The year is 1952, in Quebec City. Rachel, 16, unmarried, and pregnant, works in the church. Filled with shame, she unburdens her guilt to a young priest, under the confidentiality of the ... See full summary »
After World War II, a small French village struggles to put the war behind as the controlling Communist Party tries to flush out Petain loyalists. The local bar owner, a simple man who ... See full summary »
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
Catherine, a concert pianist, is surprised one night by the arrival of her best friend from childhood, Marie-Alexandrine (Max), whom she hasn't seen for 25 years. Catherine and Max were ... See full summary »
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
A woman imbued with naturalistic and libertarian theories leaves her city home to live in the countryside with her young son. There she meets a litigious farmer who fights against the banks... See full summary »
Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long... See full summary »
Much of the Pakistani Hussein family has settled in London, striving for the riches promised by Thatcherism. Nasser and his right hand man, Salim, have a number of small businesses and they do whatever they need to make money, even if the activities are illegal. As such, Nasser and his immediate family live more than a comfortable lifestyle, and he flaunts his riches whenever he can. Meanwhile, his brother, alcoholic Ali, once a famous journalist in Pakistan, lives in a seedy flat with his son, Omar. Ali's life in London is not as lucrative in part because of his left leaning politics, which does not mesh with the ideals of Thatcherism. To help his brother, Nasser gives Omar a job doing menial labor. But Omar, with bigger plans, talks Nasser into letting him manage Nasser's run down laundrette. Omar seizes what he sees as an opportunity to make the laundrette a success, and employs an old friend, Johnny - who has been most recently running around with a gang of white punks - to help ... Written by
Want to see a side of London you won't get from any other director? Then watch My Beautiful Launderette... The film opens with a scene in which squatters are forcibly evicted from a derelict building. Londoner viewers will recognize this as a sad yet common event... Immediately, we are attuned to the political bent of the movie. Fortunately for that intent, the dialogue in the film is intelligently written (note: this will not appeal to the lowest common denominator -- it scores low on commercial appeal). Unfortunately, the often "stiff" delivery of that dialogue is a significant impediment. That said, Daniel Day Lewis lends a powerful presence to his role as the punk squatter, Johnny.
The climax of the film aptly integrates the various tensions in the film: political, sexual, and social. We're surprised with a love scene between Johnny and Omar which is well-paced, erotic, and genuine.
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