David Merrill (Robert De Niro), a fictitious 1950s Hollywood director, returns from filming abroad in France to find that his loyalty has been called into question by the House Committee on... See full summary »
Robert De Niro,
Set in Italy, the film follows the lives and interactions of two boys/men, one born a bastard of peasant stock (Depardieu), the other born to a land owner (de Niro). The drama spans from ... See full summary »
Robert De Niro,
A conflict develops between a troubled Vietnam veteran and the sister he lives with when she becomes involved romantically with the army buddy who reminds him of the tragic battle they both... See full summary »
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the ... See full summary »
Jeremy Irons plays a Spanish Jesuit who goes into the South American wilderness to build a mission in the hope of converting the Indians of the region. Robert DeNiro plays a slave hunter who is converted and joins Irons in his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors. Written by
The film was entered into competition at the Cannes Film Festival in 1986 where it won both the C.S.T. Prize (the Technical Grand Prize) and the prestigious top award the Palme d'Or which were both awarded to director Roland Joffé. See more »
In the scene in which the young Guarani boy sings heavenly, but Cabeza calls him an animal nonetheless, Father Gabriel gives a speech in the boy's defense. The gathering's reaction is first observed, but as the image briefly cuts to Gabriel, it is visible that his lips do not move, even though he is not through with his speech yet. See more »
Your Holiness, the little matter that brought me here to the furthest edge of your light on Earth is now settled. The Indians are once more free to be enslaved by the Spanish and Portuguese settlers. I don't think that's hitting the right note. Begin again... Your Holiness, I write to you in this year of Our Lord 1758 from the southern continent of the Americas, from the town of Asunción, in the Province of La Plata, two weeks march from the great mission of San Miguel. These ...
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At the film's very end, after the final credits, Altimarano gives the audience an ambiguous, almost accusing look, as if he were asking it, "Would you or would you not have done this?" See more »
After hearing a quick clip from the soundtrack recently I decided to have another look at 'The Mission' which I hadn't seen for more than ten years. Interesting viewing in these days when epics abound: Lord of the Rings, Gladiator, Troy etc.
The first thing that struck me was the intelligence of the script which often seems an afterthought in today's big budget jobs. Robert Bolt weaves an intriguing web of characters; mercenary, slavetrader, starcrossed lover, papal emissary and man of faith. The passion of Robert de Niro's Mendoza beautifully contrasts the quiet firm conviction of Jeremy Irons' Gabriel. And the moral dilemma facing the Catholic Church, whether to abandon influence abroad for the sake of power at home, is ably brought to life in the tortured mind of Ray McAnally's Altamirano. This man sent from Rome by the Pope himself has the power of life and death over the Guarani Indians and the Jesuit priests who have dedicated their lives to Christian service in the deepest regions of the South American rainforest.
The film isn't perfect by any means: I would have liked better representation of at least one Guarani character but the integrity of Joffe's direction and Chris Menges' spectacular camera-work make this one film you have to see. And there's that lovely soundtrack by Ennio Morricone.
We may be more sophisticated these days in terms of technology, sound engineering and special effects but the lesson from 'The Mission' for today's directors has to be: it's the story, stupid.
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