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| Harrison Ford | ... | Allie Fox | |
| Helen Mirren | ... | Mother Fox | |
| River Phoenix | ... | Charlie Fox | |
| Conrad Roberts | ... | Mr. Haddy | |
| Andre Gregory | ... | Reverend Spellgood | |
| Martha Plimpton | ... | Emily Spellgood | |
| Dick O'Neill | ... | Mr. Polski | |
| Jadrien Steele | ... | Jerry Fox | |
| Michael Rogers | ... | Francis Lungley | |
| Hilary Gordon | ... | April Fox | |
| Rebecca Gordon | ... | Clover Fox | |
| Jason Alexander | ... | Hardware Clerk | |
| Alice Heffernan-Sneed | ... | Mrs. Polski (as Alice Sneed) | |
| Tiger Haynes | ... | Mr. Semper | |
| William Newman | ... | Captain Smalls | |
| Melanie Boland | ... | Mrs. Spellgood | |
| Raymond Clare | ... | Convert #1 | |
| Emory King | ... | Man at Bar | |
| Tony Vega Sr. | ... | Mr. Maywit | |
| Aurora Clavel | ... | Mrs. Maywit | |
| Butterfly McQueen | ... | Ma Kennywick | |
| Michael Opoku | ... | Bucky | |
| Adolpho Salguero | ... | Drainy | |
| Rafael Cho | ... | Leon | |
| Sofia Coc | ... | Alice | |
| Margarita Coc | ... | Veryl | |
| Wilfred Peters | ... | Dixon | |
| Luis Palacio | ... | Peaselee | |
| Juan Antonio Llanes | ... | Mercenary | |
| Abel Woolrich | ... | Mercenary | |
| Jorge Zepeda | ... | Mercenary |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| Paul Theroux | (novel) | |
| Paul Schrader | (screenplay) | |
Produced by | |||
| Jerome Hellman | .... | producer | |
| Neville C. Thompson | .... | associate producer (as Neville Thompson) | |
| Saul Zaentz | .... | executive producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| John Seale | |||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| John Stoddart | |||
Art Direction by | |||
| John Wingrove | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
Costume Design by | |||
| Gary Jones | |||
Makeup Department | |||
| Rosalina Da Silva | .... | assistant makeup artist (as Rosalina Silva) | |
| Judy Lovell | .... | key hair stylist | |
| Judy Lovell | .... | key makeup artist | |
| Michelle Myers | .... | assistant makeup artist | |
Production Management | |||
| Stewart Krohn | .... | production manager | |
| Stratton Leopold | .... | production manager: USA | |
Second Unit Director or Assistant Director | |||
| Steve E. Andrews | .... | second assistant director (as Steve Andrews) | |
| Mark Egerton | .... | first assistant director | |
| Michael Hammerman | .... | trainee assistant director (as Mike Hammerman) | |
| Philip A. Patterson | .... | third assistant director (as Philip Patterson) | |
| Russell Vreeland | .... | fourth assistant director (as Russ Kneeland) | |
Art Department | |||
| Frank L. Brown | .... | assistant property master (as Frank Brown) | |
| Gary Clark | .... | painter foreman | |
| John Fredericks | .... | assistant props | |
| Gene Fukuzawa | .... | greensman (as Gene 'Chubby' Fukuzawa) | |
| Richard Greene | .... | greensmen | |
| Mike Higelmire | .... | assistant set decorator: USA (as Michael Higelmire) | |
| Bill Iiams | .... | first construction foreman | |
| Roger Irvin | .... | construction coordinator | |
| Michael Kohan | .... | stand-by props | |
| Tom Lawson | .... | metalwork foreman | |
| Charles R. Lipscomb | .... | lead man (as Chuck Lipscomb) | |
| Ray Mercer Jr. | .... | property master (as Ray Mercer) | |
| Brian Nickless | .... | assistant art director | |
| John A. Scott III | .... | lead man (as John Scott III) | |
| Daniel Sudick | .... | second construction foreman (as Dan Sudick) | |
| Tony Villanueva | .... | construction foreman: Belize | |
Sound Department | |||
| C.J. Appel | .... | adr editor | |
| Sandina Bailo-Lape | .... | sound effects assistant (as Sandina Bailo) | |
| John Benson | .... | sound effects editor | |
| David Franklin Bergad | .... | dialogue assistant (as David Bergad) | |
| Mark Berger | .... | supervising re-recording mixer | |
| Jay Boekelheide | .... | sound effects editor | |
| Todd Boekelheide | .... | sound re-recording mixer | |
| Nicole Boris | .... | apprentice sound editor | |
| Matt Brady | .... | foley engineer | |
| Karen Brocco | .... | dialogue assistant | |
| T.M. Christopher | .... | sound effects assistant | |
| Luis Colina | .... | foley assistant | |
| Gloria D'Alessandro | .... | dialogue assistant | |
| Richard Daniel | .... | sound maintenance | |
| Frank E. Eulner | .... | sound effects assistant (as Frank Eulner) | |
| Peter Fenton | .... | dialogue mixer: Australia | |
| Les Fiddess | .... | dubbing editor: Australia | |
| Rob Fruchtman | .... | foley editor | |
| Vivien Hillgrove Gilliam | .... | supervising dialogue editor | |
| Phil Heywood | .... | sound effects mixer | |
| Richard Hymns | .... | sound effects editor | |
| Pat Jackson | .... | sound effects editor | |
| Leigh Kowald | .... | assistant dubbing editor: Australia | |
| Ann Kroeber | .... | sound effects recordist | |
| Laurel Ladevich | .... | adr editor | |
| Michael Magill | .... | dialogue assistant | |
| Robert Marty | .... | dialogue assistant (as Bob Marty) | |
| Barbara McBane | .... | dialogue editor | |
| John Morris | .... | foley assistant | |
| Christopher Newman | .... | production sound recordist | |
| David Parker | .... | sound re-recording mixer | |
| Diana Pellegrini | .... | foley editor | |
| Michele Perrone | .... | apprentice sound editor | |
| Janis Prater | .... | apprentice sound editor | |
| Michael Rosen | .... | foley engineer | |
| Paige Sartorius | .... | sound effects assistant | |
| Robert Shoup | .... | foley editor | |
| Karen Spangenberg | .... | dialogue editor | |
| Alan Splet | .... | supervising sound editor | |
| Ewa Sztompke | .... | sound effects assistant | |
| Dennie Thorpe | .... | foley artist | |
| John Verbeck | .... | assistant sound editor | |
| Ken Weston | .... | boom operator | |
| Alan Abrams | .... | sound effects recordist (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Albert Bartoli | .... | special effects | |
| Paul Bradley | .... | special effects foreman: Belize unit | |
| Pat Cartwright | .... | special effects | |
| Casey Cavanaugh | .... | special effects | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Larry Cavanaugh) | |
| Noah Cornell | .... | special effects assistant | |
| Allen Hall | .... | special effects | |
| Rudy Liszczak | .... | special effects | |
| Joe Lombardi | .... | special effects consultant | |
| Tom Sindicich | .... | special effects | |
| R. Bruce Steinheimer | .... | special effects supervisor (as Bruce Steinheimer) | |
| Chuck E. Stewart | .... | special effects (as Chuck Stewart) | |
Stunts | |||
| Rich 'Nubbs' Gowdy | .... | stunt double | |
| Vic Armstrong | .... | stunt double: Mr. Ford (uncredited) | |
Casting Department | |||
| Alejandra Hernández | .... | casting: Mexico (as Alejandra Hernandez) | |
| Sarah C. Koeppe | .... | casting assistant: New York (as Sarah Koeppe) | |
| Lisa London | .... | casting apprentice: Los Angeles | |
| Susan Parker | .... | casting: Central America (as Sue Parker) | |
Costume and Wardrobe Department | |||
| Maurine Boutin | .... | wardrobe assistant | |
| Michael Dennison | .... | wardrobe consultant | |
| Bruce Ericksen | .... | wardrobe supervisor | |
| Sue Gandy | .... | assistant costume designer | |
| Yvonne Jeffries | .... | wardrobe assistant: Belize | |
| Kerri Mazzocco | .... | wardrobe mistress (as Kerri Barnett) | |
Editorial Department | |||
| Joan E. Chapman | .... | post-production coordinator: USA | |
| Carol A. Ellison Fleming | .... | apprentice editor (as Carol Fleming) | |
| Richard Francis-Bruce | .... | editor: Australia | |
| Lynn Gailey | .... | post-production coordinator: Australia | |
| Patricia A. Galvin | .... | assistant editor (as Patricia Galvin) | |
| Jane Moran | .... | assistant editor: Australia | |
| Simon Smithers | .... | assistant editor: Australia | |
| Pamela Jule Yuen | .... | second assistant editor (as Pamela J. Yuen) | |
Music Department | |||
| Michael Boddicker | .... | musician: synthesizers | |
| Michael Fisher | .... | musician: synthesizers | |
| Ralph Grierson | .... | musician: synthesizers | |
| Jim Harrison | .... | supervising music editor | |
| Maurice Jarre | .... | music supervisor | |
| Judd Miller | .... | musician: synthesizers | |
| Joel Moss | .... | music recordist | |
| Nyle Steiner | .... | musician: synthesizers | |
| Ian Underwood | .... | musician: synthesizers | |
Transportation Department | |||
| Hank Van Apeldoorn | .... | transportation captain: Rome, GA | |
| Susan Van Apeldoorn | .... | transportation: Rome, GA | |
| Ernesto Vázquez | .... | transportation manager: Belize (as Ernesto Vazquez) | |
Thanks | |||
| Max Cleland | .... | special thanks (as Secretary of State Max Cleland) | |
| Joe Frank Harris | .... | special thanks (as Governor Joe Frank Harris) | |
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| The Night of the Hunter | There Will Be Blood | Big Fish | Giant | The Incredibles |
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| News articles | IMDb Adventure section | IMDb USA section |
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With much of Harrison Ford's career during the eighties dominated by his participation in George Lucas and Spielberg blockbusters, it comes as a relief to discover that in between his numerous flights on the Milennium Falcon and slashing his whip he found time to star in many low key movies. Among these hidden treasures is The Mosquito Coast, a character driven story about one mans attempt to recreate an Eden in a faraway land. And his secret to survival? Ice.
This is an interesting movie, not only because it has an all star cast, that includes River Phoenix, but because we see Harrison Ford give his all to creating a character that is multi dimensional. He is an idealist and has the best intentions, yet is doomed to failure as the viewer senses an impeding violent side to his vision which will come to destroy him.
As a movie this is a good study of man's attempt to act upon his dreams, as a lighthearted pop corn flick this will annoy the average mainstream cinema goer. Simply put, many people will find it hard to imagine Harrison Ford as anything else other than the super hero incarnation of Indiana Jones, and multi faceted anti heroes that never see the errors of their ways is a genre of cinema that Hollywood hasn't quite got their head around yet.
For everybody else who would like to see a movie that has depth, great acting and a solid script, this will be excellent viewing.