A woman wakes up next to a murdered man. Did she do it herself, and if not, is she in danger herself?

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(as James Hicks)
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Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Joaquin Manero
...
Isabel Harding
Richard Foronjy ...
Sergeant Greenbaum
Geoffrey Scott ...
Bobby Korshack
James 'Gypsy' Haake ...
Frankie
...
Red
Don Hood ...
Hurley
Fran Bennett ...
Airline Clerk
Michael Flanagan ...
Airline Supervisor
...
Bartender
Michael Prince ...
Mr. Harding
Frances Bergen ...
Mrs. Harding
José Angel Santana ...
Driver (as José Santana)
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Storyline

Alex Sternberg wakes up with a hangover and no memory of how she ended up in bed with a dead man. She flees, convinced that she has had another blackout and stabbed someone. Her only support, Turner, an ex cop and recovering alcoholic who is unsympathetic to her plight. She could believe that it is as simple as a violent act committed while drunk, except that the body keeps re-appearing. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Add Synopsis

Taglines:

...can be murder. See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

25 December 1986 (USA)  »

Also Known As:

A la mañana siguiente  »

Box Office

Gross:

$25,100,000 (USA)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Made and released about twelve years after the same-titled American tele-movie The Morning After (1974). See more »

Goofs

The beat-up-but-running Chevrolet Bel-Air convertible that Jeff Bridges's Turner Kendall drives is a 1955 model, not 1956. See more »

Quotes

Detective: It's a great place for a stud. Or are you a fag, Jack?
Joaquin Manero: [walks up on him] How bad do you want to know?
See more »

Connections

Featured in Los Angeles Plays Itself (2003) See more »

Soundtracks

SAVE SOME (FOR ME)
Composed & performed by John Martin
Courtesy of Island Records
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User Reviews

 
All the right ingredients but what happened?...
23 December 2006 | by (U.S.A.) – See all my reviews

THE MORNING AFTER is one of those films that begins with an intriguing opening--JANE FONDA wakes up in bed next to a murdered man and, because she was in an alcoholic daze, can't remember even entering the man's apartment. So far, so good. Nice hook to draw the viewer in.

But as the story unwinds, it becomes clear that the writers ran out of material for a substantial story about midway through. The weaknesses are offset somewhat by the good performance of JEFF BRIDGES as a helpful policeman who agrees to help Fonda solve the who-dun-it aspect of her plight.

It's all beautifully staged and photographed in a sunlit Los Angeles and worth watching for the performances alone. Fonda is at her best as the worried alcoholic who refuses to believe she could have committed the crime and Bridges provides some good chemistry as a co-star.

But the ending (with its revelation) is a bit disappointing after all the build-up to a conclusion. RAOUL JULIA and KATHY BATES have minor roles but the weak ending is hard to dismiss.

Fonda won an Oscar nomination and deserved it for creating a dimensional character in a story thin on believable characters.


11 of 15 people found this review helpful.  Was this review helpful to you?

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