In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of ... See full summary »
Ángel de Andrés López,
The movie tells the story of a family of commediants that work in the towns of Spain during the 40's and 50's. Life gets very taugh for them since they cannot compete any longer with the ... See full summary »
A basque priest finds by means of a cabalistic study of the bible that the anti-christ is going to be born on Christmas day in Madrid. Helped by a heavy-metal fan and by the showman of a TV... See full summary »
Álex de la Iglesia
Armando De Razza,
A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
Set in '50s Spain, a young man (Sanz) leaves the army and looks for a job so he and his fiancée (Verdu) can get married. He rents a room from a widow (Abril), and shortly begins a torrid ... See full summary »
Nicely cradled in José Luis Alcaine's tender and mood-setting photography, combining so tastefully with music mostly by Milladoiro, modern-day Galician troubadours, `La Mitad del Cielo' (one of Mao Tsé Tung's snippets, maybe?) is an enchanting if sometimes slightly long-winded story set in the beautiful valley of Pas, Santander, and in Madrid, between the late fifties and the early part of the sixties.
Angela Molina carries out an acceptable performance, mostly enhanced by Alcaine's clever use of light and camera-work so as to bring out her haunting look so frequently in this film. Ably backed up by some actors who were to become well-known a little later, such as Santiago Ramos (Como un Relámpago, qv), she survives fairly well. But both Margarita Lozano and Fernán Gómez tower above her with really fine performances. Personally I prefer to listen to her father Antonio Molina who was a great singer of fine Spanish songs, and who, like other singers of the times, appeared in numerous films of doubtful parentage in the 50s and 60s.
A leisurely approach is adopted in the telling of the story as Rosa grows up in the beautiful valley, marries a travelling knife-sharpener, and later gets employed as a wet-nurse in Madrid. Sociological and political aspects of the times form a back-cloth without being obtrusive but to useful effect. However I do feel that a goodly part of the last 15-20 minutes or so were unnecessary. Indeed I have noted a 90 minute version of this film, which would seem to suggest somebody has cut out some of the superfluous scenes, which, generally, would be dead against my principles with almost any film.
However, do not misunderstand me: I would see this film again as it has many sensitive scenes skillfully handled.
Slightly above seven out of ten on my scale.
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