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Thriller about a psycho looking for revenge. Bronsky is a paraplegic because of an accident at a construction site that was partly due to the head architect, David Briand. Many years after the accident, Bronsky shows up at Briand's residence with his family and his trailer looking for assistance. He and his wife insinuate themselves into the household without revealing their true identity. They start to work for Briand and his wife Elaine as a gardener and a babysitter with the sole objective of wreaking havoc on their lives and avenging Bronsky's disabilities. Written by
Conservative revenge: a sadistic class struggle in the French cult thriller Mort un Dimanche de pluie (Death on a rainy Sunday)
David Briant (Jean-Pierre Bacri) lives with his wife Elaine (Nicole Garcia) and his daughter in a fancy glass house he built in the countryside. David is a very successful architect, while his wife is a music producer. One day driving out from his mansion, David is stopped by a man who hits his car with a trailer. The guy looks familiar, and suddenly David realizes the man to be Bronsky, an employee he had at a construction site in which he worked and where a terrible accident happened. Bronsky lost his arm during the occurrence, and there's nothing he can do anymore due to its disability. David feels guilty because of it, since it was probably his fault and the whole thing has been covered up to save his career. David is under pressure and decides to hire Bronsky as a gardener and his wife as a baby sitter for his daughter, not to spread around rumours about the misfortunate event, that could affect his achievements in life. The duo have a daughter as well, almost same age of David's, and they could spend some time together playing. Elaine can go back to work without worries, and David has his conscience cleaner, even if he's convinced that it wasn't really his fault. But things are not what they seem to be, Bronsky and his wife don't want only to be helped, they want revenge, and once insinuated in David's existence, they start to work toward their only goal: to tear the man's life apart. Shot in 1986 by Joel Santoni, one of the few movies for the big screen he directed and probably his best, the film is an excellent exercise in suspense and it's a precursor of such later US hits like The glass house and The hand who rocks the cradle. Bacri and Garcia are very good in their roles while Dominique Levanant and Jean Pierre Bisson shine in the parts of the creepy deranged couple, with a twisted mind.
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