| Deborah Tranelli | ... | Carla Harris | |
| Kaz Garas | ... | Fletch | |
| Carmen Argenziano | ... | Det. Russo | |
| Bill McLaughlin | ... | Sheriff John Cates | |
| Ed Crick | ... | Burke | |
| George E. Mahlberg | ... | George Butch | |
| Nick Nicholson | ... | Sparky | |
| Don Gordon Bell | ... | Arnie (as Don Gordon) | |
| David Light | ... | Ray | |
| Terrence O'Hara | ... | Mark Harris | |
| Steve Roderick | ... | Timmy | |
| Joseph Zucchero | ... | Dr. Fellows | |
| Helen McNeely | ... | Mrs. Olson | |
| Doc McCoy | ... | Mr. Olson | |
| Henry Strzalkowski | ... | Deputy Frank Winston | |
| Bill Kipp | ... | Deputy Reilly | |
| Rosemarie Gil | ... | Jesse | |
| Barbara Peers | ... | Estelle | |
| rest of cast listed alphabetically: | |||
| Mike Cohen | |||
| Phil Morrell | |||
| Mathew Westfall | ... | Cameo (uncredited) | |
Directed by | |||
| Cirio H. Santiago | |||
Writing credits(in alphabetical order) | ||
| Reilly Askew | ||
| Anthony Maharaj | story | |
Produced by | |||
| Anthony Maharaj | .... | executive producer | |
| Cirio H. Santiago | .... | producer | |
| Roger Corman | .... | executive producer (uncredited) | |
Original Music by | |||
| Ron Jones | |||
Cinematography by | |||
| Ricardo Remias | |||
Film Editing by | |||
| Noah Blough | |||
| Pacífico Sánchez | |||
Casting by | |||
| Henry Strzalkowski | |||
Art Direction by | |||
| Boyet Camaya | |||
| Ronnie Cruz | |||
Makeup Department | |||
| Teresa Mercader | .... | makeup artist | |
| Norma Remias | .... | makeup artist | |
Production Management | |||
| Ernesto Bontigao | .... | post-production supervisor | |
| Honorato R. Pérez Jr. | .... | production manager (as Honorato Perez) | |
Second Unit Director or Assistant Director | |||
| Joe Mari Avellana | .... | first assistant director (as Jose Mari Avellana) | |
| Anthony Maharaj | .... | second unit director | |
| José Torres | .... | second assistant director | |
Art Department | |||
| Ben Otico | .... | construction supervisor | |
Sound Department | |||
| Bing De Santos | .... | assistant sound recordist (as Bing Santos) | |
| Vicente Dona | .... | boom operator | |
| Dalmacio Dumigpi | .... | boom operator | |
| George E. Mahlberg | .... | production sound mixer | |
| George E. Mahlberg | .... | sound mixer | |
Special Effects by | |||
| Jessie Sto. Domingo | .... | special effects | |
Stunts | |||
| Ronald Asinas | .... | stunts | |
| Tony Beso | .... | stunts | |
| Greg Rocero | .... | stunts | |
| Carlito Varca | .... | stunts | |
Casting Department | |||
| Henry Strzalkowski | .... | casting: Manila | |
Costume and Wardrobe Department | |||
| Gloria Garcia | .... | wardrobe stylist | |
| Remia Mendoza | .... | wardrobe stylist | |
| Elvie Santos | .... | wardrobe stylist | |
Editorial Department | |||
| Pat Abad | .... | assistant editor | |
| Rudy Cabrales | .... | assistant editor | |
| Joseph Gutt | .... | apprentice editor (as Joe Gutt) | |
| Paula Stein | .... | assistant editor | |
Other crew | |||
| Nonette J. Garcia | .... | script clerk | |
| Armando Lacsamana | .... | assistant accountant | |
| Octavio Mabilangan | .... | production accountant | |
| Glen Parian | .... | location manager (as Glenn Parian) | |
| Marivic Ramas | .... | production secretary | |
| Dick Reyes | .... | production coordinator (as Dick A. Reyes) | |
| Trinidad Sagarbarria | .... | production assistant | |
| Christopher R. Santiago | .... | account supervisor | |
| Cathy Schroeder | .... | production secretary | |
| Robert Ulrich | .... | title designer | |
| Joseph Zucchero | .... | dialogue supervisor | |
|
|
|
|
|
| A Time to Kill | Kill Bill: Vol. 1 | First Blood | The New Kids | Foxy Brown |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
I played Arnie, one of the five rapists of the female lead played by Deborah Tranelli. Naked Vengeance was one of the early "Chick Vengeance" genre films.
Doing a rape scene was very difficult as the mood on the set is very tense, especially from the women on set. Anyone familiar with film production knows that it is a surreal atmosphere but standing around with nothing on but a jockstrap became almost natural by the end of the long night. Deborah was a real professional, detaching herself from direct contact friendly conversation. Before and after the "rape scene" she was friendly but she got "into character" during the very intense, violent, demeaning, dehumanizing sequence.
I think any woman seeing this movie would be deeply moved, emotionally and stunned by the brutality of the sequence. The entire production crew did a great professional job, though it was a long time before some of the female staff would even talk to me. It was that realistic and graphic. I never understood the horror of rape until I "took part" in trying to reproduce the crime in "ReeL life".