The young blacksmith Siegfried, who, not knowing that he is heir to a conquered kingdom, becomes popular with the Burgunds by slaying their bane, the dragon Fafnir. When the reward seems to... See full summary »
An adventurer (Hamilton) decides to go in search of the lost city in the Amazon jungle. A motley crew of other people with reasons of their own decide to join him for the wealth of the lost... See full summary »
In the 19th century, an expert marine biologist is hired by the government to determine what's sinking ships all over the ocean. His daughter follows him. They are intercepted by a mysterious captain Nemo and his incredible submarine.
A fight over the calf of a prize milk cow in the close-knit and traditional Pas Valley of Cantabria leaves a cantankerous dairy farmer dead and another fearful of arrest. He and his ... See full summary »
Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, ... See full summary »
When a US plane is taken down over seas by an unknown assailant, the army is sure it was North Korea and a new war is about to break out. Even worse, the true attacker is an alien armed force and only one old battleship can stop them.
Mario Van Peebles,
The nobleman Franco Maironi is sailing over Lake Lugano together with his beloved Luisa. Luisa is from a bourgeois family and therefore marrying her would mean going outside his social ... See full summary »
Nicely cradled in José Luis Alcaine's tender and mood-setting photography, combining so tastefully with music mostly by Milladoiro, modern-day Galician troubadours, `La Mitad del Cielo' (one of Mao Tsé Tung's snippets, maybe?) is an enchanting if sometimes slightly long-winded story set in the beautiful valley of Pas, Santander, and in Madrid, between the late fifties and the early part of the sixties.
Angela Molina carries out an acceptable performance, mostly enhanced by Alcaine's clever use of light and camera-work so as to bring out her haunting look so frequently in this film. Ably backed up by some actors who were to become well-known a little later, such as Santiago Ramos (Como un Relámpago, qv), she survives fairly well. But both Margarita Lozano and Fernán Gómez tower above her with really fine performances. Personally I prefer to listen to her father Antonio Molina who was a great singer of fine Spanish songs, and who, like other singers of the times, appeared in numerous films of doubtful parentage in the 50s and 60s.
A leisurely approach is adopted in the telling of the story as Rosa grows up in the beautiful valley, marries a travelling knife-sharpener, and later gets employed as a wet-nurse in Madrid. Sociological and political aspects of the times form a back-cloth without being obtrusive but to useful effect. However I do feel that a goodly part of the last 15-20 minutes or so were unnecessary. Indeed I have noted a 90 minute version of this film, which would seem to suggest somebody has cut out some of the superfluous scenes, which, generally, would be dead against my principles with almost any film.
However, do not misunderstand me: I would see this film again as it has many sensitive scenes skillfully handled.
Slightly above seven out of ten on my scale.
3 of 4 people found this review helpful.
Was this review helpful to you?