Der Name der Rose (1986)

User Rating:

7.8/10   

Director:

Jean-Jacques Annaud

Writers:

Umberto Eco (novel)
Andrew Birkin (screenplay) ...

Release Date:

24 September 1986 (USA)

Genre:

Drama | Mystery | Thriller | Crime

Tagline:

Who, in the name of God, is getting away with murder?

Plot:

An intellectually nonconformist monk investigates a series of mysterious deaths in an isolated abbey.

Plot Keywords:

Death | Abbey | Monk | Franciscan | Apocalypse

Awards:

Won 2 BAFTA Film Awards. Another 14 wins & 2 nominations

Cast

Sean Connery	...	William of Baskerville
Christian Slater	...	Adso of Melk
Helmut Qualtinger	...	Remigio da Varagine
Elya Baskin	...	Severinus
Michael Lonsdale	...	The Abbot
Volker Prechtel	...	Malachia
Feodor Chaliapin Jr.	...	Jorge de Burgos
William Hickey	...	Ubertino da Casale
Michael Habeck	...	Berengar
Urs Althaus	...	Venantius
Valentina Vargas	...	The Girl
Ron Perlman	...	Salvatore
Leopoldo Trieste	...	Michele da Cesena
Franco Valobra	...	Jerome of Kaffa
Vernon Dobtcheff	...	Hugh of Newcastle

Also Known As:

The Name of the Rose (UK) (USA)
Il nome della rosa (Italy)
Le nom de la rose (France)

Runtime:

130 min

Country:

France | Italy | West Germany

Language:

English | Latin

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby (35 mm prints)

Certification:

Portugal:M/12 | Iceland:14 | Canada:R (Nova Scotia/Ontario) | Spain:13 | UK:15 (re-rating) | Argentina:16 | Canada:13+ (Quebec) | Finland:K-16 | France:U | Netherlands:16 | Norway:15 | Singapore:M18 | Sweden:15 | UK:18 | USA:R | West Germany:16 | Canada:PA (Manitoba) | Australia:M

Filming Locations:

Abruzzo, Italy

Company:

Neue Constantin Film

Trivia:

4th highest grossing movie of its year in France.

Goofs:

Continuity: When Brother Berangar took the book with Brother William's glasses inside, you can see the traces of the glasses on the pages who was left during a previous shot.

Quotes:

[first lines]
Voice of Adso as an Old Man: Having reached the end of my poor sinner's life, my hair now white, I prepare to leave on this parchment my testimony as to the wondrous and terrible events that I witnessed in my youth, towards the end of the year of our Lord 1327. May God grant me the wisdom and grace to be the faithful chronicler of the happenings that took place in a remote abbey in the dark north of Italy. An abbey whose name it seems, even now, pious and prudent to omit.

Movie Connections:

Referenced in 33 (2008)

Excellent - despite the film medium's short comings!

Der Name der Rose is by all means a great film. The story is an excellent mix of Sherlock Holmes-type crime thriller and religious criticism/commentary. I found this to be exceptional as the book was labeled as impossible to remake as a film and while the book is indeed better than the film, the film is certainly not without its charms.

First of all the cast is pretty much perfect. Reading the book Sean Connery wasn't who I had in mind as the character but he certainly makes the character his own. His performance is for lack of a better word unique. He brings his usual indescribable something to the character which makes him almost instantly likable and believable. He delivers his lines in a confident manner that suits the character. Like in many other of his films his character is a teacher character but he does not seem to berate his pupil (Christian Slater) but allows him to grow on his own merely nudging him along. Even though not my first choice to have played the character I cannot find any other who would suit the part after seeing the film. Christian Slater plays the protagonist in what must be described as his break through character. His inexperience as an actor shows and once again suits the character who is also quite inexperienced in many ways. He portrays the change and ultimate conflicts of his character well enough and like Connery makes the character his own. Michael Lonsdale is pretty good as well and even though the character is not as well defined as in the book he provides the broad strokes in a satisfactory manner. Feodor Chaliapin Jr. does an excellent job in bringing Jorge to life and matches Connery's authority in their scenes together but once again the character is done in pretty broad strokes and you only get a small taste of what the character was like in the book. F. Murray Abraham's character is not like in the book and even though I was slightly disappointed by the film's portrayal of the character I understand why it was necessary to change the character for dramatic purposes. Ron Perlman who has since gone on to become quite a big star has a small role in this film and he does a decent job.

The film thrives on its complex story (which is nowhere near as complex as in the book) and deep characterization of the main characters who are about as defined as characters can become without internal monologue. There is voice-over by the older version of Christian Slater's character but is basically only used in the introduction and end part of the film and at a few crucial moments. The fantastic characterization is also helped by the incredibly sharp and well written dialog which never gets boring or forced like you could have feared given the religious content. In many scenes the dialog was in fact so good that I got the chills. The film focuses mainly on the mystery elements but the religious elements of the film are somehow weaved into the overall plot but there were plenty more of these religious elements and factors in the book. Overall I think the film should have been at least 15 minutes longer to get more of these elements in but maybe thats just me. However, all the most important plot points (and a few sub-plots) are covered so in that sense the film is successful.

Another thing that works very well is the atmosphere of the film which is very tense and mysterious. The tension is helped by the music which like so many other things in the film is quite unique and fitting. The set work is pretty simple but as it is a monastery you cannot expect the most flamboyant of sets. The sets work in their simplicity, however, and there is really no point of critique to be found in the set work. The lighting is kept at a minimum as well and once again this works in favor of the film as it adds to the overall tension. Sometimes the lighting is a little to dark but it happens so rarely that its not really a problem.

All in all Der Name der Rose (or The Name of the Rose) is a wonderful film but what drags the film down ever so slightly is that it can some times feel a little rushed because of the amount of material it is covering and there were a few elements from the book I would have liked to have seen in the film. In general, however, the cross from book to film is very well done and the overall plot is very well depicted with many tense, frightening and interesting moments. The film is definitely one of Connery's best and it is mainly because of his performance that I am giving the film a 9 in stead of an 8

9/10