui burns every last suspected devil-worshipper in the village, forcing Baskerville to uncover the truth before innocent blood is shed
As always, Connery lends dignity, intelligence as the acute and prudent monk who has knowledge, both of the human spirit and the wiles of the evil one Connery plays his role with gusto
Newcomer Christian Slater plays Connery's faithful sidekick, Adso, the youngest son of the Baron of Melk who sure does like to watch his master at work One nightexpressing fear and confusion he gets feminine carnal delights from a peasant girl, 'a creature that rose like the dawn, was bewitching as the moon, radiant as the sun, terrible as an army poised for battle '
For a moment, Ron Perlman steals the show as the heretical hunchbacked monk named Salvatore who is ugly yet phenomenal His scenes with Abraham are stirring
"The Name of the Rose" is atmospheric, but disturbing at many levels Some might say, contradictory, leaving plenty of twists and turns unresolved and unexplained, but the film was a smash hit in Europe Annaud succeeds in capturing the claustrophobia and panic of being truly lost in the menacing, creepy Dark Ages