Mona Lisa (1986)

Director:

Neil Jordan

Writers:

Neil Jordan (screenplay) and
David Leland (screenplay)

Release Date:

13 June 1986 (USA)

Genre:

Crime | Drama | Romance | Thriller

Tagline:

Sometimes love is a strange and wicked game.

Plot:

George, after getting out of prison, begins looking for a job, but his time in prison has reduced his stature in the criminal underworld...

Plot Keywords:

Driver | Gangster | Brighton England | Strip Club | Lesbian

Awards:

Nominated for Oscar. Another 13 wins & 11 nominations

Cast

Bob Hoskins	...	George
Cathy Tyson	...	Simone
Michael Caine	...	Mortwell
Robbie Coltrane	...	Thomas
Clarke Peters	...	Anderson
Kate Hardie	...	Cathy
Zoë Nathenson	...	Jeannie (as Zoe Nathenson)
Sammi Davis	...	May
Rod Bedall	...	Terry
Joe Brown	...	Dudley
Pauline Melville	...	George's Wife
Hossein Karimbeik	...	Raschid
John Darling	...	Hotel Security
Bryan Coleman	...	Gentleman in Mirror Room
Robert Dorning	...	Hotel Bedroom Man

Runtime:

104 min

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.75 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 (1988) | Finland:K-18 (1986) | Iceland:16 | Australia:M | Netherlands:12 (2002) | Germany:18 | Singapore:NC-16 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Brighton, East Sussex, England, UK

Company:

HandMade Films

Trivia:

Bob Hoskins was unaware that Michael Caine was in the film until he arrived on set for the first day of shooting. Caine himself had created the ruse while they worked together on Sweet Liberty (1986). He told Hoskins that he had been offered the part but it was too small and he was tired playing villains, even though he had already agreed to take the role.

Quotes:

Simone: You look better in the daytime.
George: Yeah and so do you. Where do you wanna go?
Simone: Down here.
George: You wanna walk?
Simone: Yes, it's good for you.
George: Bit early, innit?
Simone: I know, but the early bird catches the worm.
George: Clever little bastard...

Movie Connections:

Featured in The 44th Annual Golden Globe Awards (1987) (TV)

Soundtrack:

MONA LISA

Almost great modern noir

Mona Lisa is an interesting predecessor to Neil Jordan's later masterpiece 'The Crying Game'. Taking in many of the same themes as the later film, such as the nature of love, affection and doing what's right, Mona Lisa is an update of the classic film noir tradition that also has obvious ties with other genres such as crime, romance and even comedy. One famous film that I would liken this one to is the Martin Scorsese classic 'Taxi Driver', as the two films deal with similar issues and follow a similar structure, but Mona Lisa distances itself from the classic 70's movie because it has a very obvious heart at it's centre. The characterisation in the film is really well done, and it's obvious that writers Neil Jordan and David Leland care a lot about the characters in the movie. The events of the film are almost all a result of character actions, and the plot follows George; an ex-convict who has just been released from prison. He is given a job ferrying a high-priced call girl around her various jobs. What George doesn't count on is that the contempt he feels for her will turn into affection.

Like The Crying Game before it, Mona Lisa is a down and dirty, gritty movie and this styling does the film no end of favours when it comes to portraying the plot. The movie's style bodes well with the themes on display, and it also serves in giving it an edge of realism. However, the film's main downfall is that, while the atmosphere is realistic, the acting largely isn't. Neil Jordan doesn't appear to know how to pull a convincing performance from his stars, especially the female ones, as a lot of the dialogue is delivered in a very forced and phoney sounding manner; and it can get uncomfortable to view at times. Bob Hoskins does well at the film's core, and what I said about the acting can't always be applied to his performance; but there are definitely moments when holes begin to appear with him too. Also, like Jordan's masterpiece, the film's soundtrack is sometimes off-cue, and certain songs would have bee better off not being chosen for the soundtrack. However, all of the film's flaws can be forgiven when the film reaches it's explosive conclusion, as it's the perfect end to the film as it allows all of the characters to fully mature, and Bob Hoskins in particular shines at the climax. On the whole, Mona Lisa is a flawed, but still highly admirable piece of work.