| Photos (see all 13 | slideshow) |
| Saeed Jaffrey | ... | Nasser Hussein | |
| Roshan Seth | ... | Ali Hussein | |
| Daniel Day-Lewis | ... | Johnny (as Daniel Day Lewis) | |
| Gordon Warnecke | ... | Omar Hussein | |
| Derrick Branche | ... | Salim N. Hussein | |
| Rita Wolf | ... | Tania N. Hussein | |
| Souad Faress | ... | Cherry N. Hussein | |
| Richard Graham | ... | Genghis | |
| Shirley Anne Field | ... | Rachel | |
| Winston Graham | ... | Jamaican One | |
| Charu Bala Chokshi | ... | Bilquis (as Charu Bala Choksi) | |
| Dudley Thomas | ... | Jamaican Two | |
| Garry Cooper | ... | Squatter | |
| Neil Cunningham | ... | Englishman | |
| Persis Maravala | ... | Nasser's Elder Daughter | |
| Walter Donohue | ... | Dick O'Donnell | |
| Nisha Kapur | ... | Nasser's Younger Daughter | |
| Stephen Marcus | ... | Moose | |
| Badi Uzzaman | ... | Dealer | |
| Ayub Khan-Din | ... | Student | |
| Gurdial Sira | ... | Zaki | |
| Chris Pitt | ... | Kid One | |
| Dawn Archibald | ... | Gang Member One | |
| Kerryann White | ... | Kid Two | |
| Gerard Horan | ... | Telephone Man | |
| Jonathan Moore | ... | Gang Member Two | |
| Ram John Holder | ... | Poet | |
| Colin Campbell | ... | Madame Butterfly Man | |
| Bhasker Patel | ... | Tariq | |
| Dulice Liecier | ... | Girl in Disco (as Dulice Leicier) | |
| Sheila Chitnis | ... | Zaki's Wife | |
| rest of cast listed alphabetically: | |||
| Persis Khambatta | ... | (uncredited) | |
Directed by | |||
| Stephen Frears | |||
Writing credits(in alphabetical order) | ||
| Hanif Kureishi | written by | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Sarah Radclyffe | .... | producer | |
Original Music by | |||
| Ludus Tonalis | |||
Cinematography by | |||
| Oliver Stapleton | |||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Debbie McWilliams | |||
Production Design by | |||
| Hugo Luczyc-Wyhowski | (as Hugo Luczyc Wyhowski) | ||
Costume Design by | |||
| Lindy Hemming | |||
Makeup Department | |||
| Elaine Carew | .... | makeup artist | |
| Wendy Rawson | .... | hair stylist | |
Production Management | |||
| Jane Frazer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gary Davies | .... | third assistant director | |
| Simon Hinkly | .... | first assistant director | |
| Waldo Roeg | .... | second assistant director | |
Art Department | |||
| Mark Allett | .... | stand-by props | |
| Alison Dominitz | .... | assistant art director | |
| Alastair Gow | .... | constructor | |
| Raymond Perry | .... | stand-by props (as Ray Perry Jr.) | |
| Ray Perry Sr. | .... | property master | |
| Julian Rothenstein | .... | graphic artist | |
| Robin Thistlewaite | .... | constructor | |
| Jeanne Vertigan | .... | production buyer | |
Sound Department | |||
| Albert Bailey | .... | sound recordist | |
| St. Clair Davis | .... | boom operator | |
| Peter Maxwell | .... | dubbing mixer | |
| 'Budge' Tremlett | .... | dubbing editor | |
| Matthew Whiteman | .... | assistant dubbing editor | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Stunts | |||
| Jim Dowdall | .... | stunt coordinator | |
| Tracey Eddon | .... | stunts (as Tracey Eddons) | |
| Wayne Michaels | .... | stunts | |
| Nosher Powell | .... | stunt coordinator | |
| Rocky Taylor | .... | stunt coordinator | |
| Tip Tipping | .... | stunts | |
| Bill Weston | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Fiona Cunningham-Reid | .... | clapper loader | |
| Malcolm Davies | .... | gaffer | |
| Martin Duncan | .... | electrician | |
| Tony Hare | .... | electrician | |
| Anthony James | .... | camera trainee | |
| Steve Keith-Roach | .... | focus puller | |
| Mike Laye | .... | still photographer | |
| Dave McWhinney | .... | electrician (as Dave McWhinnie) | |
| Jamie Monks | .... | second camera grip | |
| Jim Monks | .... | camera grip | |
Costume and Wardrobe Department | |||
| Karen Sharpe | .... | wardrobe mistress | |
Editorial Department | |||
| Jason Adams | .... | first assistant editor | |
| Chris Cook | .... | second assistant editor | |
Music Department | |||
| Stanley Myers | .... | music producer | |
| Hans Zimmer | .... | music producer | |
Transportation Department | |||
| Harry Vincent | .... | driver: property | |
Other crew | |||
| Ronald Bailey | .... | national film school attachment | |
| Jo Brown | .... | national film school attachment | |
| Chris Bruce | .... | unit runner (was: Bruce, Chris 20030812) | |
| Abdul Chowdray | .... | national film school attachment | |
| Bill Craster | .... | production accountant | |
| Anuree De Silva | .... | national film school attachment | |
| Penny Eyles | .... | continuity | |
| Sam Garwood | .... | production runner | |
| Graime Marmion | .... | assistant production accountant | |
| Charlie McGrigor | .... | unit runner | |
| Rebecca O'Brien | .... | location manager | |
| Sarah O'Brien | .... | production assistant | |
| Andrew Young | .... | projectionist | |
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A classic film in my book, My Beautiful Laundrette is the story of Omar, a young restless Asian man caring for his alcoholic father in Thatcherite London. Escape comes in the form of his uncles many and varied business ventures,...
Anyone who experienced anything of life in '80's Britain will recognise the craving for instant financial success. Similarly I am sure Asian viewers will recognise the struggles inherent in finding an identity in a country which is your home but which can never feel quite like your real home.
Omar dreams of success so works to achieve it...along the way he meets up with old school-friend Johnny, who has betrayed him by falling in with a group of neo-nazi's. Omar soon has Johnny working for him and his uncle. Turning the tables on him as he is made to rely on the very people he has been taught to hate. The chemistry between Omar and Johnny is palpable and their relationship handled totally matter-of-factly. About the only part of the film not trying to score any political points is the gay relationship. There is a "so-what" attitude and no-one comes out at any point. And why should they?
Tension in the film is far more the result of socio-economic and racial inequalities. The whole thing is handled with grace, charm and wit. Anyone remotely familier with British film in particular will note the starry casting of supporting roles, though Danial Day Lewis is - now - the biggest star of the show. Here he shows the real substance behind his fame - more so than in any other film of his seen to date. The cast is universally excellent and the unique shooting, pacing and dialogue, quite quite brilliant.
Some of the shots in this film could be used as a template for brilliance...An unexpected kiss in a dark alley is easily the most erotic single shot I have seen in a film.
Despite a few reviews I have read claiming otherwise, I don't believe you need to be gay or Asian to get something out of this picture. Living in Britain may help, though it's a lot less than essential.......
And hey! Wouldn't you love to throw your knickers into the washing machines of a neon-lit music-filled laudrette from heaven run by two insatiably young and energetic lovers?
Well I would anyway! Pass the detergent this way please!