An American flyer who joined the RAF before his country was in the war is recovering from a leg injury in Jerusalem. Through an English friend he meets a quiet Jewish girl whose close-knit ... See full summary »
Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
Walter Fielding and Anna Crowley have to start looking for a new house- but there's not much they can afford! This soon changes when they meet a lonely old con artist who sells them a beautiful mansion at a ridiculously low price. Only there's a catch. The second they move into the house it falls apart, starting with the stairway collapsing to the bathtub falling through the floor to eventually the chimney falling into the house! Finally, they have to renovate the house before the frame collapses but the renovations also prove to be a disaster. Written by
Michael Feller <email@example.com>
The nick-name that Walter Fielding (Tom Hanks) gave to his and his wife's new house was "the Money Pit". See more »
In the scene where the "Cheap Girls" talk with Walter on wanting to change their name to "Meryl Streep", it looks like he says "bulls**t" instead of "Meryl Streep". See more »
It was no picnic but those guys are work animals. Well everything looks pretty much under control.
Well not to the layman's eyes of course.
They completely ripped up my house!
They sure as hell did didn't they? They really ripped the guts out of it. They're work animals I tell you. Look at those holes huh? Then you've got your gravel piles, your sand piles, your scrap piles. Animals!
Well I like a good conversation as much as any but I've got to run. Hasta ...
[...] See more »
The Money Pit is directed by Richard Benjamin and written by David Giler. It stars Tom Hanks, Shelley Long, Alexander Godunov and Maureen Stapleton. Music is by Michael Colombier and cinematography by Gordon Willis. Plot finds Hanks and Long as a young couple who buy what they think is their dream house, only to find the house falling apart around them.
Mozart is dead, his troubles are over.
He went on to be a big mover in the acting world did Tom Hanks, so much so it's always a little weird revisiting his comedy output in the 1980s because he's a vastly different actor now. Yet for many of us, that decade holds many treasures, where nostalgic fever takes a hold and a warm glow does come with watching the young Hanks bound about with comedic glee. The Money Pit doesn't have the cult worship of Splash or the internet respect of Big, yet it's a wonderfully funny picture that finds Hanks on optimum energised form. The plot might be thin and Long kind of gets pushed to one side, but this has much to enjoy with a bottle of vino and snacks. That is, of course, if you don't mind laughing at the misfortune of new home owners?! I am sinking fast into the money pit.
A number of sequences are pure farce, but in the good way, stairs collapse, as does the chimney, doors, floors and a leaking roof bring the mirth, as does a laugh out loud bath moment. It sounds a little chaotic, and it is at times, but the screenplay allows Hanks & Long, and the wonderful Godunov, time to breath life into the characters. There's a lovely romance at the core of the story, one that inevitably will be tested by the chaos of the house renovations and Godunov's third party ex. They are a very likable couple and easy to root for. Helps that Hanks is full of effervescent boyishness and Long is so homely and pretty, the latter of which I don't think has ever looked better than during a red dress sequence here.
If the foundation is OK? Then everything else can be fixed.
It doesn't have any surprises in store, it goes exactly where you expect it too, which naturally renders the final third as being all about the sentiment and the message. With the comedy gone, picture struggles a touch to put the final coat of paint on the project. But it's nicely underplayed by the actors and really this is about love triumphant against adversity. With the laughs that came previously more than making this a blues lifter for the nostalgic amongst us. 7.5/10
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