| Photos (see all 16 | slideshow) | Videos |
| Bob Hoskins | ... | George | |
| Cathy Tyson | ... | Simone | |
| Michael Caine | ... | Mortwell | |
| Robbie Coltrane | ... | Thomas | |
| Clarke Peters | ... | Anderson | |
| Kate Hardie | ... | Cathy | |
| Zoë Nathenson | ... | Jeannie (as Zoe Nathenson) | |
| Sammi Davis | ... | May | |
| Rod Bedall | ... | Terry | |
| Joe Brown | ... | Dudley | |
| Pauline Melville | ... | George's Wife | |
| Hossein Karimbeik | ... | Raschid | |
| John Darling | ... | Hotel Security | |
| Bryan Coleman | ... | Gentleman in Mirror Room | |
| Robert Dorning | ... | Hotel Bedroom Man | |
| Raad Rawi | ... | Arab Servant (as Raad Raawi) | |
| David Halliwell | ... | Tim Devlin | |
| Stephen Persaud | ... | Black Youth in Street | |
| Maggie O'Neill | ... | Girl in Paradise Club | |
| Gary Cady | ... | Hotel Waiter | |
| Donna Cannon | ... | Young Prostitute | |
| Perry Fenwick | ... | Pimp | |
| Dawn Archibald | ... | Wig Girl in Club | |
| Richard Strange | ... | Pornshop Man | |
| Alan Talbot | ... | Bath House Attendant | |
| Geoffrey Larder | ... | Hotel Clerk | |
| Helen Martin | ... | Peep Show Girl | |
| Kenny Baker | ... | Brighton Busker | |
| Jack Purvis | ... | Brighton Busker | |
| Bill Moore | ... | Brighton Busker | |
| rest of cast listed alphabetically: | |||
| Richard Ashton | ... | Man (uncredited) | |
| Harry Fielder | ... | Plain cloths cop (uncredited) | |
| Jeremy Hardy | ... | Shop Assistant (uncredited) | |
| Derek Lyons | ... | Pinball Player (uncredited) | |
| Zoot Money | ... | Carpenter (uncredited) | |
| Mandy Winch | ... | Flower Shop Girl (uncredited) | |
Directed by | |||
| Neil Jordan | |||
Writing credits | ||
| Neil Jordan | (screenplay) and | |
| David Leland | (screenplay) | |
Produced by | |||
| Chris Brown | .... | co-producer | |
| Patrick Cassavetti | .... | producer | |
| Ray Cooper | .... | co-producer | |
| George Harrison | .... | executive producer | |
| Denis O'Brien | .... | executive producer | |
| Nik Powell | .... | co-producer | |
| Stephen Woolley | .... | producer | |
Original Music by | |||
| Michael Kamen | |||
Cinematography by | |||
| Roger Pratt | |||
Film Editing by | |||
| Lesley Walker | |||
Casting by | |||
| Susie Figgis | |||
Production Design by | |||
| Jamie Leonard | |||
Art Direction by | |||
| Gemma Jackson | |||
Costume Design by | |||
| Louise Frogley | |||
Makeup Department | |||
| Lois Burwell | .... | makeup artist | |
| Nick Dudman | .... | additional makeup artist | |
| Stevie Hall | .... | hair stylist | |
Production Management | |||
| Linda Bruce | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tony Aherne | .... | third assistant director | |
| Chris Brock | .... | second assistant director | |
| Ray Corbett | .... | assistant director | |
Art Department | |||
| Len Bailey | .... | stand-by construction | |
| Les Benson | .... | property master | |
| Richard Burkett | .... | painter | |
| Ron Burkett | .... | chargehand painter | |
| Steven Burkett | .... | stand-by construction | |
| Stan Cook | .... | propman | |
| Gary Crosby | .... | painter | |
| Andy Evans | .... | construction manager | |
| Micky Ince | .... | stand-by construction | |
| Katie Kilroy | .... | prop buyer (as Kate Kilroy) | |
| Andrew Palmer | .... | propman (as Andy Palmer) | |
| Dave Pearce | .... | chargehand carpenter (as David Pearce) | |
| Alfred Pulis | .... | carpenter | |
| Tony Robson | .... | carpenter | |
| Denise Ruben | .... | assistant art director | |
| Robert Schofield | .... | stand-by construction (as Bob Schofield) | |
| Alfie Smith | .... | propman (as Alf Smith) | |
| Colin Smith | .... | stagehand | |
| Eric Strange | .... | chargehand prop | |
| Micky Swift | .... | propman | |
| Jim Taylor | .... | stagehand | |
| Chris Townsend | .... | art department assistant | |
| Stuart Williams | .... | carpenter | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Paul Carr | .... | sound re-recording mixer | |
| Paul Cridlin | .... | sound assistant | |
| David John | .... | sound recordist | |
| Chris Kelly | .... | footsteps editor | |
| Matthew Launay | .... | boom operator | |
| Brian Mann | .... | adr editor | |
| Brian Paxton | .... | sound re-recording mixer | |
Stunts | |||
| Terry Forestal | .... | stunt arranger (as Terry Forrestal) | |
| Derek Lyons | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Bob Brock | .... | clapper loader | |
| John Cantwell | .... | electrician | |
| Clive Coote | .... | still photographer | |
| Russell Farr | .... | electrician | |
| Bill Geddes | .... | camera grip | |
| Ian Norgate | .... | rigger | |
| Barry Read | .... | electrician | |
| Ted Read | .... | chief electrician | |
| John 'Porky' Rivers | .... | camera grip (as Porky Rivers) | |
| Mike Roberts | .... | camera operator | |
| Ian Tabor | .... | electrician | |
| Robert Wilcox | .... | electrician (as Bob Wilcox) | |
Costume and Wardrobe Department | |||
| Brenda Dabbs | .... | wardrobe supervisor | |
| Patrick Sharkey | .... | wardrobe assistant | |
Editorial Department | |||
| Jeremy Hume | .... | first assistant editor | |
| Kevin Lane | .... | second assistant editor | |
Music Department | |||
| Dave Hunt | .... | music recording engineer | |
| Andy Jackson | .... | music mixer | |
Transportation Department | |||
| Mark Binnall | .... | driver: transport and facility | |
| Paul Daley | .... | driver: transport and facility | |
| Mark Daubney | .... | driver: transport and facility | |
| Peter Godfrey | .... | driver: transport and facility | |
| Alan Howard | .... | unit driver | |
| Peter Lupson | .... | unit driver | |
| Ray Randall | .... | driver: transport and facility | |
| Ian Rankine | .... | driver: transport and facility | |
| Dave Watson | .... | action vehicle mechanic (as David Watson) | |
| Des Wyard | .... | driver: transport and facility | |
| Stuart Rose | .... | action vehicle coordinator (uncredited) | |
| Brian Weske | .... | driver: Michael Caine (uncredited) | |
Other crew | |||
| Bobby Blues | .... | production accountant (as Bob Blues) | |
| Laurie Borg | .... | location manager | |
| Jacky Holding | .... | accounting assistant (as Jackie Holding) | |
| Laura Julian | .... | production coordinator | |
| Michael Larkins | .... | production accountant | |
| Simon McNair Scott | .... | assistant location manager | |
| Pat Rambaut | .... | script supervisor | |
| Ringo Starr | .... | special production consultant (as Richard Starkey MBE) | |
| Bob Stilwell | .... | follow focus | |
| Fran Triefus | .... | assistant to producer | |
| John Varley | .... | production runner | |
| Brian Weske | .... | personal assistant: Michael Caine (uncredited) | |
Thanks | |||
| Nat 'King' Cole | .... | grateful acknowledgment | |
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| Notes on a Scandal | Magnum Force | The Limey | Lock, Stock and Two Smoking Barrels | I Was a Convict |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
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Neil Jordan's Mona Lisa is a gangster film, but it's a love story, but it's not romantic, but it's sentimental. It has the violence and testosterone-driven grit and Cockney linguistics of an English gangster movie, but it's emotionally driven story and the deeply felt inner softy in the outwardly angry, husky Bob Hoskins character make it different. As a love story, it's not for one second a boy-meets-girl, boy-loses-girl, boy-gets-girl yarn. It's much more complex and goes in a much different direction. I like that about Mona Lisa. Jordan makes the film very offbeat by making it very personal, which he does every film he makes. He closes in on a character's emotional motives and inner battles.
Bob Hoskins leads the very realistic cast with his powerful performance, not quite as intense or charismatic but just as interesting and different as he was in The Long Good Friday. Michael Caine, as he always has and always will be, is the highlight of the cast though. No matter how charming he is or how much presence he has to make the audience yearn for his time on screen, he still portrays a ruthless crime boss that we hate for Hoskins's sake. His half-closed eyes and spread lips during a scene when he loses his temper make him an almost bullying figure that must get his comeuppance.
Mona Lisa, aside from its rushed and perplexingly tacked on ending, is a decent contribution to the English crime genre, coming from a very individual approach.